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Month: June 2011

Iro 色: Attach to Color, Follow the Color

Bujinkan Santa MonicaJune 10, 2011June 10, 2011

From Bujinkan Santa Monica by Bujinkan Santa Monica

Purple Grid - Yokohama, Japan photo by OiMax
Many of you have seen Hatsumi Sensei's purple hair. Everyone wants to know what that is about. Iro 色 (color) is a very important symbol in Japanese culture and martial arts. Let's look at that idea first, then Soke's hairstyle.

In martial arts Iro 色 is something that can be observed. For example: the color of your face, color of your sword, color of your attack, color of your Kamae, etc. The opponent's attack or his desire to win is often times described as Iro.

I describe hearing Sensei refer to this on my blog post, Beyond Striking and Kiai Into the Mysteries of Toate No Jutsu:
I was at a Friday night class with Hatsumi Sensei in the Hombu Dojo when Soke described toate no jutsu as a kiai or projection of spirit (maybe 気迫 kihaku?). Sensei said it was like the color of your heart projecting into space. That color comes from your character or can be that which you decide to project. He said all this with his purple hair and made reference to Kabuki theatre in which a purple scarf on the head denotes death.
The concept of Goshiki 五色 can be 5 colors. Usually we hear this word as 5 consciousnesses (Goshiki 五識). From the Great Buddhist Dictionary (仏教大辞典、小学館) we can learn the following:

"The five basic colors are Green, Yellow, Red, White and Black. They refer to the five Skandhas (goshiki 五識), the five Wisdoms (gochi 五知) or the five Buddhas (gobutsu 五佛) as an expression of the various Buddhist teachings.

In Japan there was the custom during the Heian period to hang a scroll of Buddha Amida Nyorai in front of a dying person, whith a fivecolored string (goshiki no ito 五色の糸) coming from the hand of the Buddha extending to the hands of the person. If you hold it firmly during your last minutes, you were assured a strait passage to the Paradise of the West (Amida Joodo 阿弥陀浄土).

One of the objects in the hand of a Kannon with 1000 Hands (Senju Kannon 千手観音) is a Fivecolored Cloud (goshikiun 五色雲).

The water poured over the head of the statue of Shakyamuni as a child during the festival for his birthday on April 8 (kanbutsu-e潅仏会) is called Fivecolored Water (goshikisui 五色水)."

You can also see these colors in 5 types of Daruma dolls, or Tibetan and Japanese prayer flags (goshiki ban 五色幡) .

These flag colors also represent the 5 elements:
Ku: Blue is the sky;
Fu: White is for the clouds;
Ka: Red is fire;
Sui: Green is water; and
Chi: Yellow is for the earth.
Each wave of the flag by the wind is considered one complete reading of the prayers printed on the flags.

On an ancient battle field,  5 colored flags were used for moving troops.
YELLOW shows the location of base camp or rally point.
When the other flags are raised:
BLUE:    Frontline Troops will GO EAST
RED:     Frontline Troops will GO SOUTH
WHITE:  Frontline Troops will GO WEST
BLACK:  Frontline Troops will GO NORTH

This is where we get the expression "色につき色にしたがふ" (attach to color, follow the color) and even though these ancient battle field strategies have been forgotten, the expression survives till this day in kenjutsu practice.

In a Japanese Shrine, you may find four animal flags in each direction:
East: Blue Dragon
West: White Tiger
South: Red Peacock
North: Black Turtle

So what about Hatsumi Sensei's purple hair? If you ask him you may not get the answer you expect. He told someone I know that it was to protect him from STD's (sexually transmitted diseases). For a straighter answer, here is what he told Doug Wilson: Smoke On The Water.

We can learn a lot about the color Murasaki 紫. In Feng Shui it symbolizes Yin, spiritual awareness, physical and mental healing. A purple Daruma (there are some!) is for a long life and preventing disasters. The pigment Murasaki is taken from the root of the plant  with this name and in Japanese poetry it denotes perseverance.

Murasaki iro 紫色 also suggests high rank and leadership. In the ancient courts of Japan, there was The Twelve Level Cap and Rank System (冠位十二階 Kan'i Jūnikai), established in 603. The highest rank was assoiciated with the highest virtue. At the top was 大徳 Daitoku Greater Virtue and it was represented with purple.

