Skip to content

Kage No Keiko: Don’t Ask a Shadow for Answers

From Bujinkan Santa Monica by Bujinkan Santa Monica

Photo by OiMax
There is an old tale about a teacher whose students asked him, "Where does your teaching come from?  What is its source?  Who is your teacher?"

The teacher replies,
You are not ready for my answer.  If I say that my teaching is from inspiration, you will consider me crazy.  If I say it is my own teaching and skill, some will worship me and never learn.  If I name my teacher, many will turn to him to ask the same dumb questions while ignoring real study.

In the Bujinkan, Hatsumi Sensei has told us that training is a process of developing the eyes to be able to see true budo. Hatsumi Sensei talks about different types of keiko or training, even in dreams.  He says that when he is training intensely, he will have weird dreams.  He tells this story about his teacher Toshitsugu Takamatsu,
He would draw from 5:00 a.m. to noon every day.  One day, he painted a picture of a dragon for his friend.  A few nights later, my teacher dreamed about a dragon that had no eyes.  The dragon said to him, "I want eyes."  The next morning he called his friend and his friend told him that the painting of the dragon had no eyes.
Sensei says that this dream training comes when you are having a hard time mastering something.  He says the "secrets of budo are introduced as "dreams from the gods."  Soke tells us that the best way to train is to learn physically first, then understand the theory.  Devote yourself to constant keiko.  Have the feeling of Ninpo Ikkan.

He says that if you get stuck you can focus even though you cannot move forward.  This is when you pass into kage no keiko (shadow training).  I wrote about the phases of training and other types of keiko here: Beyond Godan Into Wakaranai-Keiko

The teacher from the old story continues, "If, after being told a hundred times that the teachers are all one and the techniques are meaningless you still look for the source, you will never find it."

The students ask, "Then what shall we do?"

The teacher responds,
"Stop imagining that, just because you can ask a question, you can perceive the answer without any of the foundation necessary for such a perception to occur."


…

Ninja Morality of Kogarashi Monjiro

From Bujinkan Santa Monica by Bujinkan Santa Monica

This time of year is often spent helping, giving or thinking of others.  There are many people who misinterpret the life of a ninja as one of a solitary, dark and shadowy existence.  A lone wolf sneaking in and out of other's lives to accomplish some mission.

Sensei suggests to us that this is not a healthy view.  He says that it is an ideal to have others depend on you.  People think they are too busy to help others, but if you decide to ignore everyone else, trusting only yourself, you will soon become one of the busiest of all men.  He continues,
To give a helping hand to poor people and to want to save them is the humanity of Japanese, and of a warrior's heart.
Hatsumi mentions the character Kogarashi Monjiro from the novel and 1970's TV series set in the Edo period, originally written by Saho Sasazawa. Acted by famous samurai actor Atsuo Nokamura.  Monjiro lived the wandering life of a gambler.  He had a nihilistic attitude and sought to eliminate and avoid involvement with others as much as possible.



The main character is said to have been born in a poor farming family in a village called Mikazuki (half-moon), Nittagori Country in Gunma Prefecture. When Monjiro turned 10, his family left their native soil and was separated. Why the lonesome Monjiro started to live as a homeless wanderer is unknown.
Monjiro’s typical posture includes a wooden toothpick between his teeth, and his nickname “Kogarashi” (the sound of a cold wind wailing) comes from the sound he makes when he breathes with the toothpick. He is a guy who knows no love for people, but cannot overlook evil deeds.
Soke says,
"It doesn't concern me," is a famous Monjiro quote that best represents today's irresponsible times.  In reality, Monjiro never left without helping somebody.  While he says, "It doesn't concern me," he still becomes involved and fights the villain.  This is what is so very charming about the Monjiro character.  He gives justice to people's morality. 
Hatsumi Sensei continues with this advice,
You might be living in a nihilistic manner with a callous attitude but I would prefer you have the Japanese spirit deep in your heart.  Compassionate people make others feel gracious and trustworthy
So please get into this wonderful ninja holiday spirit!  But I don't suggest wearing your red, fur lined ninja/Santa Claus suit out in public...


