Skip to content

Recent Posts

  • The Dainichi Effect: Japan Report Five 令和6年
  • History of Ninjutsu: Tenshō Iga War
  • Mawari: Dancing With Nagato
  • All Is Already There!
  • Is There A Tiger In The Willow Tree?

Most Used Categories

  • Contributors (1,958)
    • SuperfeedEN (1)
  • budoshop (151)
  • YouTube (57)
  • Seminars (49)
  • Kesshi (43)
  • Podcast (15)
  • kaigozan (15)
  • Uncategorized (14)
  • web site update (4)
Skip to content
  • Affiliated to NinZine →
  • Mats Hjelm
  • Kaigozan Dojo
  • Budoshop
  • Seminars
  • Bujinkan TV
Subscribe

NinZine 3.0

Unofficial Bujinkan Dojo Budo Taijutsu E-Zine / Blog

Subscribe
  • NinZine
    • About
    • Articles
      • Archive from 1995
      • Archive from 2005-
        • Archive from 2005
        • Archive from 2006
        • Archive from 2007
        • Archive from 2008
        • Archive from 2009
      • Archive from 2010-
        • Archive from 2010
        • Archive from 2011
        • Archive from 2012
        • Archive from 2013
        • Archive from 2014
        • Archive from 2015
        • Archive from 2016
        • Archive from 2017
        • Archive from 2018
        • Archive from 2019
      • Archive from 2020-
        • Archive from 2020
        • Archive from 2021
        • Archive from 2022
        • Archive from 2023
        • Archive from 2024
    • Main Authors
      • Arnaud Cousergue
      • Budoshop
      • Doug Wilson
      • Duncan Stewart
      • Mats Hjelm
      • Michael Glenn
      • Paul Masse
      • Pedro Fleitas
      • Pertti Ruha
      • Sean Askew
      • Shawn Gray
      • Sheila Haddad
  •   ★  
  • Dojo Locator
  • Honbu Dojo
  • Seminars
  • Twitter
  • Budo Shop
    • Budoshop.SE
    • Paart Budo Buki
    • Soft Hanbo
    • T’s – Shut Up and Train
    • Yudansha Book
  • Home
  • 2018
  • Page 13

Year: 2018

I Am The Universe!

kumafrMarch 9, 2018

From Shiro Kuma by kumafr

IMG_20180306_034450_324

and so are you!

During training, Hatsumi Sensei spoke of “Ningen Kûkan Tsunagaru.” There is a connection between Humanity and Kūkan. (1)

He told us to “let the divine express itself through us.” Some of you might react to the word “divine,” but understand it as the Shintō or Taoist meaning of “Nature.” This “divine nature” is the Dōkyō, the Japanese for Taoism.

We express nature through our body because humans and emptiness are of the same quality. Science explains it in more acceptable terms. “About 99 percent of your body is made up of atoms of hydrogen, carbon, nitrogen, and oxygen. You also contain much smaller amounts of the other elements that are essential for life. Most of the cells in your body regenerate every seven to 15 years. Many of the particles that make up those cells have existed for millions of millennia. The hydrogen atoms in you were produced in the big bang. And the carbon, nitrogen, and oxygen atoms were made in burning stars. The weighty elements in you were made in exploding stars.” (3)

That means that we are empty by nature. If we concentrate all the matter that makes us, we would be very tiny. “If the nucleus were the size of a peanut, the atom would be about the size of a baseball stadium. If we lost all the dead space inside our atoms, we would each be able to fit into a particle of dust. And the entire human species would fit into the volume of a sugar cube.” (4)

Our body is not different from the stars in the universe. We are of the same nature. For that reason, the Kûkan inside of us is like the Kûkan of space. When we accept this, we understand that humanity and Kûkan are connected. We can control the attacker because he and we are part of the same universe, composed of the same elements.

“Kagenmi,” past, present, and future (5) do not exist. Everything happens at the same time. “Time itself doesn’t exist,” Sensei said during class.

When Uke attacks, we can control him as there is no difference between him, us, the universe. To express it, Sensei used the words “Kako, Genzai, Mirai.” (6) It gives a deeper meaning to the Kagenmi. It reads “the past is gone, the present exists, and the future is next.” In a fight, everything happens at the same moment. What is gone, what exists and what comes next are intertwined. They are one because Time as we see it doesn’t exist in reality.

