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Paris Taikai 2013

From Shiro Kuma's Weblog by kumablog

Memories: picture taken during one of the first Shi Tennô seminar organized by Steve Byrne in 2001 in Trinity College in Dublin.

Memories: picture taken during one of the first Shi Tennô seminar organized by Steve Byrne in 2001 in Trinity College in Dublin.

Watching the nice blue sky through the window, I began to think about the next Yûro Shitennô Paris Taikai next July in Paris.

This seminar have been going on for more than ten years and it has always been a pleasure to welcome you all in our dôjô.

Many of you are already familiar with this extraordinary seminar but I think it is time to explain its origin once again for those of you who aren’t.

Around the year 2003, I was on the phone with Pedro and we were speaking of the “good old days” when the Shi Tennô could meet twice a year for a joint seminar called “Shi Tennô Seminar” (see picture above). But at the turn of the century, these seminars were not organized anymore. Many reasons for that.

First of all, the financial risk of having the 4 Shi tennô for a two days seminar was too big. Second, since our beginning (the first Shi Tennô took place in 1993), many new high rank instructors arrived on the market and there were more seminars available. Today each weekend in a 500km radius, there are at least two or three seminars organized.

Also our personal seminars schedule being so full we had some difficulty putting up a common date together.

Over the phone, we decided to organize it ourselves and this is how the first Paris Taikai was created in 2003. It was such a success that I decided to continue organizing it year after year. This year is the 10th one!

But what is a Paris Taikai?

Until the year 2002, Hatsumi would come to Europe to give three days seminars, they were called Taikai. I attended over 30 Taikai since the first one organized by my friend Peter King. The Paris Taikai was meant to replace the absence of sensei in our countries.

When we decided to organize the Paris Taikai, Sensei approved the idea and called it: “Yûro Shi Tennô Taikai”. Yûro 融朗 means “brightness”but is also a pun with “europa” pronounced by Japanese “yuropa”. Basically this is the Taikai organized by the European Shi Tennô: Peter, Sven, Pedro, and me.

The Paris Taikai follows the same structure as the Taikai of the past where we used to train during three days. But this one is also different as we train in three different dôjô at the same time. Also the group of participants is divided into 4 groups: beginners, intermediates, advanced, shidôshi. We make sure that each group is about the same size.

The Bujinkan France teached in a facility that is made of three dôjô: 1 big dôjô (150 to 200 people) with mats and two smaller ones (around 60-80 m2), one with mats and one with wooden floor. Trainings are conducted in the three dôjô at the same time and each hour teachers and students are changing location.

Each hour one group is taught by one Shi Tennô in the two small dôjô, and two groups (always beginner-intermediate; or advanced-shidôshi) are taught by 2 Shi Tennô in the big dôjô. This is why whatever your technical level you will receive the teaching that you can understand. Many times when you are attending a seminar, the teacher has to teach a certain level. When he is teaching high level, beginners are lost, and conversely when he is teaching basics, the advanced practitioners are bored! This is not happening at the Paris Taikai.

This Taikai is also the chance to meet people from all over the world (there are around 15 to 20 countries attending) and to connect or reconnect with friends from everywhere.

When you register for the Taikai (which is limited to 150 participants) you get:

  • 3 full days of training (10am-5pm)
  • 3 meals regular or veggie (lunch time only)
  • Paris Taikai tee-shirt
  • Certificate of attendance
  • Goodbye drink on the last day
  • Free sleeping (Thursday to Monday) at the dôjô

Also do not forget that this event takes place right during the weekend of the French National day, and Paris is full of laughter, fireworks, drinking, dancing; and the weather is around 30° Celsius.

But if Paris is a nice city to visit in summer; if the techniques demonstrated are done by 4 of the more advanced students of Sensei; above all what you are getting out of such an event is hours of happiness and friendship, and for me this is the most important part of a Taikai. The techniques are always nice but the feeling of belonging to a community is even better. This seminar is Bujinkan at its best!

Places are limited and pre-booking is going very fast this year so if you are interested to join us, please follow the link below:

http://www.budomart.com/acatalog/Online_Catalogue_PARIS_TAIKAI_36.html

And if you do not come some other Bujinkan member will be happy.

Rokkon Shojo!


