要
“ If you get the essential point, you don`t have to control everything.”
- Soke Hatsumi.
This year in the Hombu Dojo, Soke is raising our awareness to the Kaname or " essential element, essence, or pivot point " of the moment. Kaname is not something that is fixed or set. It is forever changing with the opponent and the environment. There a many ways one can look or try to grasp a better working knowledge of this.
If we take Chess for example, the aim is to place the opponent in check-mate. That is, no matter where he moves, he is captured within the space. He has been given freedom to move, but this freedom is kyojutsu and, is not really freedom. Often it is like a game of Cat and Mouse ( neko no myojutsu ).
The opponent may move, but he is always pressured and captured by the presence of the other. The opponent may become frustrate and develop the feeling he/she is being “played with “ and relinquish their fighting spirit. This can be likened to the Gokui no uta where one holds the bee in between the hands, but it can not sting. The bee is free to move, but it`s power is rendered useless.
To train to "feel" the Kaname, we need to train slowly. We are often admonished in Nagato Sensei`s dojo to Move, Stop, and Think. And, to look at training as a study of logic.
We are searching for the correct place to move. In budo, the correct place is the safest place. To find this place, we must train slowly. We must first move, then stop, and then think about where we are, where our opponent is, have we taken his balance, is our own balance ok, what are possible next attacks, can we see his weapons, are we aware of our environment, can we use our weapon, can he take it from us and, can we take our opponents weapon, etc. There is much to be learned. And, we can only learn to be aware of these things to a point of complete naturalness by firstly, training slowly and correctly. This should be common sense.
As with any art form, there are fundamental practices that must be studied over and over again to further develop correctly before one can truly express oneself free from the constructs of form, etc.
This is also the natural process of Shu Ha Ri .
By training is this way, we are constantly searching for the best point. We are searching for the ultimate point to control the opponent. This is nothing new really. If people are training correctly, this has been the base of our training since the beginning. It is about refining our movement so we always move to the "essential point" to maintain control of the situation. Soke is plainly making us more aware of this now.
In the beginning, we start to learn this through kata. We study the kamae and the various distances that each control and, how they can be made stronger with weapons as an extension. The kata teach us about Taijutsu - the art of the body. Through correct kamae, we learn about balance. We then learn how to move in the kamae while maintaining balance and distance ( ashi sabaki ). We then learn to incorporate our upper limbs to apply locks, strikes, blocks, etc ( te sabaki ) in conjunction with whole body movement ( tai sabaki ).
Within these aspects we begin to become aware of the principals ( distance, angles, timing ) and their importance of in regards to maintaining freedom of movement while moving to the safest areas possible to maintain life. The principals enlighten us to the Kukan ( life space ). And, from there we are able to always move accordingly, to safely protect ourselves, and control our opponent - The Kaname.
Only through correct study and naturally pursuing the process of Shu Ha Ri, will we come to a skill level where we can become aware of and appreciate this.
It is therefore important for everyone to remember that Soke is teaching to the highest ranks in the Bujinkan Dojo. It should also be noted that just because hundred of people have received the highest rank in the Bujinkan, it does not necessarily say that they have the actual skill level achieved to understand Sokes teachings. As ranks are sakizuke, the ju-godans must maintain complete honesty with themselves and train according to their actual ability and not what they think the rank they hold stands for. Sincerity is the key. People recieve a new rank and feel they have to “step up”and fulfill what they think the role entails. Stepping up because you think you should is not the way in my opinion. You step up naturally when the time is right. It is not a conscious decision. If it is, it is something based on your desire and what you think is right. To step up is something that happens as a result of just continuing with Bufu Ikkan. You just keep going and keep a level head about your rank. If you think your rank means something, you will try to make something of it and then you will fail. Move naturally. Don`t try to push the process. It is not yours to push. People that do just become nuisances in the dojo.
Everyone believes they are training correctly. But, what is more important is to have the goal to always want to improve. Relying on ones rank is not good enough. One has to earn their rank. It is important to understand that just because you are given a rank, it does not mean you have earned it or even deserve it. Upon recieving a rank, the student is reminded to remain humble and that the training is the most important thing. It is easy to see the people that are "really training", and not just "teaching". This aspect is also noting the essential point ( kaname ) of the martial heart: Sincerity.
Kaname is universal. We are all on the search for the correct path. The road to heaven, etc. But, this road ( as we know ) is not fixed and it is forever changing. The one constant in life is "change." If we cannot change, we will struggle and find it difficult to live a fruitful and enjoyable life. The kaname is also forever changing.
In training, our partner will move. We aim to move naturally to the essential point or, the point that determines the outcome. This point is also the point where one is covered and free of openings. But, to get there, we must move using the principals of taijutsu and in kamae. Once that point has been established, we must wait for the response of our opponent, either from pain or loss of balance. With this change of movement, the kaname will change. We must therefore not stop and move to find the essential point again. We do this until we reach a point where the opponent can no longer move.
We observe Soke and the Japanese Shihan move precisely with naturalness and a feeling of conviction and unwavering spirit. They move with minimum effort, but with absolute precision. Often we feel trapped right from the first attack. When we move, they move with us. And then, we feel even more trapped. And, so on it goes. Their natural and precise movement is with structure. Their movements have no openings. This is from training correctly in the kihon etc.
They understand the Kaname. In fact, this is often what they are looking for in people when they perform a technique. The essential point of each movement. Often we see the Japanese training on the wooden floor in the honbu. They are training with minimum movement. Why? They are trying to find the essence or " main point " of Sokes technique. They are not trying to replicate everything he did. Not like everyone else on the tatami. Without searching and coming to understand the Kaname, the rest of the technique is based on nothing. In saying this, we see people doing wonderful looking demonstrations in classes but, do they know or are even aware of what the " essence " of the movement is? Or, are they just going through the motions and making it look like they know?
Really, it comes down to experience and ones own Shugyo. Everyone learns and becomes aware of things at different times and through different triggers etc. It is important to accept and respect this.
Well, it has only been two months into the theme of the year in Sokes Dojo. I by no means understand this concept and will never profess to do so. This would be pure arrogance. What one can only do ( and this is the role of the shidoshi in my eyes ) is continually express ones experiences and thoughts based on continual exposure to training over the years. This is transmitting ones Shin Gi Tai and the lessons one has learned. Transmitting through the heart, technique and body is the way to truly express the "feeling" of the arts. This is why Soke says " only those that feel it can understand."
If you researching yourself, you will notice that Kaname has a variety of meanings. However, it is in general noted as being the most " important point ".
To try and live lives simply, we must always try to look for the most important point. This is the art of discernment. We need to pin point the essential point for our lives and change with it constantly.
The mark of a master is someone that can see through to the essence, the gokui of the what it is that stands before them. Soke has said it is the goal to live a simple people. And he says that this is ni fact quite difficult to do. Only if we come to know the kaname, can we possibly live plainly and as simple, natural people.
The concepts of Rokkon Shojou and Sainou Kon Ki have relevance here in the process of attaining this skill. However, I feel it is probably something "god given" and beyond human understanding that really allows people to achieve the "mind and eyes of god".
This is a beautiful mystery and has been the search of mankind for since?.
We are searching the way to live life where we always move in the right direction and to the right position. For many people, they would see those with this talent as lucky! And, protected/liked by the Gods.
Therefore, we need to live a just and righteous life to the best of our ability. In this way we will please the gods and move with nature.
Budo is a spiritual path. If you only consider the physical aspects, it is not budo.
This path is ( for me ) about coming to live in the moment. This moment is the "essence" or the Kaname of why I study Bujinkan Budo.
南虎
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