…

Munenmusō  無念無想: Free From Worldly or Worthless Thoughts

From Bujinkan Santa Monica by Bujinkan Santa Monica

photo by Frogman!
There is a common saying that a little knowledge is a dangerous thing.  We see this all the time in training.  People begin to grow in their skill with taijutsu and two things often occur:

  • They injure themselves or others.
  • Or... they stop learning because they think they got it already.
This blind spot is very dangerous, because by their nature the person that is full of "knowledge" is unaware that they are ignorant.  And sometimes they convince others that they know something or have "secrets".

Hatsumi Sensei talks about this knowledge as if it is a burden.  A weight that should be shed.  Soke said that people want to possess the densho or secret scrolls.  But that when people learn the secrets they were searching for, they become too tense to move freely.  They are burdened with the knowledge and trying to use it correctly.
I am sure it is a great mistake always to know enough to go in when it rains. One may keep snug and dry by such knowledge, but one misses a world of loveliness.  - Shakespeare
Sensei likened this to kareteka who used to train with iron geta.  This is a similar principle to the modern fitness training with ankle weights.  At first they are heavy, but eventually the wearer gets used to them and doesn't even notice the burden.  But how freeing and light it will feel to remove them entirely!

I am amazed at people who attend classes or train at a seminar yet miss everything being taught because they are full of knowledge already.  Their consciousness is heavy with what they know.  Leaving no room for anything new.

A great example for us is the theme for 2011.  How many people think they know kihon happo?  There are teachers already teaching this theme or planning their seminars for 2011.
Alexander Pope shared this idea:
That a little knowledge is apt to puff up, and make men giddy, but a greater share of it will set them right, and bring them to low and humble thoughts of themselves.
 I watched Hatsumi Sensei write the scroll with this theme for my teacher on November 23.  He said it was the first time he had written the theme for next year.  But the kanji were not the "normal" way kihon happo is written.  This signifies Sensei's intention to take a fresh approach to the kihon.  Or, at least, to get us to drop our preconceptions and learn it anew.

So what effort in learning can you make?  Sensei suggests:
From nothing (not thinking), something (an action) comes forth, and the person who masters this idea is the one who can comprehend the secret teachings.  This understanding in your heart is more important than the techniques.  The mind of "munen muso" (no thought, no mind) in the heart is the real secret teaching rather than the waza.


…

中途半端 Chuuto Hanpa: Betwixt the Half Assed

From Bujinkan Santa Monica by Bujinkan Santa Monica

photo by roland
Something many of us have heard Hatsumi Sensei say during his classes is the term "chuuto hanpa."  He has been using this phrase for many years to try to communicate an idea that is difficult to teach.

中途半端 chuuto hanpa / "unclear, betwixt and between, vague, half-hearted"
chuu / to / han / pa
The meaning of the first Kanji is "middle." The second Kanji means "way." The third and fourth Kanji mean, "half" and "end," respectively.

Chuuto means "halfway" or "along the way." Hanpa means "to be on neither side and be vague." Chuuto hanpa indicates the state of things which are left unfinished or the state of someone or something that is vague and unclear.

So what are some of the things this can teach us?

One is to let go of technique.  We all learn technique.  Some of us become good at techniques.  But technique is a trap.  The minute you try to apply a technique, people's survival instinct naturally drives them to actively resist or evade somehow.

It is an even bigger trap for learning.  You see your teacher show a kata, and remember, "I know xxx kata, I recognize this technique."  Then you may stop learning and fall back on habit.  Meanwhile, you missed what the teacher was REALLY showing you.  This is why Sensei advises us again and again, don't collect techniques, or memorize kata.

Here is a tip: be a beginner again.  It is like you are an expert guitar player and reading a book on basic guitar.   It is hard to be a beginner there.  Instead pick up a flute and do the same lesson.

When your technique is strong, drop it and try something where you are no good at all.  If you want to learn.  The best teachers create a class where this happens for you.

