Reviews

From YŪDANSHA NO AN'NAISHO by YŪDANSHA NO AN'NAISHO

After you read the book, please give us a fair review of the book. Did you like it? What did you like? Didn’t you like it? Why didn’t you like it? Would you recommend it? Or just write anything you honestly think about the book. Also try to be helpful to other people judging wether to buy this book or not.

Thank You and HAPPY TRAINING!

/Mats

Legends of the Bujinkan…

From Blog – Bujinkan Kokusai Renkoumyo 武神館國際連光明道場 by bkronline

Towards the end of the Edo Period from about 1839 to 1841, there was a suppression of scholars of Western Studies called the “Bansha no Goku” (蛮社の獄, “The Indictment of the society for western (or barbarian) study”). The Edo Shogunate government of Japan was beginning its expulsions of all things western and foreign.

Master Yagi Ikugoro Hisayohi (八木幾五郎久喜), the 13th Soke of the Takagi Yoshin Ryu, at the time was a samurai of the Akō Domain (赤穂藩 Akō Han) located in Harima or today’s Hyōgo Prefecture. He was a Jujutsu master at Akō Castle. This castle is famous for being the home of the Daimyo Asano Naganori known for his attempt to kill Kira Yoshinaka at Edo Castle in 1701. Naganori was ordered to commit suicide and his samurai later became rōnin. You may know a group of them as the Forty-seven rōnin. The domain later was ruled by the Mori family for twelve generations until the abolition of the fiefdom system in 1871.

Being interested in the outside world, Master Yagi had regular correspondence with members of the Shoushikai (尚歯会), a group of Japanese scholars that studied European arts and technologies through the Dutch. He is said to have been close to Watanabe Kazan. But unfortunately, due to the ongoing suppression of those open to western influences, this caused him to get expelled from the Akō Domain and his clan in 1841. Now in need of a new occupation to survive in the rapidly changing times, he opened a Jujutsu Dojo at the base of Akashi castle.

It is interesting to note that Akashi castle, from 1633 to 1639, was the home to Toda (Matsudaira) Yasunao and Toda (Matsudaira) Mitsushige. Both lords came from the Toda family of the Matsumoto domain in Shinano near Togakushi Mountain. This branch of the Toda family was entitled to use the family name of the Shogun, Matsudaira.

So now we have the same Toda family that has ties to Togakure Ryu ninjutsu serving the Shogunate and lording over Matsumoto castle and Akashi castle at the beginning of the Edo period.

Keep in mind this is the same Toda family that sent:
Toda Hisasuke
Toda Gosuke I
Toda Gosuke II
Toda Hisajiro
to work for the Shogun in Edo as Takasho (falconers).

This connection to Akashi castle could be why our Toda Shinryuken (Hisajiro) ended up residing in Akashi city (Kobe) after leaving his position at the Military Academy in Edo (Tokyo) as a sword instructor.

One of the stories about Master Yagi in the Takagi Yoshin Ryu (Ishitani-Den) scrolls says that he was so skilled in martial arts that he once held off a giant wild dog that was attacking some travelers on a country road with only a small wooden skewer for boiling snack foods.

Bujinkan Dojo lineage for Takagi Yoshi Ryu
1.Takagi Oriemon Shigetoshi
2.Takagi Umannosuke Shigesada
3.Takagi Gennoshin Hideshige
4.Ohkuni Kihei Shigenobu
5.Ohkuni Yakuburo Nobutoshi
6.Ohkuni Tarodayu Tadanobu
7.Ohkuni Kihei Yoshisada
8.Ohkuni Yozaemon Yoshisada
9.Nakayama Jinnai Sadahide
10.Ohkuni Takezaemon Hidenobu
11.Nakayama Kaemon Sadasaka
12.Ohkuni, Kamahura Hidetoshi
13.Yagi Ikugoro Hisayashi
14.Fujita Fujigoro Hisayoshi
15.Mizuta Yoshitaro Tadefusa
16.Takamatsu Toshitsugu
17.Hatsumi Masaaki

Sean Askew
Bujinkan Kokusai Renkoumyo
5/11/2018H


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***UPDATE on: THE HIDDEN LINEAGE – IN SEARCH OF THE HISTORY OF THE TOGAKURE RYU***

From Blog – Bujinkan Kokusai Renkoumyo 武神館國際連光明道場 by bkronline

Many have been asking me when the Togakure Ryu history book that includes the information about Toda will be ready. Honestly, I am slightly behind schedule due to several long business trips with my day job but I still plan to be finished with the rewriting and editing by the end of May. So, if things go really well I may have copies at the end of May. But at the latest, I should have everything ready in June.

