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From 無刀捕り(Mu Tou Dori ) to 無闘捕り

From 術心悟 by Mats "Toryu" Hjelm

Having returned to Japan after spending some time training in the yogic arts in India, it is wonderful to see old friends and my martial arts master, Hatsumi Sensei.  How fortunate we are to be able to train with living masters, whose presence can be as a great fire.  In Eastern thought, fire is the element charged with the power of transformation.  It has the power to transmute the other elements and bring vast change.  Perhaps you have felt the fire of a great master?

The common Characters for Mu Tou Dori are 無 (not,no,) 刀 (sword) 捕り(to trap, catch) and is often translated as unarmed sword trapping/defense. It is perfectly reasonable  to translate it in this manner.  And in the beginning of our training journey, it is natural to be concerned with the dynamics and techniques of taking a sword unarmed. But as we progress on our path, and our feeling of the art deepens, perhaps our Mu Tou Dori couldImage transform to 無 闘 捕り。No Fight Catching.  A brilliant play on the Chinese characters by Hatsumi Sensei.

As we progress perhaps we should seek this Mu Tou Dori feeling in not only defense against the sword but as a guiding principle in our art and heart.  This idea of the Mu Tou feeling is essential part of Hatsumi Sensei`s teaching and one that is crucial for all practitioners to aspire.  From “No Sword Trapping” to “No Fight/Struggle” and perhaps we can change trapping to more of an image of enveloping or wrapping your opponent in that intangible yet undeniable presence or spirit.   When this takes root in you, it is as the dew drop that returns to the ocean.  You may start spontaneously dancing!

 

 


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Masaaki Hatsumi: Dojo Art (Kickstarter Project)

From 8þ Kabutoshimen by Mats "Toryu" Hjelm

Masaaki Hatsumi: Dojo Art will be a professionally designed book of paintings and calligraphy by Bujinkan Soke, Masaaki Hatsumi.

This is a book in the planning by Steve Olsen, he is looking for people backing his book on Kickstarter. If he gets enough backers he will make the book, if not it won’t be a book. It is up to you if there will be one.

BACKGROUND

During break in his martial arts classes at the Bujinkan Hombu Dojo in Noda City, Japan, Hatsumi-Sensei paints for his students. He paints calligraphy and pictures. His art contains advice to his students and historical influence from the nine Japanese martial traditions he is the head instructor of

BOOK DESIGN

7504d495979ea290e9e6588215adb469_largeOur designer, Dan Saal, is a real pro. He’s an award-winning art book designer and he knows how to design beautiful books that bring the essence of topics to life. Dan’s sample layouts already look great and I look forward to working with him to finish the project.

For an idea of the quality you can expect, take a look at some of Dan’s work here:
http://www.studiosaal.com
http://www.studiosaal.com/awards.html

Support the project here… http://www.kickstarter.com/projects/1780878098/masaaki-hatsumi-dojo-art

The post Masaaki Hatsumi: Dojo Art (Kickstarter Project) appeared first on 8þ Kabutoshimen.…

Welcome to the Bujinkan Sweden Taikai 2013 in Gothenburg

From Bujinkan 40 Years in Europe by Mats "Toryu" Hjelm

It is with great pleasure that we announce that the Bujinkan Sweden Taikai of 2013 will be held in Gothenburg, October 19-20th. Especially since it is a sort of anniversary since this year it is 30 years since Bujinkan was established in a more formal way in Gothenburg.

The Taikai will be hosted by the two Bujinkan Dojos in Gothenburg, Bujinkan Seishin Dojo and Bujinkan Dojo Göteborg.

We are very happy to be able to present these great instructors to you.

instructors2013

 

 

 

 

 

 

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Kukishinden Ryū Happō Biken – article translation

From Wanderings in Budo by Mats "Toryu" Hjelm

九鬼神伝流八法秘剣

後醍醐天皇の守護についていた薬師丸蔵人隆真を始祖とする。後に功により九鬼姓を賜わった。棒、槍、薙刀、手裏剣、体術などの8法に剣術が加わる。剣が特に素晴らしい。当時は戦争の時代だったから殺人剣が多かったが、後に平和な時代になるとそれが活人剣になる。九鬼水軍が船の上で用いたため、腰を低く落として安定した構えが基本になった。

kukishinden 6

Kukishinden ryū happō biken

The founder Yakushimaru Kurando Takanao was a military governor (shugo) under Emperor Go-Daigo. The Kuki family name was an honour granted later. Kenjutsu is added to the eight methods that include bō, yari, naginata, shuriken and taijutsu. The sword (technique) is especially wonderful. At this time it was an era of war and many people were killed with the sword. Later in the period of peace it became the life saving sword. The Kuki naval forces worked on board ship so the fundamental became dropping the hips for a low stable stance.