Another lesson of chuuto hanpa, is that of freedom.  By not taking any fixed technique or point, you may move freely.  When an opportunity arrives you can take it freely because you are not fixed on any technique or situation.

And a surprise awaits-  By half applying one technique and moving half into another, the effect is greater.  For example, if you apply musha dori while doing an omote on the same wrist, you can do something quite powerful without force!  Your opponent cannot counter or resist easily because you are never fixed.  That musha dori could finish with seoi nage, or nothing at all.  How do you counter that?

A greater surprise awaits even further into the esoteric whereby you float in the middle space, opening up the possibility for divine technique to enter.

This may be part of your life journey.  When you have become a great person in your field and are puffing up with pride, move to some other path where you are small and know nothing and be nobody again.  That's where learning happens. 


…

Nakaima 中 今: a Privileged Moment in Eternity

From Bujinkan Santa Monica by Bujinkan Santa Monica

photo by Guitarfool5931
People in the Bujinkan often mention distancing, angling, and timing as part of fundamental taijutsu.  While we train to get these right, there are many subtle nuances to what is "right."  For example, there is early, middle and late timing, but also an entire spectrum in between these measurements.  And there is a way to step outside of this measured time entirely.

The ability to do this can be related to awareness in the moment.  Soldiers in combat are encouraged to keep their head on a swivel so as to maintain situational awareness.  Another simple look at states of awareness in combat can be found from Jeff Cooper, founder of the American Pistol Institute ("A.P.I.") in 1976 in order to teach the Modern Technique of the Pistol as a method of the handgun for self-defense.  He describes this color code:

"In White you are unprepared and unready to take lethal action. If you are attacked in White you will probably die unless your adversary is totally inept.

In Yellow you bring yourself to the understanding that your life may be in danger and that you may have to do something about it.

In Orange you have determined upon a specific adversary and are prepared to take action which may result in his death, but you are not in a lethal mode.

In Red you are in a lethal mode and will shoot if circumstances warrant."

In the Bujinkan, we focus on awareness from the learning of kamae leading to the experience of the Godan test and beyond.  Hatsumi Sensei talks to this point as the secret of winning.  He says,
One never knows when a fight might start.  That is why in Budo one keeps prepared, so that should a fight arise, one can settle it as quickly as possible.  In a dangerous situation, you act swiftly without any hesitation.  That is the secret of winning.
He describes how to do this,
You must KNOW that you can win, and use this energy in your encounter.
In Shinto there is a word, "Nakaima," which literally means "the middle of now."  It teaches us that the current moment embodies the whole of time, and consequently, that how you live the current moment is of supreme importance.
Nakaima 中 今 as described by Shintoists repeatedly appears in the Imperial edicts of the 8th century. According to this point of view, the present moment is the very center in the middle of all conceivable times. In order to participate directly in the eternal development of the world, it is required of Shintoists to live fully each moment of life, making it as worthy as possible.

Hatsumi Sensei may also be referring to this concept with the idea Kanjin Kaname.  This can be translated as "what is truly important," but another reading is "the heart and eyes of the gods."  When you are in accordance with this, you are in accord with the laws of nature or heaven.  You cannot fail.   You may achieve kamiwaza (divine techniques).  Isn't that what you are studying in your dojo?


…

Ninjutsu – The Spider’s Thread (蜘蛛の糸, Kumo no Ito)

From Bujinkan Santa Monica by Bujinkan Santa Monica

photo by ajari
This last year, some of us have heard Hatsumi Sensei make reference to a spider's web dangling down from heaven.  As usual with Soke, there are many layers to this idea.  One idea that Sensei put out there for us was in his painting of Daruma with a spider descending a web and alighting on Daruma's eyebrow.  As Paul Masse explains:
The Inscription reads, “ Ninjustu is on your eyebrow.... the spider`s thread, so close, the village of Togakure”.  Sometimes things are so close to us that we can not perceive them.
Hatsumi Sensei has continued to reference this web from the heavens.  If Ninjutsu is on one's eyebrow, or there is a thread to heaven dangling down but we do not see it, how can we use that in Budo?
Maybe it will help if we look at another story that Hatsumi Sensei described to us.

