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Are You An Eccentric?

From Classical Martial Arts Research Academy by Luke Crocker (Atemi)

Shiro Kuma

Disclaimer: The class was so dense that this article might be a little too long. Sorry about that.

A class with Sōke these days is a succession of many moments. Relying on the Dai Shihan to show the techniques, he gives his advice from his chair. He only shows when a move requires his expertise.

Also, he often begins the class by showing the new swords he bought for his museum. He recently did a sword exhibition in Noda to explain to the public, the 200 blades he already has.

Friday night he displayed à few interesting Tantō that he got. Some of them had a Kozuka inserted in the scabbard. It was a first for me. (1)

Each time Sōke tells of being aware of the danger of live weapons. And shows the correct way to pass or receive a naked sword from hand to hand. Not aware of…

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Tsuki no Sho 月之抄

From Classical Martial Arts Research Academy by Luke Crocker (Atemi)

 

Click to view slideshow.

Author: Yagyū Jūbei Mitsuyoshi 柳生 十兵衛三 厳
Title: Tsuki no Shô
Year: 1642

Author Yagyû Mitsuyoshi (柳生 三 厳) in the original language Title: “月 之 抄” (Other spellings mentioned in the original language: 月 之 抄 / 月 の 抄 / 月 ノ 抄 / 月 之 書 / 月 の 書 / 月 ノ書 / 月 之 諸 / 月 の 諸 / 月 ノ 諸 / 月 見 之 抄 / 月 見 の 抄 / 月 見 ノ 抄 / 月 見 之 書 / 月 見 の 書 / 月 見 ノ 書 / 月 見 之 諸 / 月Titre の 諸 / 月 見 ノ 諸).

Japanese title: “Tsuki no Shô” (or sometimes “Tsukimi no Shô”) Title in French: “Written in the moonlight” Title in English: “Annotation (s) ) in the moonlight

The “tsuki no sho” is a strategic and philosophical treatise mainly about kenjutsu (saber warfare technique), written by one of the most famous fencers in Japanese history:

Yagyû Jûbei Mitsuyoshi (1607 – 1650). You will find here the complete transcript in modern Japanese. This transcription in modern Japanese comes from the book of Yoshio Imamura, published in April 1995: “Shiryô Yagyû Shinkage-Ryû (Vol.2)” (史料 柳生 新 陰 流 (下 巻)), of which she occupies about the first 70 pages (Pages 9 to 80).

Link download: Mitsuyoshi-Yagyū-Jūbei-Tsuki-no-Shô

 …

Tsuki no Sho 月之抄

From Classical Martial Arts Research Academy by Luke Crocker (Atemi)

 

Click to view slideshow.

Author: Yagyū Jūbei Mitsuyoshi 柳生 十兵衛三 厳
Title: Tsuki no Shô
Year: 1642

Author Yagyû Mitsuyoshi (柳生 三 厳) in the original language Title: “月 之 抄” (Other spellings mentioned in the original language: 月 之 抄 / 月 の 抄 / 月 ノ 抄 / 月 之 書 / 月 の 書 / 月 ノ書 / 月 之 諸 / 月 の 諸 / 月 ノ 諸 / 月 見 之 抄 / 月 見 の 抄 / 月 見 ノ 抄 / 月 見 之 書 / 月 見 の 書 / 月 見 ノ 書 / 月 見 之 諸 / 月Titre の 諸 / 月 見 ノ 諸).

Japanese title: “Tsuki no Shô” (or sometimes “Tsukimi no Shô”) Title in French: “Written in the moonlight” Title in English: “Annotation (s) ) in the moonlight

The “tsuki no sho” is a strategic and philosophical treatise mainly about kenjutsu (saber warfare technique), written by one of the most famous fencers in Japanese history:

Yagyû Jûbei Mitsuyoshi (1607 – 1650). You will find here the complete transcript in modern Japanese. This transcription in modern Japanese comes from the book of Yoshio Imamura, published in April 1995: “Shiryô Yagyû Shinkage-Ryû (Vol.2)” (史料 柳生 新 陰 流 (下 巻)), of which she occupies about the first 70 pages (Pages 9 to 80).