Kukishinden 1

九鬼神伝流八法秘剣 Kukishinden ryū happō biken – nine demons divine transmission style, eight methods, secret sword.

The 鬼 ki of kuki is generally translated as demon, however could also mean spirit or ogre (read Oni), more importantly this does not have the evil connotation that the word demon in English (or Judeo-Christian languages) does.
Shinden can variously be translated as ‘teachings of the gods’ ‘teaching conveyed from the gods’ ‘transmitted to the soul’.
Happō can be eight methods, laws or principles, bearing in mind that eight can imply ‘numerous’.

kukishinden 2

薬師丸蔵人隆真 Yakushimaru Kurando Takanao

薬師丸 Yakushimaru – medicine man, chemical expert
蔵人 Kurando – keeper of imperial archives or a sake brewer
隆真 Takanao – noble truth – the same kanji can also be read as Takamasa, Takanori, Ryūma, Ryūshin and various others – as there is no furigana in the article to indicate the pronunciation I’ve left it as Takanao.

kukishinden 4

守護 Shugo – military governor in the Kamakura and Muromachi period

kukishinden 3

後醍醐天皇 Go-Daigo Tennō – the later or second to bear the name Daigo, equivalent of saying Emperor Daigo II. Tennō – heavenly emperor/Emperor of Japan. Lived 1288 – 1339 and reigned from 1318 – 1339.
Go-Daigo in 1336/7 (transition from Kamakura to Muromachi period) set up the southern court and so began the period of two courts Nanboku-chō (Southern and Northern)

1185 – 1333 鎌倉時代 Kamakura jidai
1333 – 1336 建武の新政 Kemmu no Shinsei
1336 – 1573 室町時代 Muromachi jidai
1336 – 1392 南北朝時代 Nanboku-chō jidai (a subdivision of the Muromachi)

kukishinden 5

The lineage chart shows Kukishinden ryū, originating with Yakushimaru Kurando, passing through Ōoka Kihei Shigenobu to Ishitani Matsutarō Takakage who then passes it on to Takamatsu Toshitsugu to arrive at Hatsumi Masaaki. Note here that in the Japanese article 大岡鬼平重信 Ōoka Kihei Shigenobu is written – usually this person is 大国 Ōkuni Kihei Shigenobu – this may be typo from when the chart was edited for the magazine…

hiden togakure kukishinden genealogy


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Tanjo

From Paart Budo Buki by Mats "Toryu" Hjelm

Tanjo stick,

tanjo is something between walking stick and police baton, I think, 
if you have more info about it you could send me, I will publish it here,


may look like Hanbo, but those who know more about it, say that this is the original look, 
tapered shape with a hole in the handle area



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Bu Jin Ken

From Paart Budo Buki by Mats "Toryu" Hjelm

Hi to all,

instead to replace pictures on older post,  here is new post ;-)

this is final look of Ken below,
sens this is Soke's design I put Bu Jin Kanji on it, hope that you love it

it is same Ken from Tachi Ken bokken post but this was final touch




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Bu Jin Ken

From Paart Budo Buki by Mats "Toryu" Hjelm

Hi to all,

instead to replace pictures on older post,  here is new post ;-)

this is final look of Ken below,
sens this is Soke's design I put Bu Jin Kanji on it, hope that you love it

it is same Ken from Tachi Ken bokken post but this was final touch




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SHIKIN HARAMITSU DAI KOMYOU

From BUJINKAN TASMANIA by Mats "Toryu" Hjelm

Image

The Bujinkan Dojo is a new entity, yet holds within it the cultural treasures and traditions since the dawn of Amaterasu. Soke has said that he is worried that the Japanese culture is moving in a direction where “traditions” are being forgotten. The role of the Bujinkan Dojo is to preserve the essence of the traditions through the martial arts while adapting to survive with the evolution of man and world he lives in.

