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Ninjutsu and Shugendo: A Shared Mystical Legacy

ToryuMarch 10, 2025

From 武神館兜龍 Bujinkan Toryu by Toryu

Ninjutsu and Shugendo: A Shared Mystical Legacy

Ninjutsu and Shugendo are two enigmatic Japanese traditions that blend martial skill with spiritual mysticism. Their roots trace back to the fall of 百済 Baekje in 663 AD, when refugees, including 姚玉虎 Chō Gyokko (Yao Yuhu), fled to Japan. Chō Gyokko, a historical figure, brought martial techniques and Taoist practices from 唐 Tō (Tang China), influencing early Ninjutsu schools like 玉虎流 Gyokko-ryu and 虎倒流 Koto-ryu. Around the same era, 役行者 En no Gyōja (En the Ascetic) established 修験道 Shugendo, a path of mountain asceticism. This article explores their shared origins and practices, featuring direct insights from 山田雄司 Yamada Yuji (Professor Yuji Yamada) and 長谷川智 Hasegawa Satoshi (Yamabushi Satoshi Hasegawa) in their original Japanese kanji.

The Baekje Influence on Ninjutsu and Shugendo

The collapse of Baekje spurred a wave of cultural exchange as exiles introduced combat skills and spiritual traditions to Japan. Figures like Chō Gyokko played a pivotal role in shaping Ninjutsu’s foundations. Meanwhile, Shugendo emerged as a unique spiritual discipline. Professor Yamada highlights a critical link between the two:

「九字護身法は元々中国の道教のもので、それが修験道で入山する時に自分の身を霊的に守護するための作法になりました。忍者も印を結んだり九字を切ったりしますが、これらは修験道由来です」
(Translation: “The nine-syllable kuji-in came from Chinese Taoist practices, adopted by Shugendo to spiritually protect oneself in the mountains, and later passed to Ninjutsu”).

This statement underscores how Baekje’s legacy influenced both traditions through shared esoteric practices.

Shared Practices: Kuji-in and Mountain Training

The 九字印 kuji-in hand seals represent a profound connection between Ninjutsu and Shugendo. In Ninjutsu, these gestures served both practical and mystical roles. Yamada explains:

「忍者が印を結ぶのは、命がけの任務に臨む際に神仏の加護を得て、自身のメンタルを安定させるという実用的な面も大きかった」
(Translation: “Ninjas used kuji-in to gain divine protection and mental stability before life-or-death missions”).

In Shugendo, the seals carried a deeper spiritual weight. Hasegawa elaborates:

「修験道は密教の影響が強いので、密教で重視される「三密(身・ロ・意)」の「身=身体」で、ある種の形を作ることで精神的な影響を起します」
(Translation: “In Shugendo, influenced by esoteric Buddhism, the ‘three secrets’—body, speech, mind—are used, with the body forming seals to create spiritual effects”).

Mountains also played a central role in both disciplines. Yamada notes:

「忍者は山中で修行を積んで、肉体的な鍛錬と同時に「何があっても大丈夫だ」という精神性を身に付ける」
(Translation: “Ninjas trained in mountains to build endurance and a resilient mindset”).

Hasegawa complements this:

「山を歩くのは感性を磨くのに重要で、どんな此細な変化も見過ごさずに察する」
(Translation: “Walking in mountains sharpens the senses, teaching one to notice subtle changes”).

These quotes reveal how kuji-in and mountain training bridged the martial and mystical aspects of Ninjutsu and Shugendo.

A Lasting Connection

The contributions of Baekje exiles like Chō Gyokko shaped Ninjutsu, while En no Gyōja forged Shugendo’s path. Despite their differences, both traditions share rituals like kuji-in and a reverence for mountain training, as evidenced by the exact words of Yamada and Hasegawa. This fusion of martial and mystical elements highlights their intertwined heritage.

References

The full article 忍者と修験道 was published in Hiden Magazine June 2022.

長谷川智 Hasegawa Satoshi, a Yamabushi and Hitotsubashi University lecturer, has studied yoga, martial arts, and bodywork for 38 years. He leads Shugendō training, teaches at Asahi Culture Center, and serves as a senior “Hone Navi” director. His works focus on physical health, mountain asceticism, and traditional training methods.