Shintō expresses as “Nakaima.” (7) I prefer Nakaima to the Zen concept of “here and now” as it shows the impermanence of the moment. When you attack Hatsumi Sensei, this is how you feel. He uses only one finger to control you. And he uses it as a Shiten (8), a fulcrum, suspending you in time and space. With this one finger as a fulcrum, Uke is like supported weightlessly in mid-air.

Many of his Uke say that Sensei moves before the actual attack. That is a superior Yûgen (9) because when Uke sees what happens, he cannot alter his course of action. Sensei’s timing and distance are always perfect; his opponents are lost in indecision. What they see is so beautiful that they can only watch it, unfolding in front of their eyes, and die. It is like sliding on the ice. There is nothing you can do to prevent the crash. You can only watch it happen.

We lose the fight before the attack because we think, instead of adapting to the situation. That is how Sensei controls us so quickly. Because we trust our senses, we do not comprehend that we too are part of the universe. To copy Descartes, we could say “I think. Therefore I am defeated!”.

Each Human is part of the universe. The space within us vibrates with the space around us. We are all and nothing at the same time. The true essence of Mutō Dori is about control, and thinking is not the way to go.

We are the universe!
____________________
1. 人間空間繋, Ningen Kûkan Tsunagaru: a human being; person; man; mankind; humankind + space; room; airspace + to be tied together; to be connected to; to be linked to.
2. 道教, Dōkyō: Taoism is a philosophical and religious tradition that emphasizes living in harmony with the Tao. The term Tao (or Dao, depending on the romanization system used) originally means “way,” “path” or “principle,” and can be found in Chinese philosophies and religions other than Taoism. In Taoism, however, Tao denotes a metaphysical force which is ultimately ineffable: “The Tao that can be told is not the eternal Tao.”
3. https://www.symmetrymagazine.org/article/the-particle-physics-of-you
4. https://www.sciencealert.com/99-9999999-of-your-body-is-empty-space
5. 過現未, Kagenmi: past, present, and future; three temporal states of existence
6. 過去現在未来, Kako, Genzai, Mirai: past, present and future
7. 中今, Nakaima: the present, the middle of now (esp. as a privileged moment in eternity)
8. 支点, Shiten: fulcrum
9. 幽玄, Yûgen: subtle grace; hidden beauty; mysterious profundity; elegant simplicity; the subtle and profound. That was the theme we studied in 2004. We learned to move slightly ahead of Uke. At the exact moment, Uke takes his decision but has not moved yet.

REGISTRATION TO PARIS TAIKAI 13th-15th OF JULY 2018…

Read More

Protect Your Holes!

kumafrMarch 8, 2018

From Shiro Kuma by kumafr

IMG_20180308_145258What I like when training with Nagato sensei, is that he often has his way to convey his ideas. Today was no different when he said “protect your holes!” and laughed.

What he meant was about the fight. When you are fighting the opponent, make sure not to let any Suki, holes, in your movements. (1)

When you move closer to him, Uke tries to resist and to hit you. So, when you get close to him, check all the openings in your body and close them before doing any movement. And this is the same with or without the Yoroi. That is an essential point in Taijutsu. Protection and balance are the first things to do.

Too often I see practitioners not protecting their openings enough. Luckily for them, their attacker is friendly (they will be Tori soon), so the outcome is always positive. But this would be different in a real encounter.
In sword, we have a Kamae called “Tōtoku Hyōshi no Kamae.” (2)
In Taijutsu, “Toku” (shield) is like awareness (3), it is a permanent aspect of the fight. If you leave your body unprotected, Uke will take advantage of it.
In Nagato sensei’s movements, the action of his hands is always a consequence of his footwork. Only when your body is in a good position that you can apply the technique. By “having the body in a good position,” I mean that all your Suki are out of reach or closed.
When we watch a movement, we memorize the hand’s actions more or less. We don’t pay enough attention to the other aspects of the technique. That is a whole including footwork, body angle, relative angle, distance, and rhythm. These aspects are all linked together and play a significant role in the exchange between Uke and Tori. In a real fight, Uke and Tori will react to one another in attack or defence; this is why the footwork is vital.

Knowing how to apply the lock is a good start. But understanding how to place yourself well is better. So that Uke is never in a position to counter-attack. That is more important.