If people care not about the traditional aspects of budo, we are in a sence ” killing ” the art or saying that tradition is not important any more. The Bujinkan is a holistic art form.  We must learn from the past to assist with the development of the future. Nagato Sensei during his classes often states that there are no shortcuts and that the larger more traditional forms must be practised and studied well, especially in regards to long weapons etc.

In the Bujinkan, we do this from kata. Kata helps us appreciate the history, traditions and culture of the martial arts of Japan. We also come to experience how culture and people have evolved in both mind, body and spirit. This is, in a way, a practical or ” hands on ” sociological or anthropological study of not only the Japanese culture but the cultures of the world. In a very natural sence through the study of budo, the practitioners of the martial arts become Anthropologists and Philosophers. 

Budo requires individuals to come together ( often as groups ) and physically enter movements of combatative study. For many, this is an extremely challenging step. The dojo holds within it a great chance for each individual to truly develop a working knowledge of their humanity,mortality, and place in the world. The dojo is a sanctioned area by Kami ( god ) to learn through hardship the purpose and correct manner in which to connect with others to minimise violence. It is quite a dichotomy really. However, it is the only way to truly learn to value human life. 

The fighting arts within the Bujinkan all commence with “spiritual purification”. This is extremely important. The practitioner must develop with a balance. If the person does not evolve with a balanced mind, then they will never naturally know when to act and not to act. Violence is to be avoided at all costs, yet the martial artist without the mind for peace, may rush into violence. Often it is said that all a good man has to do to defeat evil is to do nothing. Many people will see this comment as pacifist in nature. But to me, it is not. I have watched and listened to Soke, and I believe he follows the path of natural justice. I have thought about his manner of dealing with various issues and seen the results of this path way lead by Soke. I now try to build a greater capacity to trust in it as well.

It is in fact strategy of the highest nature and maturity. It is allowing the Universe to uphold natural justice. To relinquish ones own desires and allow the power of nature to take it`s course is knowing the “mind and eyes of god”. Those that need to be in control and have to take charge, are in their own ego. The release of the ego is to understand Mushin. To move from a state of nothingness or zero, is to move as dictated by nature and not your own selfish desires. The martial arts is about relinquishing oneself to a higher power. It is often a very difficult thing to do because we cannot see this power. As a result, we cannot trust in it and hold onto what we know and believe with our own consciousness.  A step to trusting this power is the godan test. This test for both the giver and reciever is a move toward acknowledging and trusting in a greater power than ones own. In regards to the godan test, it is often discussed that the giver must emit a killer intention. This killer intention ( as described once to me ) is actually an act of compassion. It is also a test of the givers unification of shin gi tai. The ultimate goal of the martial artist is to win without entering the fight. The emission of sakki and making the reciever move is one way of testing this. We must consider why sakki is emitted? Any professional would try to hide this “killer intention”, as he does not want his adversary to move or have the chance to defend himself. So, the emission of Sakki is for a variety of reasons.  

 

These things come to mind through the experience of training. The mind cannot understand alone. You have to learn through the body ( practise ). This is patience. If you do not have patience to learn this way, there will be the desire to ask questions ( with the mind ). People ask questions and want to know the answers to things that are too advanced for their actual ability and understanding. They may recieve the answers but, they still do not know the real truth because of their lack of training. It is the same with the Densho. It matters not who sees the densho, even if they are translated in all languages and can speak fluently in Japanese. The fact is, very few people have had the depth of training and life experience to understand the teachings of the waza.

I am one of these people. I`m a person who in actuality, understands barely the tip of the iceberg when it comes to the martial arts and the art of living. I am a lowly student trying to live the way of budo. I study the Bujinkan within my capacity. This is all I can do.

I was once approached by a person at a seminar after I mentioned a “secret teaching” ( unknowingly by this person from one of Sokes books ). They said ” Why are you giving away secrets?” I said ” Do you understand what I said?” They said, “No.” I said, ” Well, it`s still a secret then!”

 

南虎

 

PHOTO BY SHEILA HADDAD


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