"The Spider's Thread" (蜘蛛の糸 Kumo no Ito) is a 1918 short story by Ryūnosuke Akutagawa, first published in the children's magazine Akai Tori:
ONE

One day, the Buddha was strolling alone along the edge of a lotus pond in Paradise. The blooming lotus flowers in the pond were each pure white like jewels, and the place was filled with the indescribably wondrous fragrance continually emitted from each flower’s golden center. It was just morning in Paradise.

After a time, the Buddha paused at the edge of the pond and from between the lotus leaves that covered it saw a glimpse of the state of things below. Now this celestial pond just happened to lie directly over Hell, and peering through that crystal-clear water was like looking through a magnifying glass at the River of Death and the Mountain of Needles and such.

The Buddha saw there, in the depths of Hell, a single man writhing along with the other sinners. This man was named Kandata, and he had been a notorious thief who had performed murder and arson and other acts of evil. In his past, however, he had performed just one good deed: one day, when walking through the deep forest, he saw a spider crawling along the road. At first he raised his foot to crush it, but suddenly he changed his mind and stopped, saying, “No, small though it may be, a spider, too, has life. It would be a pity to meaninglessly end it,” and so did not kill it.

Looking down upon the captives in Hell the Buddha recalled this kind act that Kandata had performed, and thought to use his good deed as a way to save him from his fate. Looking aside, there on a jade-colored lotus leaf he saw a single spider, spinning out a web of silver thread. The Buddha carefully took the spider’s thread into his hand, and lowered it straight down between the jewel-like white lotuses into the depths of Hell.

TWO

Kandata was floating and sinking along with the other sinners in the Lake of Blood at the bottom of Hell. It was pitch black no matter which way he looked, and the occasional glimpse of light that he would see in the darkness would turn out to be just the glint of the terrible Mountain of Needles. How lonely he must have felt! All about him was the silence of the grave, the only occasional sound being a faint sigh from one of the damned. Those who were so evil as to be sent to this place were tired by its various torments, and left without even the strength to cry out. Even the great thief Kandata could only squirm like a dying frog as he choked in the Lake of Blood.

But one day, raising up his head and glancing at the sky above the lake, in the empty darkness Kandata saw a silver spider’s thread being lowered from the ceiling so far, far away. The thread seemed almost afraid to be seen, emitting a frail, constant light as it came down to just above Kandata’s head. Seeing this, Kandata couldn’t help but clap his hands in joy. If he were to cling to this thread and climb up it, he may be able to climb out of Hell! Perhaps he could even climb all the way to Paradise! Then he would never be chased up the Mountain of Needles, nor drowned in the Lake of Blood again.

Thinking so, he firmly grasped the spider’s thread with both hands and began to climb the thread, higher and higher. Having once been a great thief, he was used to tasks such as this. But the distance between Hell and Paradise is tens of thousands of miles, and so it would seem that no amount of effort would make this an easy journey. After climbing for some time Kandata tired, and couldn’t climb a bit higher. Having no other recourse, he hung there from the thread, resting, and while doing so looked down below.

He saw that he had made a good deal of progress. The Lake of Blood that he had been trapped in was now hidden in the dark below, and he had even climbed higher than the dimly glowing Mountain of Needles. If he could keep up this pace, perhaps he could escape from Hell after all. Kandata grasped the thread with both hands, and laughingly spoke in a voice that he hadn’t used in the many years since he had come here, “I’ve done it! I’ve done it!”

Looking down, however, what did he see but an endless queue of sinners, intently following him up the thread like a line of ants! Seeing this, surprise and fear kept Kandata

Kandata

Though the thread had been fine until just then, with these words it snapped with a twang right where Kandata held it. Poor Kandata fell headfirst through the air, spinning like a top, right down through the darkness. The severed end of the silver thread hung there, suspended from heaven, shining with its pale light in that moonless, starless sky.