Today, Nagato sensei stressed this many times during the class. We did many variations around Musha Dori and Ō Soto Gake. We did them with grabs, reverse kicks, Tsuki, Taiken, Nage and Ashi Rau. Each time he insisted that we closed our weakness points.
As Hatsumi Sensei says, Mutō Dori is about controlling. But it is not enough to control the attacker or the Kūkan between and around us. No, the most important is to control ourselves.
If you control yourself, you control the universe. So, protect your holes!
______________

1. 隙, Suki: chink (in one’s armour, armour); chance; opportunity; a weak spot
2. 刀匿表紙, Tōtoku Hyōshi: sword + shield + cover or to “shield yourself under-covered by the sword.”
3. Ishiki, Awareness: see one of the last entries in this blog

PARIS TAIKAI REGISTRATION…

Read More

Noguchi Ryū

kumafrMarch 8, 2018

From Shiro Kuma by kumafr

IMG_20180307_194259
A class with Noguchi sensei is always a surprise. Last class, we covered the Shizen Chigoku Gata (the first level). As often with him, I am lost after ten minutes!
Noguchi sensei has this fantastic ability to make something new with old techniques. And for many of the techniques, his renewed interpretation is impressive.
Over the last thirty years, we have covered these techniques many times. But each time, he gives a new interpretation. I am amazed by his ability to do that, as it shows the technical distance he has with me. For example, his “new” Fū Batsu was nothing like I saw before, his Ryōte Gake Noguchi Ryū was even stranger.
Seeing that, I often paused during training, trying to decipher the pattern of the real Waza. That brought a few thoughts that I want to share with you.
Before going ANY Waza, he reads them from the Denshō. He doesn’t work from memory but interprets the technique as if it was the first time.
He follows a teaching pattern in five steps, like the five elements. The first variation is always a “Chi” like movement, the last one a “Kū” like movement. I mean that for the last change he is hardly touching the opponent.
Whatever the original movement, he continues it against fist attack. Then he changes whatever can be, still keeping the Kaname (key point) alive.
I also discovered yesterday that my understanding of Japanese names is limited. In the West a word is a thing, here it is an image. For example, Noguchi sensei was blocking Uke’s arm from the outside on the upper arm. He used the word “Jakkin” to define the point he was hitting. Until then, I thought that Jakkin was only on the inside of the arm.
Later he hooked Uke’s foot from the inside with his leg, like in Uchi Gake. He called it “Ashi Dome.” Until then, I thought of Ashi Dome as a set technique from the Chi Ryaku no Maki. It is not what I thought it was.
In the new edition of the Tenchijin (1), Hatsumi Sensei writes about Ganseki Nage. He lists the “official variations”: Ganseki Otoshi, and Ganseki Oshi. But there is a third one: Ganseki Ori (2), and we did it. It was a kind of Ganseki turning into a robust Ō Gyaku (you end up facing Uke).
After the Shizen Chigoku Gata, we did some Hanbō Jutsu. Noguchi Sensei reminded us that neither the Hanbō nor the Jō, belong to any one of the Ryūha. We do the techniques with the “feeling of the Kukishin Ryū,” but they are not Waza from the Kukishin. As a joke, he added, “tonight we do Noguchi Ryū Hanbō Jutsu.”
The class lasted only ninety minutes, and still, I learned more than I could ever imagine. The points above might look like details. But once incorporated into your Taijutsu, they will change it profoundly. That is why we have to come and train here often. If you already have been practising in Japan, it is good. But if you can afford to travel every year, I can assure you that you will get a much better Taijutsu.
See you here on the mats soon!
_________________________
  1. http://shinden-ediciones.com/es/14-bujinkan-ninjutsu
  2. 折る, Ori(oru): o break; to fracture; to break off; to snap off; to fold; to bend
PARIS TAIKAI REGISTRATION
… Read More

Takamatsu Sensei taught Hatsumi Sōke with 42 hands

adminMarch 7, 2018March 7, 2018

From 8þ Kabutoshimen by admin

At the training yesterday Sōke said that he had been taught by the 42 hands of Takamatsu Sensei. He was referring to 千手千眼観自在菩薩 Senju-sengen Kanjizai Bosatsu that had 1000 hands and 1000 eyes. The deity emphasizes the compassion that sees suffering (with 1000 eyes) and acts to relieve it (with 1000 hands).