Birthday Cake in Budapest: The Bujinkan Legacy

From Shiro Kuma's Weblog by kumablog

When Balázs and Laszlo asked me to give a seminar covering the Bujinkan themes of the last twenty years (1993-2012) I accepted but I didn’t immediately understand the “why?”, and I must admit that I didn’t see who would be interested.
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The day before traveling to Budapest I began to be concerned about the “how?”, and in a short mail, I told Balázs that I didn’t know if I could do it as suddenly Iunderstood the vast task it was. But eventually everything went fine and this is a seminar that I would like to repeat anytime. At first covering twenty different themes in two days made the seminar looking like some kind of food buffet where you are tasting many different dishes.
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But those themes have been chosen wisely by sensei, and the benefits from previous themes are reused after. Each year adding its particularity, was nurturing the next one.
 
If we follow the themes chronologically we rapidly see a logic in the system. Bô calls for Yari and Yari for Naginata. This “Sanshin of long weapons” as Hatsumi sensei called them once, is the best introduction possible to enter Biken jutsu, and Biken to understand Jô jutsu. In fact before the Tsurugi and the Tachi I thought that Jô was the ultimate weapon!
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This five year cycle (1993-1997) was followed by another five year cycle (1998-2002) focusing on the five different types of Taijutsu: Taihen jutsu, Daken Taijutsu, Koppô jutsu, Kosshi jutsu, Jû Taijutsu. During this period in order to illustrate these different Taijutsu, sensei used respectively the following schools: Shinden Fudô Ryû, Kukishin Ryû, Koto Ryû, Gyokko Ryû, Takagi Yôshin Ryû. Unfortunately very few people understood that the ryû that was taught was the omote and that the type of taijutsu taught through the school was the main thing.
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These first ten themes (1993-2002) taught us the various sides if what sensei called “Budô Taijutsu”.
Once the foundation of Budô clearly established, sensei put “Ninpô Taijutsu” on top of it. This was the beginning of Juppô Sesshô. As he said to me once: “the five different styles of Taijutsu are the expression of Budô Taijutsu; but Juppô Sesshô is the expression of Ninpô Taijutsu”.
The next ten years (2003-2012) have been dedicated to Juppô Sesshô.  We began with five years of “Omote” Juppô Sesshô (2003-2007), they were then followed by five years of “Ura” Juppô Sesshô (2008-2012). The Omote Juppô Sesshô was based on the body, the themes were: Sanjigen no Sekai, Yûgen no sekai, Kasumi no hô, Shizen, Kuki Taishô. We studied various weapons and schools during this cycle but only to put into evidence the concepts brought by sensei (kunai, shotô, biken, bô, yoroi etc).
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The Ura Juppô Sesshô is more about the soul, the mental side of the movements: Menkyo Kaiden, Saino konki, Rokkon shojo, Kihon Happô, Kaname. Once again we had to “listen” to sensei and understand the movement from the level of perception and not with our analytical mind and mechanical movements.
In fact it looks like a birthday cake with several levels. And in 2013, the Tachi hôken illustrated by the Tsurugi is like the candle on top of the cake. At the birthday party the cake is always good but what really matters in a birthday party, what is the most important thing is not the cake but the reason why people are gathered to eat it!
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Thank you Balázs for giving me this opportunity, I learnt a lot and I hope that the participants felt richer after these two exhausting days*
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*we had training from 10am to 6pm on both  days which left more or less 40 minutes per year of training… that was intensive.

 


What good is your martial arts skills against a government tyranny?

From 8þ Kabutoshimen by admin

If you don’t understand this, I question your whole reason for training martial arts! We are supposed to be role models and smarter than common people, at least that is what we are telling each other with varying confidence. Most people in Bujinkan seems to be caught up is some kind of romanticised imagination of being some kind of ninja warrior, far from today’s reality. It is fun dreaming away fighting with swords and shurikens. We talk about defending against what can not be seen, but have you even thought about what that means?

I don’t like to bring in politics and religion into training because we are all free to believe what we want. But when the politics stray from democracy and becomes tyranny I have to speak up against it. It is easy to see what is happening in USA with all these crazy events. I’m not talking about the two brothers bombing the Boston marathon, I’m talking about the media blowing things out of proportion scaring people and 9000 police army closing a whole town busting into innocent people’s homes taking away their constitutional rights. At the press conference the police say that we should not look at any other pictures than those they approved, telling us to only trust them. Now media is criticising themselves for jumping into conclusions and imply that in the future they will stick only to the official story without questioning. To me that is a strong sign on tyranny taking over.