I am also opening a new website in conjunction with the book to promote the BKR Dojo’s new member’s only content. I will still always be writing and posting for free here on Facebook but this will be for my personal students and for those who want more in-depth videos and articles along with the chance to earn rank in the BKR syllabus created by myself and approved by Hatsumi Soke and Noguchi Dai-Shihan in 2001. There will be monthly live training webinars included for members. All for the low cost of $9 per month.

But for now, here is another part of Soke’s new Taijutsu book that I thought deserved translation…

Koppojutsu and Taihenjutsu
From Kamae to tactical application

The Root Principles of the Bujinkan Martial Arts

It is Taihenjutsu (大変術), not to mention, that is the root of all of the Bujinkan’s techniques. Here is where you pull off all the strikes, joint locks and throws. It is the same if performing unarmed Taijutsu (体術) fighting techniques or with Bukijutsu (武器術) weapons techniques. I think many of you have already come to understand this now. In this essay I will return to the origins, and explain in detail this basic point that should be called the Bujinkan’s root principle technique.

The Koppojutsu mentioned in the above title is referring to one of the core styles of the Bujinkan system, the Koto Ryu Koppojutsu. When generally referring to Koppo (骨法), many people may have the image of striking techniques in their mind but in the old schools of Jujutsu, a fist (拳) did not always mean a hand held in a closed fist. Just the same, Koppo does not always equal striking techniques. It is certain that striking skills are an important part of the Koto Ryu and there are striking based techniques in the style such as Yokuto and Setto. But not limited to only that, there are throws, as in the form Hoteki, and there are also joint lock techniques and muscle grabbing techniques in the style. But what all forms have in common is that you move with the legs in an X pattern to approach and attach yourself to the opponent while applying the techniques. Each technique has an established theme and then with these forms as a base, various elements are added. Therefore, even with throwing techniques, various types of techniques will be used in combination. For example, Hoteki is reverse-over the shoulder throw versus a grab to the chest. But at the moment when the opponent’s body floats up from the reverse lock on the elbow, a pressure point grabbing technique is applied in combination to the points in the opponent’s arm. Depending on the flow of situation you can also strike the pressure point called Jakkin on the inside of the bicep rendering it unable to resist the technique.

Also, the form Setto is a technique versus a grab to the chest using a type of fist called Shikanken. This fist is formed by half closing your normal fist and striking the opponent’s Jakkin with the second joints of the four fingers, followed by a thumb strike from the other hand to the floating ribs. At first glance it seems like a very simple technique but from this point many variations including various throws, joint locks and grabbing techniques are included. The theme of this technique and the secret to its application are important elements. Therefore, as I have expounded “Koppo” means the knack or the gist of how to apply the techniques.

Along with the Koto Ryu, the Gyokko Ryu Koshijutsu is another of the core arts of the Bujinkan. Koshijutsu is said to mean the “essentials” of all martial arts (the mother of all martial arts). Here the use of the Kanji character for bone in the “Ko” part of “koshi” is used to imply as always, the root principles or the theme of the art. The use of this character is not simply just a pun, it is meant to impart a deep feeling.

The birth of a technique…【Kamae 構え】

In this essay, to analyze the fundamental parts of the Koto Ryu, I will explain the basic Kamae and their usage. I have said many times that Kamae is the birth or the beginning of a technique and not a fighting pose. But I think that it will be even more clear if we look at the photographic explanations. From these Kamae, I’d like you to understand how to use Taihenjutsu to deal with your opponent’s attacks.

In the Koto Ryu, Kamae is called Kurai Dori (位取) and this term shows that it contains various feints, variations and counters. Essentially all the elements of the martial arts are contained in the Kamae.

Here I will explain Seigan no Kamae (正眼の構え), Hira Ichimonji no Kamae (平一文字の構え), Houko no Kamae (抱圍の構) and Boubi no Kamae (防備の構え). But of these four the most basic is Seigan no Kamae. As you can see in the picture, in this posture you turn to the side and lower the hips while both arms are directed towards the centerline of your opponent. From this Kamae the basic body movement is while the lead arm becomes the axis and the body evades the attack to the left or to the right. By doing this you can evade the enemy’s line of offense and be in a position that is advantageous for the battle, and if you have a weapon in your hand you can still move in this same way. Hira Ichimonji no Kamae will probably give the strangest impression…

Specifically, move from Seigan no Kamae to evade the line of attack by moving the body to the side where you can counterattack immediately. Or you can turn your body sideways to avoid the line of attack to the inside or the outside, immediately spreading both hands forcefully to hit the opponent’s face with the back of the hand or palm (this position is Hira Ichimonji no Kamae). At the time of avoiding the attack by turning to the side and flattening out, do it just like trying to squeeze through a crowd. By opening both arms out. During this movement it is possible to be completely flattened out. There is also the meaning of complementing the movement of the front hand with the with symmetrical arm movement of the backhand. The raised leg is meant for kicking and hooking, and everything is prepared to be useful for battle with no waste. In addition, spreading both hands to the left and right and keeping both feet flat on the floor while dropping their waist is called Hira no Kamae.