THREE

The Buddha stood in Paradise at the edge of the lotus pond, silently watching these events. After Kandata sank like a stone to the bottom of the Lake of Blood, he continued his stroll with a sad face. He must have been surprised that even after such severe punishment Kandata’s lack of compassion would lead him right back into Hell.

Yet the lotus blossoms in the lotus ponds of Paradise care nothing about such matters. Their jewel-like white flowers waved about the feet of the Buddha, and each flower’s golden center continuously filled the place with their indescribably wondrous fragrance. It was almost noon in Paradise.

(16 April 1918)

As I read this story I remember Soke talking to us about connection.  He said you have to see beyond the surface to see what the possibilities are.  He told us that his teacher Takamatsu said "Don't ever sever the connection."

One way to explore these connections is through Juppo Sessho.  This refers to ten directions.  What are these ten directions?  There are eight directions of Happo which are really infinite and can be said to be part of the Sanjigen no Sekai (3 dimensional world.)  As Paul Masse says about the Daruma in Soke's painting,
The Daruma`s eyes are staring inward.  This is a form of “Happo Nirami” or “Staring in Eight Directions” .  It is also a form of “Ma Yokei”  or “warding off evil”.

But the Daruma doesn't see the spider.  That's because the spider is coming from another direction.  The other two directions are Tenchi.  Heaven and earth or (hell).  This is another dimension.  If you can connect to this with Juppo Sessho, then you really will be a Bujin!


…

Neko no Myojutsu – The Cat’s Eerie Skill

From Bujinkan Santa Monica by Bujinkan Santa Monica

People fear their own instincts.  They seek answers outside of themselves when there is a powerful spirit inside that has many abilities that can be tapped.  Animals in nature don't look outside themselves.  And yet many are terrifying fighters.  How do they accomplish this? 

They seem to do this through instinct and play.

We all have instinct.  It is there, waiting for us to make use of it.  You only need to listen.  And to develop the ability and skill to use it, play is a powerful ally.  Hatsumi Sensei uses that word to describe our training.  So is it part of your regimen?

From Neko no Myojutsu by Issai Chozan (1727):
... the cat replied, “Because of the self there is the foe; when there is no self there is no foe."
 When I was a boy, me and my buddies had many mock battles.  Sometimes the whole neighborhood seemed mired in war.  We took it seriously.  But we knew it wasn't.  There was a reality to our play that put us and our personalities on the line.




I see this in the dojo.  Personalities are on the line.  The training we do is serious, yet also play.  How best to take advantage of that dichotomy?
 More from Issai,
"Teaching is not difficult, listening is not difficult either, but what is truly difficult is to become conscious of what you have in yourself and be able to use it as your own. This self-realization is known as 'seeing into one's own being,' which is satori. Satori is an awakening from a dream. Awakening and self-realization and seeing into one's own being – these are synonymous.”

You must become transparent to Bushido, so that your training becomes a transparency through which light shines.  This is the Budo in you, coming out through your training.  Your instincts and natural ability will rise above the ego.  Your eyes may open to see real Budo.

Soke says,
If you persevere in Ninjutsu as I have done, you will come to discern the ocean of difference that lies between things seen with true eyes, observed using the intuitive "feeling" you develop in this art, and those seen through the glass eyes of people who have not trained at all.

When he says "people who have not trained at all," I think that can apply to many people who visit the dojo and put on a gi.  They go through the motions of training, but they are really not training at all.


…

flashback my past 15 years on the internets

From 8þ Kabutoshimen by admin

I just found my old web site on archive.org :-) , and a lot of memories comes back. When I made my first web site (in 1994 or 1995?) there was only one other web site on the whole internets that contained the word "Bujinkan" (I think his name was Shawn (an American not Canadian ;-) )). But before that I operated my own Fidonet BBS called 2:201/2123 Moko no Tora BBS on a computer under my bed between 1992-1996 (approximately, I don't remember exactly). I was also at Compuserve when they got their first modem pool in Sweden. At that time you could not access the internets from your home as a private person. There was no provider that offered a modem pool you could call up, it was only at big companies and university's at this time. Until Ragnar Lönn started Algonet in 1994 offering a connection for private persons. If I remember correctly, I got my subscription around Christmas time, and immediately started learning HTML by making the web site.