Link download: Mitsuyoshi-Yagyū-Jūbei-Tsuki-no-Shô

 …

Essence of Budō – Menkyo Kaiden Henchō Gata

From Classical Martial Arts Research Academy by Luke Crocker (Atemi)

Wanderings in Budo

From the Essence of Budō book. There is a second omission in the English translation for the sōjutsu section (p90), under the Menkyo Kaiden Henchō Gata 免許皆伝変蝶型 heading there is a short descriptive paragraph.

Below is the Japanese text and a translation:

免許皆伝変蝶型
この変蝶型というのは、ちょうど蝶が舞い遊ぶがごとく、右に左に身体を転じて相手方の虚に付き入るというのが目的で、槍を充分に使うことが出来得る者に於て、この型を練習と共に使うことが出来るのである。

Changing butterfly patterns passed from teacher to student
These are the changing butterfly techniques, that is to say as the butterfly dances and plays (flutters) so must you. Move the body to the right and left, turning around the opponent’s side, harmonise and enter in to the space with intent. To fully make use of the spear a person needs to practice and gain competence with all these techniques and to be able to use them together/interchangably.

The above is my translation, the last line being quite difficult to find the best way to express what is written.

Kukishin Ryū Sōjutsu and the Creation Myth of Japan

View original post 197 more words

Essence of Budō – Menkyo Kaiden Henchō Gata

From Classical Martial Arts Research Academy by Luke Crocker (Atemi)

Wanderings in Budo

From the Essence of Budō book. There is a second omission in the English translation for the sōjutsu section (p90), under the Menkyo Kaiden Henchō Gata 免許皆伝変蝶型 heading there is a short descriptive paragraph.

Below is the Japanese text and a translation:

免許皆伝変蝶型
この変蝶型というのは、ちょうど蝶が舞い遊ぶがごとく、右に左に身体を転じて相手方の虚に付き入るというのが目的で、槍を充分に使うことが出来得る者に於て、この型を練習と共に使うことが出来るのである。

Changing butterfly patterns passed from teacher to student
These are the changing butterfly techniques, that is to say as the butterfly dances and plays (flutters) so must you. Move the body to the right and left, turning around the opponent’s side, harmonise and enter in to the space with intent. To fully make use of the spear a person needs to practice and gain competence with all these techniques and to be able to use them together/interchangably.

The above is my translation, the last line being quite difficult to find the best way to express what is written.

Kukishin Ryū Sōjutsu and the Creation Myth of Japan

View original post 197 more words

高木揚心流 . . .

From Classical Martial Arts Research Academy by Luke Crocker (Atemi)

SEISHIN NINPO DOJO

KACEM DENSHO

“Takagi Yōshin-ryū is a style of jūjutsu. Of course it’s not ninjutsu. That is obvious. Historically, the founder of this style, Takagi Oriemon, practiced a school called ‘Takenouchi-ryū’ (竹内流), one of the oldest and most famous traditions of ‘sōgō bujutsu’ (composite martial arts; 総合武術) of Japan. The reason why I say sōgō bujutsu is because you also have weapons. So, sōgō bujutsu in martial arts means ‘general martial art’ or ‘various martial arts’. From one point, a nucleus, they teach many, many weapons. Takagi Oriemon had learned this method with the second generation, but the problem with the Takenouchi family is that they never gave the inner movement, the deepest understanding, to someone from outside of the family. That was one of the main rules back in the 14th and 16th centuries. But he learned enough to create his own style. He received many things and, with that, he had…

View original post 448 more words

高木揚心流 . . .