山田雄司 Yamada Yuji, born in 1967, is a professor at Mie University specializing in medieval Japanese religious history and ninja studies. A martial arts enthusiast, he has authored books on ninjutsu and ninja history. He studied at Kyoto and Tsukuba Universities and previously worked in historical research and academia.

The post Ninjutsu and Shugendo: A Shared Mystical Legacy appeared first on 武神館兜龍 Bujinkan Toryu.…

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Bujinkan Ranks: The Circular Path of Mastery Through Three Triads

adminFebruary 26, 2025

From 武神館兜龍 Bujinkan Toryu by admin

Bujinkan Ranks: The Circular Path of Mastery Through Three Triads

Bujinkan ranks shape more than just skill for me as a practitioner. They reflect a profound evolution, echoing the ninja’s circular wisdom of body, mind, and spirit. In our dojo, we distill this into three triads: 天地人 Ten-Chi-Jin, 守破離 Shu-Ha-Ri, and a mysterious third I call 禅空無 Zen-Ku-Mu. Together, these nine stages form a circle, with the final triad as zero—the ultimate enlightenment. Here’s how I see this progression shaping our ranks, starting anew at each milestone.

天地人 Ten-Chi-Jin: The Foundation of Movement, Technique, and Flow

The first triad, 天地人 Ten-Chi-Jin (Heaven-Earth-Man). Builds the ninja’s foundation from 9th Kyū to 5th Dan, culminating at the 師導士 Shidōshi (teacher) level.

天 Ten (Heaven) – Movement (9th Kyū to 1st Dan)

We begin with movement—learning to shift, roll, respond. It’s fluid, like the sky’s rhythm. These beginner *Bujinkan ranks* from 9th Kyū to 1st Dan should hone awareness and flow. A natural base to launch into Chi upon earning 1st Dan.

地 Chi (Earth) – Techniques (1st Dan to 4th Dan)

Once 1st Dan is received, we ground ourselves in techniques—strikes, locks, throws. Understanding the knack of why they work, like earth’s stability. From 1st to 4th Dan, these ranks should sharpen precision and adaptability, preparing us for Jin.

人 Jin (Man) – Integration (4th Dan to 5th Dan)

At 4th Dan, we dive into 人 Jin, blending movement and technique via the Jin Ryaku no Maki. An introduction to the 9 Ryūha’s selected *Waza*. It’s about grasping the flow, intuiting harmony. By 5th Dan, 士道師 Shidōshi embody this seamless unity.

天地人 Ten-Chi-Jin cycles from raw motion to refined flow, a loop we master as teachers.


守破離 Shu-Ha-Ri: The Evolution of Mastery

From 5th Dan to 大師範 Dai Shihan, 守破離 Shu-Ha-Ri (Protect-Break-Leave) spirals us through mastery, each stage igniting at a new rank.

守 Shu (Protect) – 5th Dan to 10th Dan

With 5th Dan earned, we enter 守 Shu, learning all 9 Ryūha techniques. Taijutsu, weapons like swords and staffs—exactly as intended to protect the art’s future. These ranks from 5th to 10th Dan test depth and fidelity, preserving our ninja legacy.

破 Ha (Break Up) – 10th Dan to 15th Dan

At 10th Dan, 破 Ha unlocks freedom—breaking and experimenting with all techniques to forge endless connections and possibilities. I’d love these ranks to showcase creativity, adapting Waza like a ninja’s cunning through to 15th Dan.

離 Ri (Leave) – 15th Dan to Dai Shihan

Reaching 15th Dan, 離 Ri transcends structure and ego. 大師範 Dai Shihan trust intuition for Kami Waza. Divine techniques—acting perfectly in the moment without thought, a departure into pure essence.

守破離 Shu-Ha-Ri refines us, a spiral beyond the dojo’s walls.


禅空無 Zen-Ku-Mu: The Circle of Zero

Beyond ranks lies my third triad: 禅空無 Zen-Ku-Mu (Absolute-Space-Void). Unbound by ranks—a circular mystery for the enlightened, where nine stages become zero.

禅 Zen (Absolute)

Unity of all.

“Root and sky entwine,
Nothing holds the endless now,
Circle turns to none.”