There was only the MS *plorer and Netscape browsers, I remember Netscape was better because you could change the colours on the fonts and background. There was HTML programs, but they where buggy, annoying and didn't keep up with the new features that the Netscape browser gave. So I learned typing HTML with a simple text editor. I still do this, but I also use a CMS system (this site is on W0rpqr*ss ).

Over the years I had projects that grew too big to handle. More and more people got Internet and found my web site, I see that in the oldest record on the way back machine at archive.org that in May 2000 I had 154 016 hits since march 1995, I'm not sure if that counts the hits I had before on my Algonet page (yes it still sucks!). In January 2002 I had 426 844 hits, Anyway some of the bigger projects was...

BUUYUU www.martial.arts links project

This was link site with thousands of Martial Arts links, driven by a text database, but someone had to manually update with new links, lot's of work. Thanks to Baubak G who helped me with this!

Masai forum board

Means polish your sword or skills. With a couple of thousand members it could sometimes get maybe too political, but often there was good discussions. Back then people where new to the internets and was willing to share stuff, even if it wasn't well researched (me included).

NinZine

NinZine actually started before in my Fidonet and Compuserve days. It was a type of multimedia magazine where you needed a PC with DOS to make it work. Later Liz made Ura & Omote which was more text based articles. I think I only released five or six issues. I tried to find the old zip files but can't find them. If anyone have them, please contact me :-) . I have planned for a while to use the NinZine name again for the bujinkan.me web site project.

Bushikai (the whole Bujinkan world on one site)

Was a kind of portal for each country that showed links to web sites, clubs and local seminars for respective country. Here is Sweden for example (13 training groups, 23 web sites and 6 seminars registered at the time).

Ryu-ha history

This was probably the most popular segment. Thanks to Peter C who gave me most of the school information in the beginning. I added more and more to the pages without thinking or being able to check it's sources.

At the end I removed most of the ryu-ha history notes because I was fed up with some people who knew better that liked to critizice instead of helping, people who took the information and presented it as their own. But mostly because it became too much work, people expected me to update the web site continually, and I wasn't making any money on it. In 2005 I moved the forum to another web site, and about his time I went from 10 000 hits per month to a couple of thousand.

today...

Sure I miss some of the projects a little, but if it means I have to do all the work and it is too much work or I don't enjoy it I won't do it any more. But I moved some of the projects to the bujinkan.me web site...

  • The bujinkan.me/ninzine is the new NinZine! It is a script that get articles via selected RSS sources. Contributions is by people with their own blogs that I think make a good contribution to the Bujinkan community.
  • The Dojo locator is the new Dojo address database!. This is now handled by Google places, just make sure to include Bujinkan as a tag to get included here.
  • The Seminar database is practically the same as before.
  • The links..., when I started there was no Google!

My Kabutoshimen / Kesshi web site is more my personal web site and blog, if you are interested in what I'm up to. The Kaigozan Dojo web site is my dojo. I got a bunch of other sites to, I keep it separated (Bujinkan, me, dojo etc.)...

Well I don't know how to wrap this article!
Can't believe I've been doing this for more than 15 years!
I wonder how it will look like in another 15 years?

Anyway... HAPPY TRAINING!
( I think I used this phrase for 15 years to :-) )

/Mats…

Bujinkan on Television

From Bujinkan Santa Monica by Bujinkan Santa Monica

Dimitri, Duncan, Daniel on TV
Since I live and train in Los Angeles area, I receive many invitations to appear on TV shows.  Some of these are big popular shows on major network television.  The producers usually call or e-mail me and say that they are doing a show on the topic of Ninjas, and they want to find a gang of black clad people to do some crazy ninja flips while spewing throwing stars around the studio.  I always decline their exploitation.