千手観音Senju Kannon appears in the 虚空蔵院 Kokūzōin of the 胎蔵界曼荼羅 Taizōkai Mandara, with 27 faces and 42 main arms, while innumerable small arms fan out behind. Since it is difficult to portray one thousand arms, images usually show Senju with two principle arms in 合掌印 Gasshō-in (Sk: anjali mudra) in front of his chest and 40 arms, holding attributes and forming mudra, on the sides (altogether 42 arms, or shijūnihi 四十二臂). This number can be justified because each hand saves the beings of 25 worlds, and 40 times the 25 equals 1000.

Takamatsu Sensei died when Hatsumi Sōke was 42 years old. 42 years later we had a big Taikai in Japan to celebrate Takamatsu Sensei and starting a new cycle. In Japanese culture, the number 42 is considered unlucky because the numerals when pronounced separately—shi ni (four two)—sound like the word “death”.

Many cultures around the world recognise the number 42 in interesting ways.

There are 42 questions asked of persons making their journey through Death in the ancient Egyptian Book of the Dead.

42 is the number with which God creates the Universe in Kabbalistic tradition.

42 is also the Answer to the Ultimate Question of Life, The Universe, and Everything according Douglas Adams in his science fiction book Hitchhikers Guide to the galaxy.

Funny fact; in 1996 Cambridge astronomers said that Adams was right. Dr Richard Saunders, who led the research, sounded a trifle abashed by the result. “We have taken two measurements for the constant, and the average of them is, well, it’s 42.”

Sōke showed us antique small miniature weapons. He said it is important to appreciate the quality and details, and we should study them.

The post Takamatsu Sensei taught Hatsumi Sōke with 42 hands appeared first on 8þ Kabutoshimen.…

Read More

Skydiving Anyone?

kumafrMarch 6, 2018

From Shiro Kuma by kumafr

img_20180302_202715.jpgThese days, this is precisely the feeling I have when training at the Honbu. When skydiving in free fall, you have this incredible feeling of falling within your fall. It is like being into a vortex. The fall seems infinite like falling into an endless fractal. If you had the chance to experience it, you know what I mean. Speed keeps increasing. And you feel you are falling inside your fall until you reach terminal velocity.

Kūkan is like this; it is part of Ūchū, the Universe. (1)(2) Flow with this natural aspect and be one with Kūkan. If you think you can influence the universe, you’re mistaking! You can feel Jūryoku, gravity, on Earth (Chi level), but it exists everywhere in the whole universe (Ten). Being one with the Kūkan, Tori is in control (Jin level). That is the Tenchijin of 2018! (3)

There is a broad relationship between Humanity and Kūkan. Sensei said “Ningen to Kūkan Tsunagaru,” “humanity and space are connected.” (4)(5) When you connect yourself to your own inner Kūkan, you are part of the whole. The Waza are only a means to reach perfect control. As everything is linked in the universe, we just have to use this feeling and move freely. Nothing that we do is relevant, the only thing that matters is the natural flow. Sensei doesn’t do any Waza, he only controls. Control applies to the attacker, but also to the situation, space, and to yourself. If you can control your space, then the rest is natural, because you are moving in harmony with the forces of the universe.

Kūkan is the space between, inside, around Tori and Uke. It is only the place to be. Connected to Kūkan, we are moving into the natural and powerful flow surrounding us. Our intentions, our willingness to do something hinder the natural expression of Life. Hatsumi Sensei does his movements without thinking. He has no intent and is always in phase with the universe. He lets things happen. But Uke trapped in the “I want to attack,” blinded by his intents, cannot see his defeat coming. By not fighting, “Tatakai Wa Janai,” you are one with all things and Uke is your toy. (6) That is why the Bujinkan system is about peace, not war.

I love Sci-fi, and my last sentence reminded me of the end of the book “2001, a Space Odyssey” by Arthur C. Clarke. “and the star child understood the universe was his toy.”
That is what the Dai Shihan must do: play with the universe.