Widely applicable…【Kamae 構え】

To do Houko no Kamae face your body to the front and raise both hands up and in front of you. The knack of this is to keep your hands and arms up like you are wrapping up or absorb your opponent into your arms and body. Both hands can be used for offense or defense. It is a very easy Kamae to use in actual battle and is used for facing a swordsman while unarmed. While Seigan no Kamae leads to the sword, staff, spear, etc. this Houko no Kamae is the basic stance of using secret weapons like the Tekagi (手鉤) or “hand claws”. As for this, I would like to explain more, in addition to the Tekagi, there are also many techniques including dangerous weapons such as the “ring spike” or Kakushi (角指) and “iron fists” or Tekken (鉄拳). There are even knife fighting techniques as well. But regarding these, I wish to avoid from putting on paper the techniques that are regarded as dangerous.

If you are seeking real training head to the door of your nearest Bujinkan Dojo.

Hatsumi Masaaki
Ninjutsu Kyoden (忍術教伝) 2018
Text: Pages 94 ~ 96
Photos: Pages 98 ~ 103

Translated by
Sean Askew
Bujinkan Kokusai Renkoumyo
5/1/2018


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Searching for Toda, Sensei

From Blog – Bujinkan Kokusai Renkoumyo 武神館國際連光明道場 by bkronline

When I sat with Soke on the 21st and shared my research with him, everything was still hot off the press and only in English. I needed to explain everything I had found to him.

27628809_1481584878621056_1609936000718160481_oHe was very excited about the finds and insisted that I get everything translated over into Japanese for him right away.

That has been my priority number 1 since I returned on Monday heavy with a bad hangover and severe jet lag.

Today I have completed translating all 31 pages of the most important aspects of the research I have done over the past few months. They are off to him now both digitally and by postal mail.

Now I can focus on getting down to writing the full book.

Glad this initial stage is finished.


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三光稲荷 Sankō Inari

From 8þ Kabutoshimen by admin

On the second training this year Sōke improved an old painting with a fox. He painted white hair on the Fox and added the kanji. Then he put it up on the left side of Shomen wall in Honbu Dōjō.

三光稲荷 SANKŌ INARI
(Three light rice load)

G00g1e translate isn’t much help. But I found interesting story on Wikipedia about Inari Ōkami is the Japanese kami of foxes, of fertility, rice, tea and sake, of agriculture and industry, of general prosperity and worldly success, and one of the principal kami of Shinto. In earlier Japan, Inari was also the patron of swordsmiths and merchants. Represented as male, female, or androgynous, Inari is sometimes seen as a collective of three or five individual kami. Inari appears to have been worshipped since the founding of a shrine at Inari Mountain in 711 AD, although some scholars believe that worship started in the late 5th century.

By the 16th century Inari had become the patron of blacksmiths and the protector of warriors, and worship of Inari spread across Japan in the [[Edo period]. Inari is a popular figure in both Shinto and Buddhist beliefs in Japan. More than one-third (32,000) of the Shinto shrines in Japan are dedicated to Inari. Modern corporations, such as cosmetic company Shiseido, continue to revere Inari as a patron kami, with shrines atop their corporate headquarters.


Inari and their fox spirits help the blacksmith Munechika forge the blade kogitsune-maru (Little Fox) in the late 10th century. This legend is the subject of the noh drama Sanjo Kokaji.

The fox and the wish-fulfilling jewel are prominent symbols of Inari. Other common elements in depictions of Inari, and sometimes of their kitsune, include a sickle, a sheaf or sack of rice, and a sword. Another belonging was their whip—although they were hardly known to use it, it was a powerful weapon that was used to burn people’s crops of rice.

Inari is a popular deity with shrines and Buddhist temples located throughout most of Japan. According to a 2007 report from Kokugakuin University, 2970 shrines are dedicated to Inari.

If you find one or usually many red Tori gates it is most likely a shrine dedicated to Inary deity.

So what does this mean for Bujinkan? I don’t know, it is an interesting part of Japanese culture. Maybe he just want us to look it up.

The post 三光稲荷 Sankō Inari appeared first on 8þ Kabutoshimen.