You must understand that there is a lot of money to be made keeping people scared, just follow the money and you will understand.

And now we got CISPA coming, Obama said he will veto it, we’ll he said that about NDAA (indefinite jail without court or jury!) to and then signed it anyway New Year’s Eve 2011/12 in “secrecy”…

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The post What good is your martial arts skills against a government tyranny? appeared first on 8þ Kabutoshimen.…

無太刀 No Tachi!

From 術心悟 by goshinarts

無太刀 No Tachi!

If you practiced martial arts or zen, perhaps you recognize these Chinese characters. The first one, Mu is a negative and can mean among a vast array of meanings, nothing, not, no, nothingness and more. The second and third characters are a pair, pronounced Tachi, meaning just that, a Tachi is a type of curved sword usually worn hung at the waist blade down that was used during the warring periods in Asia.

This year in our martial arts training we are exploring movement while wielding a Tsurugi, another type of double edged sword that predates the Tachi. But notice the emphasis is on movement and not on the using the tsurugi itself. This is a very important point. Perhaps related to another recent post, Mu Tou Dori, you will enjoy this pun (which was originally painted by Hatsumi Sensei but I did not photograph it. So you must suffer my brush!). It is a simple pun but made thru the use of three different languages! The characters are Chinese, the expression itself is a Japanese expression based but based on the English language!

At first glance it looks like Nothing Tachi. But when we change the Nothing to No, it becomes “No Tachi”. Pronounced this way in the Japanese accent it becomes English, “No Touch”! This Japanese expression is use for situations that are perhaps dangerous, so “No Touch”, or maybe we distance ourselves from them. Perhaps it can imply a lightness of approach. What does it mean to you? If you have been training for a long time or even just beginning your journey, may this pun, in conjunction with the prior post, Mu Tou Dori, inspire and enlighten.


暴力 Bouryoku: How to Train For Violence

From Bujinkan Santa Monica by Michael

地震體驗室 photo by Anav Rin
If you follow the news this week, or any week on earth, really… violence (暴力 bouryoku), disaster, and tragedy never make sense. Sometimes the more you learn about a violent act or violent person and his motives, the less you understand. You can study a disaster like a historian. But you can never comprehend the scope, depth, or impact on real lives of the event itself.

A few years ago, Hatsumi Sensei told us that our training should pass into areas that can't be understood. I wrote about what he said here: Beyond Godan Into Wakaranai-Keiko

What can you do about this in your training? If you learn the concept of 万変不驚 Banpen Fugyo, then you can embrace the incomprehensible in your training. So how do you start doing this in the dojo?

Last month when I was training with Sensei, he explained more about this strategy for dealing with these events in our lives. He said,
"We're doing these things that can't be understood. And in real life people are killed by things they can't see or understand. We are studying how to survive things you can't understand. No matter how many techniques you study, they might actually interfere with your ability to live if you get stuck on them. And bit by bit you just end up collecting techniques. So get rid of those. Erase them."
These points are at the heart of what it means to study the Bujinkan. If you are not studying this way, or you are unwilling to look at your own training methods through this lens, you cannot understand Soke's art. And I see MANY students and teachers who refuse to look at this.

I get it. It's hard. People want something like techniques to hang onto. Just like people search for explanations for senseless acts of violence. People literally crave this.

As natural as that may be, that very human impulse is a trap and a luxury that true warriors cannot lean on. Survival requires it. And if you want your Bujinkan training to be more than typical sports or commercial martial arts, you should learn to not understand.

Paris taikai registration opened

From Shiro Kuma's Weblog by kumablog

IMG_20120420_142351Registration for the Paris taikai 2013 is open.

Since 2002 the Bujinkan France invites you to share 3 days of training in Paris with the Shi Tennô: Pedro Fleitas, Sveneric Bogsater, Peter King, and Arnaud Cousergue in our three Dôjô located in the city of Vincennes.
Each year around 150 Bujinkan participants gather there to share training and insights with the Shi Tenno under the Parisian summer sun.
As always lunches are included, tshirts are included, and free sleeping at the Dôjô.

Come to Paris and enjoy some memorable moments on the mats and outside and discover the French Capital.
This taikai happens around the French National Day (July14th), which means:

  • many fireworks,
  • a lot of dancing,
  • good time.

