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Sakura No Kaze II

From The Magick & The Mundane » Bujinkan by Shawn Gray

The second annual Sakura No Kaze (“cherry-blossom wind”) seminar was held in Surrey, BC, just outside Vancouver, on May 14/15. Bill Brown and I team-taught for the two days, alternating back and forth, sharing lessons that we’ve learned from our time in Japan training under Hatsumi Sensei. This included both unarmed taijutsu techniques as well as variations with the sword and the 6-foot bo staff. We also taught techniques from both the perspective of a defender using the technique against an aggressor, and also from the perspective of having the technique applied to you by someone else, turning the technique back upon them (this is known as kaeshi-waza, 返し技).

The turn-out was very good despite the threat of rain, and although it did rain at times over the two days, there were hot, sunny breaks as well – a nice smattering of variable Vancouver weather. As many Vancouver-area Bujinkan groups do, we were training outside. At times, training jackets came off because it was getting hot, and at other times those training jackets were dripping with mud. The Vancouver groups are used to training outdoors in all sorts of weather. I had the same experience in my 5 years of training in Vancouver before moving to Japan – sun, rain, snow, mud, concrete, gravel, ice – we trained on and in it all.

It was so encouraging to see many old friends and new ones as well, the new generation who have come up the ranks in the 19 years since I began my training in the area. At the time I think there were only 2 or 3 Bujinkan black belts in BC. The Bujinkan community was very isolated from Japan. Few made the trip to Japan for training, and there were swindlers around who would take advantage of people’s ignorance, keeping them in the dark and taking their membership and grading fees and issuing their own certificates and membership cards instead of the official ones that are supposed to come from the Bujinkan office in Japan. Over time, people began to see other instructors and make their own trips to Japan, aided by the spread of information via the Internet since the mid-90′s. Now there are many instructors who have taken groups of students to Japan to train with Sensei, and the exposure of more instructors to the training in Japan has, over time, resulted in a much greater skill level than existed in the province when I first started out. It’s good to see – relationships between local training groups have developed and people are cooperating on hosting and organizing events and showing up to support each others’ seminars. Such inter-group cooperation was rare back in the ’90s. I felt a great sense of happiness when I thought of this as I looked around at the faces of the participants as the seminar came to a close. The Bujinkan in Western Canada has come such a long way, due to people’s efforts and sacrifice, and is developing it’s own history, one that I’m proud to be a small part of.

It was great to have the honour to be invited to teach here again.

Namaste, Arigatou, Keep Going!

Shawn


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Sveneric Bogsäter, Shihan (Holland)

From Sweden Taikai 2011 by Sweden Taikai 2011

Sveneric Bogsäter

Sveneric Shihan is originally from Sweden but has been living in Holland since the 1990′s. He was one of the main Bujinkan teachers that helped introducing Bujinkan all over Europe in the early 1980′s.

Sveneric and Soke at the UK Taikai 1987Sveneric is one of the grand old men and one of the most experienced teachers of the Bujinkan. He travels frequently to Japan to receive more training, and hold many seminars all around the world.

He started training Martial Arts in the 1960′s and earned Black Belts in several other Martial Arts before he switched over completely to the Bujinkan in the late 1970′s.

If you ask around everyone will tell you that he is one of the most experienced and well respected Bujinkan teachers in the whole world.

Many of us in Sweden is very proud of him being our first real Bujinkan teacher and role model. And we are really happy that he wanted to come for this special occasion!

Seminar with Sveneric Bogsäter in Prague 2011

www.youtube.com/watch?v=kiZMdQN7H4I

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Rob Renner, Shihan (Japan)

From Sweden Taikai 2011 by Sweden Taikai 2011

Rob Renner

As anyone who has trained with Rob before will know, Robs ability to break down techniques into easy to grasp exercises, so that you can understand what Soke and the Shihan are doing, is the backbone of his teachings and vital to anyone looking to progress in this art.

Rob Renner Rob is resident of Japan where he has lived for over five years. Rob is in a unique position to share insights from Budo Taijutsu. He works full-time as a movement coach, training people in the Zeropoint Training System , which includes injury-prevention exercise for adults, rapid body reconfiguration, and a number of movement and exercise courses for people of all ages and skill levels, not the least of which is working with leading Japanese schools to implement cutting-edge children’s educational, exercise programs.

Because of his focus on developing correct movement in a testable, scalable structure, Rob feels it is important to continue learning as much as possible from the best practitioners. Which is why you will see him as a student 5 and 6 days a week at Soke Hatsumi and the Shitenno’s classes, in addition to running his own training 5 days a week at Mabashi Jinja, as well as the Bujinkan Hombu Dojo?

Rob is well known for his ability to explain and simplify the more subtle aspects of Budo
Taijutsu as well as sharing drills and training ideas that make reproducing these aspects attainable at a much faster pace. Because he clearly shows the structure of training, from the very foundational movements to the seeming magic of Soke Hatsumi, and how they are connected, people always leave Rob’s classes with a feeling of exhilaration at finally grasping some pieces of the puzzle, and knowing they now have a much clearer direction for their own training!

Quoted here below (so you can see what to expect from the Tai Kai) is from a seminar with Rob earlier this year…

Developing the “Counter Intuition” of Kihon Happo

Rob Renner and Patrik Johansson in Czech Republic 2010As Hatsumi Sensei often says: “You cannot truly understand a technique until you understand its counter!” With this in mind, I will be showing the progression from co-operation to resistance, looking at how uke and tori would “counter” each move, then show how to use that counter to your benefit, allowing you todevelop your own “intuition” of the proper movement needed for any given moment. (This methodology can be used for any technique, but we will be focusing on Kihon Happo in conjunction with Soke’s chosen theme for this year.)

