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Togakure Ryū Ninpō – article translation

bujinshugyoJuly 15, 2012

戸隠流忍法
木曽義仲の家臣だった戸隠大助が、12世紀の始め頃、戦いに敗れて伊賀に身を隠し、叔父の霞隠道士から骨指術や剣術を始めとする様々な武術を学んで開いた。最初は戸隠流八法秘剣と呼ばれ、時代によって名称は様々に変化した。伊賀忍者の百地三太夫などが学び、紀州藩の取名家を経は、17世紀頃から戸田家に伝わった。戸隠流は、手甲、施盤投げ、手裏剣、水遁の術に使う四尺のしの竹などに特長がある。戸隠流忍法体術は、骨指術からの分家である。

Togakure Ryū Ninpō
Togakure Daisuke was a vassal of Kiso Yoshinaka in the early 12th century, he hid in Iga after losing a battle, from his uncle Kagakure Dōshi he was taught a variety of martial arts beginning with kosshijutsu and kenjutsu. Though the name was changed depending on the period it was first referred to as Togakure ryū happō biken. In the 17th century the Toda family took over the school. Iga ninja such as Momochi Sandayū learnt from the distinguished family when it moved to Kishū province. Specialities of the Togakure ryū are shuko, senban throwing, shuriken and water evasion techniques including the use of a 4 shaku bamboo tube. Togakure ryū ninpō taijutsu is a branch of kosshijutsu.

霞隠 Kagakure – mist hiding, hiding in the mist – also read as Kain.
雲隠 Kumogakure – cloud hiding, hiding in the clouds
道士 Dōshi – a moral person or Taoist
Kagakure and Kumogakure are used interchangeably, both can be seen as coming form the from the homeland of Togakure ryū – the mist sheathed mountain slopes of Iga – as well as the use of smoke to escape that is synonymous with the legend of the Ninja. So you can see Kagakure Dōshi as a religious person who is able to hide in the mists and clouds – this also brings to mind the 修験道 Shugendō idea of being able to subsist through eating mist.

百地三太夫 Momochi Sandayū – a famous ninja who’s exploits appears in many stories.

手甲 Shuko – hand spikes. But also be read as Tekko – hand armour or armoured sleeves.
施盤投げ Senban nage – rotating plate throwing. Although the first character used in the text is 施 which refers to begging or alms so reads ‘begging bowl throwing’ bringing to mind the idea of disguise as a beggar in espionage. The characters for rotating plate are 旋盤.
手裏剣 Shuriken – blade inside the hand, small throwing blade
四尺のしの竹 Yonshaku no Shinodake – 4 length or measure bamboo tube. A shaku is 30.3 cm so the breathing tube is around 1.2 meters.

The genealogy chart shows Togakure ryū as coming from the Gyokko ryū of Hachidō Nyūdō through Kagakure Dōshi to Togakure Daisuke. It then passes on though Momochi Sandayū to the Toda family, to Toda Shinryūken Masamitsu, Takamatsu Toshitsugu then Hatsumi Masaaki.

Gyokko ryū – Togakure Ryū – article translation

bujinshugyoJuly 9, 2012

From Wanderings in Budo by bujinshugyo

Gyokko Ryū Kosshijutsu

玉虎流骨指術
8世紀頃に異匂という唐人が日本に伝えたと言われているが、初見氏によると異国の某とも解釈でき、つまりはっきり誰とはわからないが、唐の拳法が元になっていることを示しているのではないかということだ。骨指術とは指一本で敵を倒せるという意味もあるがむしろ武道の骨子に通ずる。この玉虎流が伊賀の様々な武道のもとになった。

Gyokko ryū kosshijutsu
It is said that a Chinese person called Ibou in the 8th Century brought this to Japan, according to Mr Hatsumi it is correct to interpret that the person was a foreigner, although we don’t know who clearly, there is a clear indication of it’s origin in the martial arts of T’ang China (618-907). To defeat the enemy with one finger is kosshijutsu, it also means to have a better understanding of the essence or essentials of martial arts. This Gyokko ryū of Iga was the source of a variety of martial arts.

In the genealogy chart the characters used are 異匄 Ikai – something like an ‘unusual beggar’, whereas in the Gyokko description 異匂 Ibou is used – which could be translated to something like ‘curious fragrance’ (Furigana, small pronunciation hiragana, are used to indicate the reading as Ibou/Ibō).