From Classical Martial Arts Research Academy by Luke Crocker (Atemi)

SEISHIN NINPO DOJO

KACEM DENSHO

“Takagi Yōshin-ryū is a style of jūjutsu. Of course it’s not ninjutsu. That is obvious. Historically, the founder of this style, Takagi Oriemon, practiced a school called ‘Takenouchi-ryū’ (竹内流), one of the oldest and most famous traditions of ‘sōgō bujutsu’ (composite martial arts; 総合武術) of Japan. The reason why I say sōgō bujutsu is because you also have weapons. So, sōgō bujutsu in martial arts means ‘general martial art’ or ‘various martial arts’. From one point, a nucleus, they teach many, many weapons. Takagi Oriemon had learned this method with the second generation, but the problem with the Takenouchi family is that they never gave the inner movement, the deepest understanding, to someone from outside of the family. That was one of the main rules back in the 14th and 16th centuries. But he learned enough to create his own style. He received many things and, with that, he had…

View original post 448 more words

A Glance at Satsuma’s Heki ryu Kyujutsu: Part 1

From Classical Martial Arts Research Academy by Luke Crocker (Atemi)

Light in the Clouds

Japan has a long history of the bow and arrow. A prestigious weapon when feudal lords were at conflict for the unification of Japan, many bushi were required to learn the art of shooting an arrow, called kyujutsu in Japanese. Several martial schools became famous for their instruction on kyujutsu, such as Yamato ryu and Ogasawara ryu. One school in particular, called Heki ryu, has strong roots in warfare and was systematically devised to be used in the hands of both the elite warriors and infantry. It is unique in that the traditional methods of battlefield tactics is still preserved today, which is visible in the Satsuma style of Heki ryu.

Yumi-p1000624 A Japanese bow with arrows, dating back to Edo period. From Wikipedia.

Let’s take a brief look into the history of Heki ryu to understand its roots, and it’s further development as a battlefield-focused archery system under the…

View original post 992 more words

A Glance at Satsuma’s Heki ryu Kyujutsu: Part 1

From Classical Martial Arts Research Academy by Luke Crocker (Atemi)

Light in the Clouds

Japan has a long history of the bow and arrow. A prestigious weapon when feudal lords were at conflict for the unification of Japan, many bushi were required to learn the art of shooting an arrow, called kyujutsu in Japanese. Several martial schools became famous for their instruction on kyujutsu, such as Yamato ryu and Ogasawara ryu. One school in particular, called Heki ryu, has strong roots in warfare and was systematically devised to be used in the hands of both the elite warriors and infantry. It is unique in that the traditional methods of battlefield tactics is still preserved today, which is visible in the Satsuma style of Heki ryu.

Yumi-p1000624 A Japanese bow with arrows, dating back to Edo period. From Wikipedia.

Let’s take a brief look into the history of Heki ryu to understand its roots, and it’s further development as a battlefield-focused archery system under the…

View original post 992 more words

Ninja: Unmasking the Myth By Stephen Turnbull

From Blog – Bujinkan Kokusai Renkoumyo 武神館國際連光明道場 by Toryu

Yes, I have read Turnbull and know his version but I have spent 15 years by Soke’s side hearing the wisdom that our art has brought us.

It reverberates deeply. It is not academic.

We are not looking to prove a direct lineage. At least I am not.

I am trying to explore the origin story of the Toda family’s art. I don’t care how old it really is. If the art was created in the Edo period by a bunch of Onmitsu and Oniwaban agents, then so be it.

To me, it is like the Masons picking up where the Templars left off. The Toda family were no doubt Takasho which have a strong connection to the Onmitsu and Oniwaban. I have continuously found records that prove the Toda family have worked as Torimi/Onmitsu agents and can prove that they came from the Iga-Shu sharpshooters.

The evidence is mounting high very quickly. It is just a matter of putting a label on it. Toda Sensei felt it should be called Togakure Ryu. Maybe it is just a remnant of the Iga Ryu giving credit to the story of Togakushi. Whatever, I am just interested in the ride through history that this origin story has provided us because without it I never would have had this personal adventure of discovery and excitement.

Seriously, every day I find more and more than just line up with Takamatsu’s story. I think we are just still stuck on what we do and do not call ninja and ninjutsu.

And I for one still prefer my Japanese resources. As great as a researcher as he is, I do not think he is the one to draw the line as to what is and what is not the truth about a very secretive Japanese art.

Sean Askew
Bujinkan Kokusai Renkoumyo
9/7/2018…