There is something very important to understand about Bujinkan in the media.  The media almost always present something fake.  They do this because their goal is to sell advertising, not to inform anyone about anything real.  What sells more ads, the cartoon, movie flash of Ninja that people want and expect to see, or real training?  We have to admit, VERY few people are interested in real training.  But a lot of people love NINJA!

I have worked in film, television and the entertainment business for much of my life and I know this fact first hand.  Every show I have ever worked on that uses "real" people for part of its content, chews them up and spits them out.  They are rarely allowed to present their truth.  Where I live, with Hollywood Boulevard 10 minutes from where I train,  that showbiz mentality is just part of the fabric of life.  Most people here have come to expect the falsity of it.

So when any Bujinkan member somehow gets invited (or coerced) onto television, they should expect this repackaging of themselves to sell ads.  If you expect it and you go there to do your best to represent your art, you may sneak some reality in, but don't be disappointed if it makes you look silly.  Because it inevitably will.

Hatsumi Sensei has become very media Savvy in all his years of dealing with them.  He seems to know and accept the reality the media offer.  And by knowing this, he can choose to participate or not.  When he does, he takes full advantage of the opportunity.

My friend Duncan Stewart was on Japanese Asahi TV recently and he says this about the experience:
I knew that whatever I did, it would be difficult to give a good example.  This was because we were at the mercy of the Director and the editorial department, not to mention my own nerves. Also, the television show we were to be on was a very light hearted “variety show” aimed a comedic entertainment.  Regardless, I took the opportunity to learn first hand what Soke often talks about in regards to public demonstrations for the mass media...

Soke advised me on this type of thing before I went to the studio. However, like most things in life, you never understand the words of wisdom you receive from your teachers/parents until you experience them directly.
So I applaud Duncan for his transparency and willingness to jump into the fire of TV.  He looked great, and obviously is learning much more than combat skills from Hatsumi Sensei.

The "Ninjas" in the first part of the segment are not Bujinkan nor affiliated with Duncan.


…

How Can You Learn Shinobi Secrets?

From Bujinkan Santa Monica by Bujinkan Santa Monica

Photo by Son of Groucho
Do you think you have a grasp on this art?  Have you done all the kata in the Tenchijin Ryaku no Maki?  Maybe you have memorized all the (known) kata from our 9 Bujinkan ryuha.  Maybe you have even mastered the Togakure-ryu Juhakkei - the 18 forms of the shinobi (is that even possible in the modern era?).  How long have you been training?  3 years? 10?  how about 20? Do I hear 30?  I know someone with over 40 years in this art and he is still learning new material.

Don't miss the train by not showing up.

Recently, I was at a seminar with my teacher, Peter Crocoll.  I was considering leaving early because I had a 9 hour drive back home.  I brought this up to him, and he said, "you can leave if you want, but what I'm about to show has never been shown in North America."  I stayed.  And it was worth it.

I almost missed training with Peter again this month.  It literally was a coin flip whether I made the trip.  Somehow I pulled it together.  And guess what?  He showed material I had never seen before.

Soke says that he intends to live by the words he heard from his teacher Takamatsu Sensei, "However much I study, it is never enough."

I started training in this art in 1988 (officially).  In all these years, there have been many occasions where I was shown something very interesting and important, and then I never saw it again.  Never in Japan, never at a seminar, never in regular classes, and never in a book or on video. 

Our art runs deep.  Many of the skills in our training could be a lifetime of study all by themselves.  It took many lifetimes and the lives of many warriors to develop this art.  So it is unwise for me to think that my 22 years mean very much.

I was training at one of Hatsumi Sensei's Tai Kai, and Oguri Sensei was there.  Soke showed something and Oguri got a funny look on his face.  Hatsumi Sensei noticed this and asked Oguri to share his thoughts.  Oguri said that he had been training over 40 years and this was the first time he had ever experienced this.

This makes me wonder what I miss when I don't make it to class.  Anytime I start to think about missing a trip to Japan, or going to a seminar, I think to myself, "what if I miss that hidden secret in our art that will make a big difference in my own training?"  And then I am very motivated to go to class.  The simple truth is, I am always happy when I go to class, and missing class just feels empty.


…