八道入道 Hachidō Nyūdō is shown as a successor of Ikai/Ibou in the chart with and Gyokko ryū listed under his name. 八道 Hachidō can mean the 8 feudal districts of Japan, and 入道 Nyūdō is a monk – possibly indicating that he was a widely traveled or itinerant monk.

Hiden – Togakure Ryū – errata

bujinshugyoJuly 9, 2012

From Wanderings in Budo by bujinshugyo

Thanks to George Ohashi for correcting me on the source of the article – it is not Hiden magazine (as I had always assumed) but Kakutōgi Tsuushin 格闘技通信, unarmed martial arts transmission (magazine), of May 1990.

The full info at the very bottom of the page is:
参考資料 • 武芸流派大事典 (東京コピー出版) 秘伝 • 戸隠流忍法体術 (新人物往来社/提供 • 若林太郎)
Reference material – martial arts school encyclopaedia (Tōkyō publication) Secret – Togakure Ryū Ninpō Taijutsu (Newcomers correspondence society/contributor – Wakabayashi Tarō)

If I have the name right then I am guessing Wakabayashi-san was the interviewer/reporter writing about the ‘Secret art of Togakure ryū’. So in my defence at least Hiden is written there…

Kakutōgi 格闘技 – describes martial arts that don’t use weapons, fight one-to-one or as sports.

More to follow shortly.

Hiden – Togakure Ryū – article translation

bujinshugyoJuly 6, 2012

From Wanderings in Budo by bujinshugyo

What follows a translation I have been mulling over for a time of a single sheet handed out by Hatsumi sensei at class in Ayase.

What his reasons were at the time for passing this around I do not know (most probably it was found buried under a pile of other books, weapons and objects in the Bujinkan office – that being the same situation for me when I rediscovered it a few months back). It is a photocopy of a page from the Japanese martial arts magazine Kakutogi Tsuushin 格闘技通信. The date written by hand at the bottom left is 平成2年5月(the fifth month of the second year of the Heisei era) or May 1990.
(* 9 Jul – corrected source ref from Hiden to Kakutogi Tsuushin)

I have endeavoured to translate the text into English without much in the way of interpretation or rearrangement, some parts may therefore seem a little clumsy or confusing whilst reading. First I’ll present the Japanese text that I have had to write from scratch onto the laptop, then my translation paragraph by paragraph, followed by any notes or explanations that seem relevant. I will present this translation over several blog entries over the next few days or weeks.

To describe the page – after the heading and sub heading there is a genealogy chart that lists notable people and the styles or schools (ryū) demonstrating their connections and eventual merging together under Takamatsu Toshitsugu to be passed on to Hatsumi Masaaki. The text under the table is from an interview where Hatsumi sensei gives a summary of the different origins of the schools he has inherited, then some information on each of the 9 schools, concluding with a profile of Hatsumi sensei.

Title and Headings…

戸隠流忍法体術–後篇
伊賀のかくれ里と聖域•熊野が育んだ秘術
初見氏が受け継いだ流派の系譜

Togakure ryū ninpō taijutsu – the last part
Hidden village and sanctuary of Iga • mysteries nurtured in Kumano
As successor and inheritor Mr Hatsumi’s nine schools genealogy

Genealogy table image…

Main text…

初見氏が受け継いでいる武術では、伝書の類をあまり重視していない。というのは、どこで誰が始めたとはっきり言えるような類の術ではなく、多種多様な文化交流の中で自然発生的に生れてきたものだと解釈しているからである。その発生期を考えれば、世紀頃にさかのぼらなければならない。その頃、大陸から渡ってきた僧やクグツ奇術師などが、拳法や幻術を持ちこんだ。また、同じ頃修験道が起こり、それに密教がかわってくる。

In the martial arts that Mr Hatsumi has inherited there has not been much focus on the variety of densho. In other words, rather than to say clearly that this kind of art comes from a great variety or diversity (of sources) … because some have interpreted that it is something that is born spontaneously through the cultural exchange of a wide variety of styles/arts. If you think of this origin time then you have to go back to the 7th Century. At that time monks and magicians (puppeteers and illusionists) came over from the continent (China) and brought martial arts (kenpō) and magic (genjutsu). Also, at the same time there are changes brought to Esoteric Buddism and Shugendō appears.