空 Ku (Space)

Boundless possibility.

“Wind carves the silence,
Void dances in open fields,
One step, none remain.”

無 Mu (Void)

Pre-action stillness.

“Shadow cloaks the flame,
Space hums where no foot has stirred,
Zero breathes alive.”


Conclusion: Bujinkan Ranks as Nine to Zero

I see Bujinkan ranks as a circle: 天地人 Ten-Chi-Jin (three) builds the base. 守破離 Shu-Ha-Ri (three) evolves it. And 禅空無 Zen-Ku-Mu (three) completes the nine, circling to zero. Kyū flows into Dans, Dans spiral through the 9 Ryūha and beyond, and the rare master returns to nothing—a living haiku with a smirk. Where are you on this path?

Thanks to Grok 3 Beta for the help.

The post Bujinkan Ranks: The Circular Path of Mastery Through Three Triads appeared first on 武神館兜龍 Bujinkan Toryu.…

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UNA VISIÓN KAFKIANA DE LAS ARTES MARCIALES

Unryu BlogFebruary 24, 2025

From Gassho by Unryu Blog

 

UNA VISIÓN KAFKIANA DE LAS ARTES MARCIALES

Por Pedro Fleitas Gonzalez


 

Hace unos días aprovechando una visita a Praga, una ciudad encantadora en todos sus aspectos visité el museo del escritor Franz Kafka.

Para quienes no conozcan su obra. La historia se refiere a su figura como un escritor atormentado.

Según afirma National Geography en sus estudios históricos: “Kafka plasmó sus más íntimos sentimientos en su obra, que fue prácticamente en su totalidad publicada póstumamente a pesar del deseo del escritor checo de verla destruida tras su muerte.”

Lo cierto es que, desde mi época universitaria, sus obras me atraían de sobremanera, obviamente “metamorfosis”, “el proceso”, “carta al padre y otros escritos” realmente me permitían acceder a esa parte íntima personal que a veces es demasiado inaccesible por su incomodidad.

Las artes marciales tienen muchos aspectos kafkianos ya que desde una visión adjetiva del inventado término de “kafkaesque” es aplicado a todos los tipos de situaciones intolerables o sin esperanzas.

La práctica de las artes marciales se asoció y aún sigue ocurriendo idénticamente desde muchas visiones neófitas a una práctica relacionada de manera exclusiva a la lucha, a los conceptos de ganar o perder, al “matonismo exuberante”, a la arrogancia, a la falta de cultura, a una excesiva práctica deportiva, a una excesiva práctica conteniendo aspectos tradicionales japoneses, a fanatismos venenosos y podría seguir.

Los practicantes de artes marciales realizan sus rutinas de estudio y prácticas, al menos en nuestro centro, Bujinkan unryukai, como una búsqueda de paz interior, un alejamiento de tanto ruido externo, de un desarrollo del amor y el respeto hacia si mismo y los demás.

También aprender a desarrollar la intuición para tomar distancias de situaciones sin solución, contaminantes y estar alerta de manera relajada antes personas que emiten una energía muy densa, violenta y maliciosa y siempre desde la aplicación de la comprensión.

Se habla de Kafka y se relaciona a la sin esperanza y a las situaciones intolerables. Ahí esa conexión ya que un concepto y su antagónico se necesitan mutuamente.

Los artistas marciales crean esperanzas, pero más aún se dedican a aprender a crear “certezas”.

Los artistas marciales entienden las situaciones intolerables como un camino de aprendizaje de la tolerancia saludable poseyendo una visión clara de que hay situaciones intolerables que son como son y más no se puede hacer hacia el exterior para producir el cambio.

La opción es producir el cambio desde el interior de uno mismo, tarea ardua, lleva su dedicación y conlleva mucha paciencia. Y cuando hablo de paciencia me refiero a ser capaz de empezar algo y esperar a que acabe de manera natural, no forzada.

Creo que en los tatamis hay demasiadas personas que se acercan y ya están terminando sin ni siquiera haber comenzado, ¡No se dan la oportunidad! Tienen prisas, no desean la transformación y están escasos de perseverancia.