Places are limited so don’t wait too long!

Registration is mandatory to participate:

http://www.budomart.com/acatalog/Online_Catalogue_PARIS_TAIKAI_36.html


From 無刀捕り(Mu Tou Dori ) to 無闘捕り

From 術心悟 by goshinarts

Having returned to Japan after spending some time training in the yogic arts in India, it is wonderful to see old friends and my martial arts master, Hatsumi Sensei.  How fortunate we are to be able to train with living masters, whose presence can be as a great fire.  In Eastern thought, fire is the element charged with the power of transformation.  It has the power to transmute the other elements and bring vast change.  Perhaps you have felt the fire of a great master?

The common Characters for Mu Tou Dori are 無 (not,no,) 刀 (sword) 捕り(to trap, catch) and is often translated as unarmed sword trapping/defense. It is perfectly reasonable  to translate it in this manner.  And in the beginning of our training journey, it is natural to be concerned with the dynamics and techniques of taking a sword unarmed. But as we progress on our path, and our feeling of the art deepens, perhaps our Mu Tou Dori couldImage transform to 無 闘 捕り。No Fight Catching.  A brilliant play on the Chinese characters by Hatsumi Sensei.

As we progress perhaps we should seek this Mu Tou Dori feeling in not only defense against the sword but as a guiding principle in our art and heart.  This idea of the Mu Tou feeling is essential part of Hatsumi Sensei`s teaching and one that is crucial for all practitioners to aspire.  From “No Sword Trapping” to “No Fight/Struggle” and perhaps we can change trapping to more of an image of enveloping or wrapping your opponent in that intangible yet undeniable presence or spirit.   When this takes root in you, it is as the dew drop that returns to the ocean.  You may start spontaneously dancing!

 

 


Bo Munthe, 70 years

photo-1Bo Munthe was the pioneer who brought Bujinkan to Sweden and Europe in. In 1975 Ischizuka Sensei came over for two weeks and introduced Bo to Bujinkan Budo Taijutsu (then simply Ninjutsu), shortly after he went over to Japan and met Hatsumi Soke for the first time. If it wasn’t for him, who knows when someone else would have brought the art to Europe. He recently had his 70’th birthday. Hooray!

Click on over to Svenska Bujinkanförbundet’s web site and write him a few words.…

Masaaki Hatsumi: Dojo Art (Kickstarter Project)

From 8þ Kabutoshimen by admin

Masaaki Hatsumi: Dojo Art will be a professionally designed book of paintings and calligraphy by Bujinkan Soke, Masaaki Hatsumi.

This is a book in the planning by Steve Olsen, he is looking for people backing his book on Kickstarter. If he gets enough backers he will make the book, if not it won’t be a book. It is up to you if there will be one.

BACKGROUND

During break in his martial arts classes at the Bujinkan Hombu Dojo in Noda City, Japan, Hatsumi-Sensei paints for his students. He paints calligraphy and pictures. His art contains advice to his students and historical influence from the nine Japanese martial traditions he is the head instructor of

BOOK DESIGN

7504d495979ea290e9e6588215adb469_largeOur designer, Dan Saal, is a real pro. He’s an award-winning art book designer and he knows how to design beautiful books that bring the essence of topics to life. Dan’s sample layouts already look great and I look forward to working with him to finish the project.

For an idea of the quality you can expect, take a look at some of Dan’s work here:
http://www.studiosaal.com
http://www.studiosaal.com/awards.html

Support the project here… http://www.kickstarter.com/projects/1780878098/masaaki-hatsumi-dojo-art

The post Masaaki Hatsumi: Dojo Art (Kickstarter Project) appeared first on 8þ Kabutoshimen.…

Welcome to the Bujinkan Sweden Taikai 2013 in Gothenburg

From Bujinkan 40 Years in Europe by Christian Appelt

It is with great pleasure that we announce that the Bujinkan Sweden Taikai of 2013 will be held in Gothenburg, October 19-20th. Especially since it is a sort of anniversary since this year it is 30 years since Bujinkan was established in a more formal way in Gothenburg.

The Taikai will be hosted by the two Bujinkan Dojos in Gothenburg, Bujinkan Seishin Dojo and Bujinkan Dojo Göteborg.

We are very happy to be able to present these great instructors to you.

instructors2013

 

 

 

 

 

 

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