Comment on Tenchi Ryusui 天地流水 by Suzaku Bujinkan Dojo
From Comments for Classical Martial Arts Research Academy by Suzaku Bujinkan Dojo
In reply to Luke Crocker (Atemi).
Thank you very much for the opportunity
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From Comments for Classical Martial Arts Research Academy by Suzaku Bujinkan Dojo
In reply to Luke Crocker (Atemi).
Thank you very much for the opportunity
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From Comments for Classical Martial Arts Research Academy by Luke Crocker (Atemi)
In reply to Suzaku Bujinkan Dojo.
The pleasure would be mine!
From Blog – Bujinkan Kokusai Renkoumyo 武神館國際連光明道場 by Charles Onaje Lucas
Hello everyone:
I am the web designer for Sean Askew’s new Bujinkan Kokusai Renkoumyo 武神館國際連光明道場 website. Thank you for your patience while we build the website and post the new content.
Let’s know in the comments. Please, if like what we are doing, click “Like,” “Fellow”, give us “Feedback” “comments,“ and get a notification about a new post.…
From Shiro Kuma by kumablog

Last Week-end, the Yoroi Taikai was fantastic! Christophe and Laid did a wonderful job by creating this opportunity. But life doesn’t stop.
In two weeks we are happy to welcome you once again to the Paris Taikai 2017.
PARIS TAIKAI 14th 15th 16th JULY 2017
Peter King, Sveneric Bogsater and Arnaud Cousergue are sharing their insights on Kannin Dokuson.
Register today HERE
From Shiro Kuma by kumablog

Last Week-end, the Yoroi Taikai was fantastic! Christophe and Laid did a wonderful job by creating this opportunity. But life doesn’t stop.
In two weeks we are happy to welcome you once again to the Paris Taikai 2017.
PARIS TAIKAI 14th 15th 16th JULY 2017
Peter King, Sveneric Bogsater and Arnaud Cousergue are sharing their insights on Kannin Dokuson.
Register today HERE
From Comments for Classical Martial Arts Research Academy by Suzaku Bujinkan Dojo
But I would like to have the chance with your permission to put this article in Italian on our blog. Sincerely grateful
Luigi Di Santo
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From Comments for Classical Martial Arts Research Academy by
[…] of the intricate ties and patterns that we’ve come to recognize in hojōjutsu were invented, and some might say discovered, for […]
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From Bujinkan Santa Monica by Michael
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| Ricky, Kiwa, and Michael on our way to the Bujinkan Honbu |
“With the fingertips being able to 変えるkaeru. You've got to be able to do this just with your fingers. it's not a technique. you don't really feel like moving much, right?"Soke said he was controlling through connection. Connect to the opponent’s movement, but also what he is thinking and feeling. Once you make that connection you can control him. Control his body, thoughts, and his feelings through this connection.
“You’re not controlling one specific point, you’re controlling everything. I said by the fingers, but it’s not really the fingers. It’s about control. It looks like it’s happening at the fingers but it’s actually happening with the whole body.”Soke used the word 神経 shinkei. This is a sensitivity through the nerves.
“Study this way of controlling through connection. Connect with what he's thinking or he's feeling. It's not technique. you have to be connected with him like this. You can't teach this. If you try to avoid, you're going to break that connection.”This is not something you do with your own human intention. Shinkei is instinctual like an autonomic response that your body has if you are sensitive enough.
From Bujinkan Santa Monica by Michael
I visit Iceland to share some Bujinkan lessons from training in Japan with Hatsumi Sensei. As you will see, I have made my own Icelandic saga and many new friends:From Shiro Kuma by kumablog
A week ago, my last class with Sensei for this trip was another great one, with many insights to bring and to train at home.
Before we began, Hatsumi Sensei spoke about the new statue of Kannon that he acquired recently. More than a statue, it is a symbol. When Takamatsu Sensei stayed one year on the mountain, he trained under the guidance of a hermit. During this time he developed a strong connection with the goddess Kannon. He saw Kannon as the end of his mountain shugyō and a witness of the Musha Shugyō accomplished in the wilderness.
When Hatsumi Sensei saw this statue at his regular antique shop, he took it as a reminder of Takamatsu sensei’s story. For him, this statue placed at the centre of the Shinden symbolises the fact that we (he) have reached the level of Takamatsu sensei’s understanding.
The Goddess Kannon connects us (him) to the late Takamatsu Sensei.
Before we did the salute, Sensei facing the Shinden called me to give me a Ōmamori from the Amatsu Tatara. It reads “Amatsu Tatara no Hōken”. Hōken is the treasure sword that protects from sickness and evil. That was a kind attention.
Kannon, the Amatsu Tatara no Hōken, these are connecting us to our Life. And this is the same type of connection that we’re looking for in the encounter.
During class, Sensei spoke many times about the importance of Tsunagaru. (1) We have to connect to the moment, to the opponent, and to the fight. Mutō Dori deals with this quality of the connection.
At any given moment we have to be protected, in “security”. Sensei repeated that in the exchange we had to safe and secure: “Anzen”. (2) We can be Anzen because we do not fight, we play (Asobi – 3) with Uke, using our fingers, our understanding of distance, and our unwillingness to do anything to defeat him. “Master the Kokû” he added, “and never give the opponent anything he is expecting. We have to keep changing (moving) because life is about changing permanently. If you stop moving your body and your mind, you cannot change. If you don’t change, you become visible, when you are visible, you are “pre-visible”, and Uke can read your actions.
We have to learn hos to change. Then, I began to get very lost when Sensei added that “(he) cannot teach change.”
How then can we possibly learn to change when he cannot teach it?
He explained that it was impossible to teach because change is a natural human reaction that develops by itself. When we watch him doing things that we can hardly copy, there’s no learning process or structure to follow. The ability to change is what blooms from your training.
We see the permanent change when he does it, and maybe, one day, we will be able to do it. It cannot be learned; it comes from years of practice.
That understanding about change, connection, security being the result of years of practice, tied us (Tsunagaru) with his introductory speech about the new Kannon statue.
I have the feeling that Hatsumi Sensei has reached another plateau in the evolution of his understanding of Budō. At this level of Mutō Dori, we are only witnessing his level of expertise.
I wrote in a recent post that we shouldn’t copy his movements. I guess I was wrong because copying him is not possible anymore.
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1. Tsunagaru: 繋がる, to be tied together; to be connected to; to be linked
Tsunagu: 繋ぐ/tsunagu/to tie; to fasten; to connect
2. Anzen: 安全, safety|security
3. Asobi: 遊び, 1) play, 2) play (margin between on and off, gap before pressing button or lever has an effect)