Todo esto tiene solución, dejarse llevar por la guía de la persona adecuada con confianza y presencia y que haya experimentado situaciones similares.…

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忍の朝の儀式: Ninja Morning Rituals

adminFebruary 19, 2025

From 武神館兜龍 Bujinkan Toryu by admin

忍の朝の儀式: Ninja Morning Rituals

Ninja morning rituals are fascinating practices rooted in ancient Japanese traditions that combine physical discipline, spiritual focus, and esoteric techniques. These routines were designed to empower practitioners with clarity, strength, and divine protection, often invoking deities like 摩利支天 Marishiten, a guardian of light, prosperity, and invisibility.

Takamatsu Sensei’s Daily Discipline

In a 1966 article published in 武道春秋 (Budo Shunju Magazine) titled Shinden Shura Roppō , Takamatsu Sensei shared his daily morning ritual:

  • He went to bed by 9 PM every night.
  • At 6:30 AM, he performed a cold water massage , a practice he maintained for 40 years without fail. This contributed to his remarkable health and resilience, ensuring he never fell ill.

As a Dai-Ajari head priest in Kumano Shugendo, Takamatsu Sensei likely incorporated prayer or meditation into his routine. The title of Dai-Ajari is reserved for those who complete extreme endurance feats, such as the Ōmine Sennichikaihōgyō (one-thousand days of trekking on Mt. Ōmine) and the Shimugyō (nine days without food, water, sleep, or rest).

Hatsumi Sōke once mentioned receiving the same Mikkyō rank as Takamatsu Sensei during training at the Honbu Dojo. While unclear if he attained the title “Dai Ajari,” this highlights their shared commitment to spiritual and physical mastery.

For Shimugyō, preparation is key. Practitioners must follow precise dietary guidelines months in advance to survive the nine-day fast. Adherence to these instructions ensures survival despite the body’s typical limitations.


Kuji Goshin Hō: A Ninja Morning Rituals Routine from 1812

The 九字護身法 (Kuji Goshin Hō) , documented by Gyochi in 1812, outlines a morning ritual performed immediately after waking:

  1. Wash your hands, face, and mouth with water to purify yourself.
  2. Face north and exhale forcefully to expel 濁気 (Dakuki), or unclean spirit.
  3. Turn to face east , open your mouth, and take three deep breaths to absorb fresh, clean energy.
  4. Clack your teeth together 36 times , matching the rhythm of your relaxed pulse. This helps the spirit descend into your body and calms the mind.

Kuji Hiden: An Ancient Practice Linked to Marishiten

Another morning routine, described in 九字秘傳 (Kuji Hiden) by 宮井安泰 (Miyai Yasutai) in 1787, traces its origins back to 太公望 (Taikōbō) “Grand Duke Wang” (also known as 姜子牙 Jiang Ziya, 1128–1015 BCE), who taught the fundamentals of Kuji to his students. This practice involves facing the rising sun and performing specific hand gestures while chanting incantations:

Face the first rays of sunrise (or the eastern ridge-line in the mountains, or the horizon in flatlands).

  1. Place your left palm on your chest and extend your right hand forward, palm down. Curl your fingers as if beckoning someone and chant RIN .
  2. Place your right hand above your heart and extend your left hand forward. Lower your left hand, curl your fingers, and chant HYŌ .
  3. Turn your palms forward at chest height and chant TŌ .
  4. Move your palms to the left and right sides and chant SHA .
  5. Close your hands into fists and press them to your chest while chanting KAI .
  6. Touch both shoulders with your fingers and chant JIN .
  7. Place both palms on your hips and chant RETSU .
  8. Put both palms on your knees and chant ZAI .
  9. Raise your palms to form 斗衝 (Dozu)—a triangle shape with your thumbs and index fingers—and chant ZEN .

The Role of Marishiten in Warrior Practices

摩利支天 (Marishiten) is a revered deity in Japanese warrior culture, symbolizing light, protection, and prosperity. Warriors practiced Marishiten-hō , invoking her/his power for:

  • Invisibility in battle : To evade enemies.
  • Victory and success : By illuminating their path and guiding them.
  • Wealth and good fortune : Beyond martial contexts.

Staring at the sunrise was a symbolic act of connecting with Marishiten’s radiant energy. This practice reflects the deep spiritual connection between warriors and celestial forces, emphasizing harmony with nature and divine empowerment.