This year is Mutō Dori with an emphasis on justice and peace. Phil Legare on his blog wrote: “I asked Sōke if he had any instructions or advice for the Dai Shihan for the new year 2018. He said, Justice and Peace. Sensei wishes all Dai Shihan to bring about Justice and Peace in their own countries. He noted that we now have Dai Shihan in 55 countries around the world and more all the time. Sōke said that each Dai Shihan must figure out their way forward with Justice and Peace. He hopes they will foster the same goodwill within their own countries and in their groups. Honbu training is still Mutō dori, Control, and No power for each, as before. But there is also an emphasis on the five virtues of the Buddha: the Gojō.” (7)

“Then he [The Star Child] waited, marshalling his thoughts and brooding over his still untested powers. For though he was master of the world, he was not quite sure what to do next. But he would think of something.” ― Arthur C. Clarke, 2001: A Space Odyssey
_____________________
1. 空間, Kūkan: Space. Space is the boundless, three-dimensional extent in which objects and events occur and have relative position and direction. Physical space is often conceived in three linear dimensions, although modern physicists usually consider it, with time, to be part of a boundless four-dimensional continuum known as spacetime.
2. 宇宙, Ūchū: the universe. The universe is commonly defined as the totality of everything that exists, including all matter and energy, the planets, stars, galaxies, and the contents of intergalactic space. Definitions and usage vary, and similar terms include the cosmos, the world, and nature.
3. 人間, Ningen: a human being; person; man; mankind; humankind
4. 繋がる, Tsunagaru: to be tied together; to be connected to; to be linked to; to be related to
5. 戦いわじゃない, Tatakai Wa Janai: There is no fight.
6. 重力, Jūryoku: Gravity, is a natural phenomenon by which physical bodies attract with a force proportional to their masses. Gravitation is most familiar as the agent that gives weight to objects with mass and causes them to fall to the ground when dropped. Gravitation causes dispersed matter to coalesce, and coalesced matter to remain intact, thus accounting for the existence of the Earth, the Sun, and most of the macroscopic objects in the universe.
7. The Gojō are:
滅の不施, Fumetsu no Fuse, endless giving
真道の持戒, Mamichi no Jikai, awareness, right path of self-justice
自然の忍にく, Shizen no Ninniku, perseverance, forbearance
光明の悟り, Komyō no Satori, the light of enlightenment
自然の超越, Shizen no Choetsu, natural transcendence

PARIS TAIKAI 2018…

Read More

Posts pagination

Previous 1 … 12 13 14 … 16 Next

Shut-up and Train T-Shirts

RSS Bujinkan Seminars

  • 2026-09-04 NOGUCHI TAIKAI (Ghent, Belgium)
  • 2025-12-05 NAGATO TAIKAI (Paris, France)
  • 2025-03-21 PEDRO FLEITAS (Celbridge, Ireland)

武神館無段者の案内所
MUDANSHA - BEGINNERS GUIDE TO BUJINKAN

Price: $14.99
Prints in 3-5 business days

English, Perfect-bound Paperback, 96 pages richly illustrated with pictures and illustrations.

武神館有段者の案内所
YUDANSHA - BUJINKAN BLACK BELT GUIDE

Price: $27.77
Prints in 3-5 business days

English, Perfect-bound Paperback, richly illustrated with pictures and illustrations. Available in two sizes
- 184 pages (8.26" x 11.69") Paperback
- 184 pages (8.26" x 11.69") Coilbound
- 244 pages (6.14" x 9.21") Paperback

Recent Posts

  • The Dainichi Effect: Japan Report Five 令和6年
  • History of Ninjutsu: Tenshō Iga War
  • Mawari: Dancing With Nagato
  • All Is Already There!
  • Is There A Tiger In The Willow Tree?
Budoshop Downloads Budoshop Downloads

Archives

Categories

Tags

Basics budoshop Budoshop.se bujinkan bujinkan.me Doug Wilson Download Download movie Duncan Stewart essay General thoughts Henka History iPad iphone ipod Japan training Japan Trip kaigozan keiko Kesshi Kihon Kihon Happo Kukishin-ryu Mats Hjelm News ninja ninjutsu Rob Renner Ryuha Seminar shugyo Sveneric Bogsäter Sweden tabi Taijutsu Taikai Thoughts on Budo togakure-ryu training Uncategorized videos weapons YouTube Zeropoint
Copyright All Rights Reserved Kaigozan Dojo | Theme: BlockWP by Candid Themes.