Rob will introduce the “shiho dori” (4 ways of taking) concept for developing a full range of options to internalize the principles of kihon happo.

The seminar will focus on the bio-mechanics of budo taijutsu, showing the developmental progression from beginner to advanced, utilizing lots of fun scenarios and drills for all to remember!

Rob Renner and Paul Masse seminar 2009

www.youtube.com/watch?v=Vph1HMHUxWI

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New DVD: Complete Gyokko-ryu Joryaku no maki with Holger Kunzmann

From Budoshop by BUDOSHOP.SE

Click here to buy the Gyokko-ryu Kosshijutsu Joryaku no maki DVDThis DVD contains all 12 basic taijutsu techniques from Gyokko-ryu Kosshijutsu Joryaku no maki. They are taught and explained thoroughly as the basic foundation, and with many applications and henka.

Title: Keiko31 – Gyokko-ryu Kosshijutsu Joryaku no maki
Instructors: Holger Kunzmann
Theme: Gyokko-ryu Kosshijutsu Joryaku no maki
Recorded: Recorded in Stockholm April 30th-May 1st 2011. 120 minutes, NTSC system, region free.

Buy the DVD click here!

The instruction is in English Format: NTSC, AAC Stereo, DVD/R- (it might not work on older DVD players! check your manual first!) approximately 120 Minutes playing time.

This DVD contains all 12 basic taijutsu techniques from Gyokko-ryu Kosshijutsu Joryaku no maki. All Taijutsu techniques are taught and explained thoroughly as the basic foundation, and with many applications and henka. The following techniques where taught…

Click here to buy the Gyokko-ryu Kosshijutsu Joryaku no maki DVD玉虎流 上略の巻 GYOKKŌ-RYŪ JŌ RYAKU NO MAKI
This is the first Taijutsu level in Gyokko-ryu and a very important if you want to learn the Bujinkan Budo Taijutsu system.

1. 虚空 KOKŪ
2. 輦輿 RENYO
3. 弾手 DANSHU
4. 弾指 DANSHI
5. 逆流 GYAKURYŪ
6. 梟鷗 KEO
7. 跳火 HANEBI
8. 闕倒 KETO
9. 指砕 YUBI-KUDAKI
10. 締脈 KETSUMYAKU
11. 殺締 SAKKETSU
12. 蹄拳 TEIKEN

All these techniques are explained and taught in detail. The DVD has menus where you can chose technique to see, completely with chapters.

Extra material from this seminar
We also released an 82 minute video as download file with warm-up and basic Taijutsu training drills. Including extra 20 minutes with henka that we couldn’t fit on this DVD. This is only available as download file, click here for more information about the Download video!

About the instructor

Holger Kunzmann Holger’s main interest in Bujinkan is the basics. And he has become quite famous for his excellent taijutsu and very good knowledge and skill of the basics in Bujinkan. He travels to Japan 3-4 times per year to study the with Hatsumi Soke, Someya Shihan and the other Shihan to. If you want to sponsor a seminar or course, please don’t hesitate to contact him. For more information see his web site Holger’s web site… www.bkd-reutlingen.de Note! The instructions is in English and there is no sub titles on this DVD…

三心の構 Sanshin no Kamae: Silent and Deadly

From Bujinkan Santa Monica by Bujinkan Santa Monica

photo by ngader
We can learn a lot from the Kamae in our art. For example, there are three Kamae that are often associated with hanbo that Takamatsu Sensei called 三心の構  Sanshin no Kamae. These three simple looking kamae contain important insights about the nature of fighting and combat that can change everything about the way you understand Kamae and Bujinkan Taijutsu.

Hatsumi sensei says these Kamae are "three phases:"

型破の構 Kata Yaburi no Kamae – form breaking

無念無想の構 Munen Muso no Kamae – no intention, no thought

音無しの構 Otonashi no Kamae – silent posture

The stances betray no outward signs of readiness for action, offensive or defensive. You stand exposed, weapons lowered, and your body square to the opponent. This emptiness makes these kamae positions of pure, unlimited potential from which all manner of henka can arise. These kamae all pass rapidly from stillness into motion and motion into stillness. Offense and defense are one and the same. Emptiness and reality are embodied in the stances with kyojitsu tenkan ho being a primary strategy.

With 型破の構 Kata Yaburi no Kamae you move in a way to break or destroy the opponent's form. Whether that be the form of his attack or breaking the "form" of his spirit. But this also suggests the destruction of your own form. Or the erasing of your own ego. Which leads us to,

無念無想の構 Munen Muso no Kamae, sometimes referred to as mugamae (non form), is the intention of no-intention, no-thought throughout your body or any weapon you hold.

So with 音無しの構 Otonashi no Kamae, you are lying low;  saying nothing and waiting for an opportunity. It is critical to use space, without showing your weapon, the form, the shape, or the sound. Use it in the unguarded space to take away the opponent's fighting power.

Soke describes this,
"you stand silently in otonashi no kamae (the silent posture) with both hands lowered. Even against a strong opponent you maintain this form. The cross style of this form has a secret meaning that includes both desperation and sacrifice."

The power of this stance often appears in cinema and theater.  Sawada Shojiro returned to Tokyo with Daibosatsu Toge, 1921-1922).  In this performance Sawada played Tsukue Ryunosuke, a ruthless and nihilistic swordsman who goes blind but his swordsmanship does not diminish. Ryunosuke's "soundless stance" (otonashi-no-kamae) sword-fighting style inspired many chanbara heroes that followed including the blind swordsman Zato Ichi.

The role of Ryunosuke Tsukue was reprised in the movie "Sword of Doom" by Tatsuya Nakadai in 1966. In this clip we can see Otonashi no kamae at work (WARNING graphic sword fight):


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