The post 忍の朝の儀式: Ninja Morning Rituals appeared first on 武神館兜龍 Bujinkan Toryu.…

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Gokui Training: Japan Report Two 令和6年

MichaelFebruary 17, 2025February 17, 2025

From Bujinkan Santa Monica by Michael


I began this day by catching a train to the Bujinkan Honbu Dojo for a class with Furuta Sensei. In the past few years I’ve been able to train with him quite a bit. And each class gives me a little more insight into the gokui of 雲隠流 Kumogakure Ryū and Ninjutsu.

Furuta Sensei began class using 乱勝 Ranshō as a springboard to explore many ideas. He would use a dramatic drop or lean in his body to evade and upset his opponent’s balance. He also shifts this way to hide within the opponent’s movement.

When he called me to be his uke, he blocked my attack, but the way he held his other hand gave me the impression that I could attack again. Then Furuta Sensei encouraged me to hit him. I said, “are you sure?” But this was intentional because he was baiting me. So when I went for it, I fell into the space as he hit me with an unseen strike.

He used this same feeling to access hidden weapons. If you’ve trained with Furuta, you know he always has a couple of knives on him. One moment I thought I had gotten away from him, then I felt a knife hit me in the foot. He had thrown it from a distance during my ukemi.

He had us do some mutō dori techniques, but he surprised us because as we did the evasion, Furuta Sensei attacked us with another sword from behind! Then he shared some gokui for dealing with multiple opponents and this live type of Godan test.

極意 Gokui Training

I went to 長全寺 Chōzenji to reflect on where I am at with my current training approach. I am not focused on basic fighting or combat, but rather on the level of gokui. This is how I expand my training to match the feeling I get from Hatsumi Sensei.

One might ask, 霊魂よ、そこにいますか。Because when a student is defeated in the dojo, or even worse, in combat, that moment is overwhelming. And they start to wonder what went wrong or why they failed. When the spirit is full of these doubts, it is very difficult to find the essence or the gokui.

What is the essence of defeat? A big lesson is to get back up and move forward. Perseverance is the gokui of life.

It is difficult to communicate to someone who is focused on technique, fighting, or winning the nature of this type of training. But if someone trains with me in person, they might feel it. Or maybe they can learn from some Japanese Shihan who are teaching this way.

Even though I am a still tired from training and travel, I went to Noguchi Sensei’s evening class. I drank some tea for a boost because his classes are energetic. He usually jams through a bunch of kata and henka.

When he first arrived at the Honbu dojo, someone asked him about his busy schedule last year with many taikai around the world. He commented that even though he enjoyed it, he was getting old and he would probably retire next year. I hope this was just a daydream on his part.

My friend László gave Noguchi Sensei a photo calendar with pictures from his mountaineering expeditions. Noguchi Sensei really admired these photos of snow covered peaks. I said to him, “when you retire you can take up mountain climbing.” He laughed and said he would rather stay home and drink beer.

Noguchi Sensei taught from the 初伝型 Shoden Gata level of 虎倒流骨法術 Kotō Ryū Koppōjutsu. He surprised me because he only made it through maybe half of them. But that didn’t mean the class was slow.

He emphasized taking a cross step during the strikes and evasions. Then he changed levels from 上段 Jōdan to 中段 Chūdan, and then 下段 Gedan. He also showed ura and omote with each kata.

Noguchi Sensei did grappling techniques against punching attacks, or the reverse. These are some of the ways he finds henka. But I think he makes this teaching choice to expose the gokui found in each kata. I’ve trained with him for many years so I can see some of his strategy for teaching and exploring taijutsu.

In one of the techniques he did on me, he took a unique angle in his evasion that caused my second punch to catch air. In that moment when I was off balance, I felt him attack my upper thigh. And that sent me sprawling.

My training partner said he didn’t see that strike. But I felt it hidden within the movement. It was as if the angle of evasion was a type of strike! I spent the rest of the class trying to understand that angle.

As I sit here writing my notes, I look forward to some sleep. But I am excited to see what tomorrow brings here in Japan. You can watch the video about my experience in Japan Report Three 令和6年 coming soon.

 …

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