そういった初期の武士や修験者、僧などが、人里を離れて山中に集団生活を営むようになった。周囲に深山を囲まれた伊賀は、彼らの絶好のかくれ里で、いわば文化の吹きだまりだったのだ。そういった中から次第にいろんな術がまとめられ、やがて多くの武術の流派を生み出していった。その過程を示したのが系図の左側のブロックである。

Such early warriors, shugensha and monks began living a communal life secluded in the mountains. Iga is surrounded by mountains and ideal for their hidden villages, it was a kind of drifting together of cultures. In such a place where many arts gradually came together, eventually many martial arts schools were created. The block on the left side of the genealogy table illustrates this process.

初見氏が持っている伝書の類は、発生期の頃の記述があいまいだが、それは複雑にからみ合った歴史の流れを一種のモデルケースとしてまとめたものだと考えればいいだろう。初見氏に昔の技を見せてくださいと頼んだらいつの時代の技ですかと訊き返された。当然である。時代の文化背景によって技も兵法も常に変化し続けているのだ。紙に書かれた歴史も史料として大切だが、それよりも、それぞれの時代の文化を肌触りとして伝え続けた武術が、現代に受け継がれているということの感動である。まさに数百年に渡る知恵の結集なのだ。

In the kind of densho Mr Hatsumi holds, the description of the time of the origin is ambiguous/vague, when you think of it as a summary – a kind of model case – of the intricately intertwined course of history. I requested Mr Hatsumi “please show me the ancient techniques” and asked “what techniques have been around for all time?”. The techniques and tactics are constantly changing depending on the cultural background of different eras. Written or recorded history and historical records are also important, however, each cultural period has continually transmitted the feeling of martial arts, with passionate people some of these have been handed down to the present day. He brings together wisdom from over hundreds of years.

一方、伊賀からやや南下した熊野は、古く神道のメッカとされた聖域だ。ここでは神道の行法を取り入れた武術が育まれた。それが系図右側のブロックである。また、熊野灘には熊野水軍や九鬼水軍と呼ばれる海賊一種の海上武士団が勢力を誇っており、彼らが武術を育てたことも見逃せない。

Contrast this with Kumano, a little south of Iga, that has been a sanctuary and Mecca for old Shintō. In this area martial arts that incorporate Shintō have been nurtured/cultivated/flourished. The block on the right side of the genealogy table illustrates this process. Also, they could boast of the Kumano navy known as the Kuki navy and also called pirates (one kind of maritime warrior group) that used the open sea around Kumano, I cannot miss out the martial arts they were raised in?

そして、伊賀と熊野という日本の文化史上重要なスポーツで育まれたつめ武術は、高松寿嗣によってひとつにまとめられ、初見氏に伝えられた。凄いものだと感心していると、初見氏が言った。はっきり言って昔のことはよくわからないですよそのつもりで各流派の解説を読んでほしい。

Also the 9 martial arts from Iga and Kumano are an important part of Japan’s cultural history and sports, combined into one by Takamatsu Toshitsugu and passed on to Mr Hatsumi. Mr Hatsumi said he was impressed to be given such an amazing thing. I do not know the old saying exactly, but please read the description of each school with that intention (bearing that in mind?)…

Happiness Tea

goshinartsJuly 4, 2011

From 術心悟 by goshinarts

While in Bangalore, I had the unexpected pleasure of spending time with Arnaud from France as well as Shiva, our gracious and good natured Indian host. These delightful times instantly reminded me of a painting done by the monk Sengai. Three gods of happiness are pictured. Daikoku Ten, whom some may recognize from the statue outside Hatsumi Sensei`s office, is originally from India. He is not only a god of protection, war, and prosperity, but, auspiciously, he is an incarnation of the Hindu god Shiva! Second is Juroku Jin, or the god of Longevity. Often pictured leaning on his cane, he is usually in a most jovial mood. Lastly, there is Ebisu, indigenous to Japan, he is a god of prosperity often pictured with a fishing pole enjoying his fresh catch of the day.

Above them is Sengai`s inscription; “Three prosperities, make them one and enjoy a big happiness tea!” As Takamatsu Sensei says, “Cherish your connections…”. Thru others we enrich and are enriched. How wonderful it would be to set aside notions of higher and lower, good and bad, and blend one fantastic happiness tea! The true treasure of Nin lies therein.