2014 - NinZine 3.0

Hatsumi sensei in his office

kumafrJanuary 10, 2014

Hatsumi sensei in his office

As the Bujinkan is getting bigger, I understood that there might be a Bujinkan Office working full time in 2014. Maybe is it related with the opening of the new Honbu dôjô in April. We have to be patient a little longer, sensei begins to teach mid January.

The 奇翻 Kihon of 宝剣 Hōken

Michael GlennJanuary 9, 2014January 10, 2014

From Bujinkan Santa Monica by Michael Glenn

sky pots, at 赤門勝専寺浄土宗 photo by Michael Glenn

There are mysterious and strange surprises when studying the Bujinkan and what it means to be ninja. But the deeper you go, the more you find it is all connected. The mysterious evolves from the not so mysterious. Like kihon.

Let's consider the kihon of muto dori. On its surface, it seems simple. Evade when the sword cuts.

But this is reasoning from analogy. You know that when you don't move you will get hit or cut, because that has happened in the past or in other situations. But what is so amazing about the teaching Hatsumi Sensei has shared with us, is that we don't reason from analogy. We don't do things because that is the way they've always been done before. That produces a dead and lifeless art.

Hatsumi Sensei has written kihon as 奇翻, which suggests an odd turn, or a tricky mind with wondrous power. So, maybe we should reason from first principles instead.

So again, with muto dori, what is the first principle? The sword cut? Or the person cutting?

Why are they cutting? It is their mind or spirit that has made this decision. Their will controls the blade. While our spirit is in danger from it. All are linked and connected.

This kind of thinking will get you in trouble in a fight. But in training, it shines light on strategies that we can actually work on. So when the time comes, we do not sever the connection as Soke often advises.

Let's flip it. You hold the sword. How do you cut?

In our training we study how to cut with good taijutsu. Your taijutsu comes from your own mind, will, life force, or spirit… whatever you wish to call it.

Then we target our opponent and cut. You see how an inanimate object like a sword is connected through your will to cut the opponent and his will to survive? Everyone in the fight is connected this way.

Soke sometimes calls this 繋がり tsunagari, which is a connection, link, or relationship. He always tells us not to cut this connection. In fact, we train to use it for many amazing results in combat or in our lives.

Hatsumi Sensei has also shown us how to do muto dori this way. He calls this 影の無刀捕秘剣。I won't say more about this here, but...

If you hold a sword in your hand with this feeling, that sword becomes something much more than an inanimate piece of metal. It becomes 宝剣 hōken. With this you can cut away the illusion of all obstacles.… Read More

Genkaku no Sekai

kumafrJanuary 9, 2014

From Shiro Kuma's Weblog by kumafr

This is an illusion! it is not me.

In Japanese 幻覚 genkaku is illusion or hallucination. This is the “gen” from genjutsu.
But when you try to understand what illusion really is, or why reality is considered an illusion, you need to get some advice from our elders. Plato has always been one of my favorite philosopher and today I stumbled upon this sentence that made me think a lot about this “illusion/reality” duality. I know now that where there is duality there is lack of unity, and unity is what we are looking for in the Bujinkan. So I tried to unite this dual aspect.

“A system of morality which is based on relative emotional values is a mere illusion, a thoroughly vulgar conception which has nothing sound in it and nothing true”.
Plato

Asian philosophies (and many others) have taught us that the world in which we live is not “reality”, that it is “illusion”. And we’ve all accepted it, thinking: “if those clever Asian guys said it so long ago, it must be true”. But is it really true? And here, Plato, who wasn’t really from Asia, helps us understand it better.

The “relative emotional values” (REV) he is referring to are created by ourselves (brain, education, ego) and these REV, in fact, act like shields preventing us from seeing clearly was we have in front of us. It is because we are unable to see correctly with the 心神心眼, shinshin shingan (the eyes and the mind of the gods) that we are stuck in the world of illusion*.

The first problem is that people have accepted this and are happy with it, not trying to see beyond the veil. They know it is wrong but they are too lazy to even try to change it. This is the same in the dôjô, where many come from an illusion of what ninjutsu is and once taught properly stay or leave the dôjô because they do not want to change their initial wrong vision.

The second problem is the concept of “morality”. And the main issue is that the concept of morality bears many definitions** if it refers to onself, the group/family, the city, the country, etc. But whatever morality is, is it still morality when based upon emotions? No.

Our emotions are flawed and make us see things different from what they are. Therefore when morality derives from emotions that are based upon our inability to see reality; what we obtain is a “system of morality” that is not able to provide us with the tools to survive in the real world. The Chinese were the first to understand the difference between theory and praxis. Apparently this system of morality is only theoretical and not at all practical.

So I would rephrase Plato’s sentence and say instead: “A system of morality which is based on relative emotional values defines a theoretical reality, and a practical illusion”.

We do not live in 幻覚の世界, genkaku no sekai (the world of illusion) but in 現実の世界, genjitsu no sekai (the world of reality). The Bujinkan is an art based solely on practical reality.

* This is the blue pill/red pill of the Matrix movies
**http://en.wikipedia.org/wiki/Morality

New website for my 2014 Seminars

kumafrJanuary 9, 2014

From Shiro Kuma's Weblog by kumafr

I teach all over the world so I finally decided to regroup all the information you need if you want to join me for a seminar and fantastic Budô moments.
Click on the picture and you will go straight to the website.
I hope to see you soon in 2014

Click here

Susanô was Amateratsu’s (sun goddess) brother

kumafrJanuary 8, 2014

From Shiro Kuma's Weblog by kumafr

This is Susanô who retrieved the original Kusanagi no Tsurugi from the tail of the hydra and gave it to his sister, who gave it later to Ninigi no Mikoto the first “godsend” ruler of Japan. This Tsurugi with the mirror and the jewel are the three regalia proving the divine mandate given to him. They are the symbol of the Imperial rule over Japan.
Ninigi’s great-grandson Jimmu, was to become the first Emperor.