紫の雲にいつ乗るにしの海
murasaki no kumo ni itsu noru nishi no umi

on purple clouds
when will I set sail?
western sea
-Issa


… Read More

YSTT Update Jun 2011

kumafrJune 8, 2011

From Shiro Kuma's Weblog by kumafr

In exactly 30 days the Yûro Shi Tenno Taikai of Paris begins!

This year has passed so fast that I am amazed that this is already the time for this major seminar. The Paris Taikai has evolved a lot since its creation back in 2007.

This is a very special seminar that was designed to give a chance to get the « Taikai feeling » of the old days to the newcomers to the bujinkan and a sense of « the good ol’days » to the old bujinkan members.

This seminar is special for many reasons:

First, this is the only remaining seminar where the « Shi tenno » are teaching together. Since 1993 Sven, Peter, Pedro & Arnaud have been teaching together in Spain, France, England, Ireland etc…

Second, the four friends are used to teach together which gives a kind of « family feeling » to this event;

Third, this is a 3 days seminar like the taikai of the past when Hatsumi sensei was travelling the world to spread his teaching;

Fourth, the group of participants is divided into four groups by technical level. This means that a beginner will receive a class that he or she can understand; but also that a high rank student (judan and above) will also get something to improve his or her understanding;

Fifth, each day is divided into small training sessions of about 1 hour where each group has the chance to train with each one of the shihan in a private class;

Sixth, the 3 training halls (mats or wooden floor) allow each one to spend a full day of training in different environment;

Seventh, the free t-shirt, the hot meals, the free lodging (during, before or after the event), makes it a big opportunity to exchange with the many practitioners from all Europe but also to take the chance to visit Paris;

Eighth, the final party at the end of the third day is always a good moment before going back home and parting from 150 new friends coming from 15 to 18 countries.

The YSTT is a very good opportunity to meet your buyu from Europe, to exchange, train, and learn a lot of things in a very friendly environment.

This year, this is the 27th year of my bujinkan training. SO I decided that each participant that is booked online will receive a FREE 2 months unlimited access to our online streaming website displaying more than 600 bujinkan techniques.

Thank you for your support!

A. Cousergue
Bujinkan Shihan

REGISTER HERE


… Read More

9 Juli – Kihon Happo kurs med Shihan Ilan Gattegno (Israel)

KGZseminarsJune 7, 2011

Ilan Gategno, Shihan 15 Dan (Israel)

Ilan Gattegno, Shihan 15 Dan kommer från Israel och har tränat Bujinkan Budo-taijutsu i 37 år sedan 1974 då han blev medlem i Bujinkan Dojo. Han kommer till Kaigozan Dojo och håller en endagskurs med temat Kihon Happo. Mer information om Ilan kan ni läsa här.

Kozushi, Moguri, Nagare

Detta är en kurs som Ilan gjort sju gånger i USA, England och Israel där det varit mycket uppskattat av lägerdeltagarna. Denna kurs utlovar att öppna upp deltagarnas ögon och att man  kommer att lära sig hur man rör sig effektivt i varje moment i grundteknikerna.

Lägerpris

Priset för denna kurs är endast 350 kr och betalas på plats.

Anmälan

Anmälan görs på Facebook, har du inte det så mejla oss.

Plats

Lägret hålls i Kaigozan Dojo i Sundbyberg, Albygatan 117. Om vädret är okej så är det möjligt att träningen är utomhus på andra sidan gatan mot vattnet (där vi brukar vara).

Lägret är Lördag den 9:e Juli och startar kl 11:00 och slutar ungefär kl 17:00, kom i tid och betala lägeravgiften kontant (helst jämna pengar!). Vi öppnar upp ca 30 minuter innan. Ta gärna med lunch, det blir inte alltför lång lunch paus.

 …

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JIN Ryaku no maki seminariet, 4-5 Juni 2011

KGZseminarsJune 7, 2011
Lucas Koki tecknik

Lucas hoppar högt och dubbelsparkar i brösthöjd, i tekniken Koki

Vi hade tur med vädret, vi tränade utomhus i skuggan under den stora björken. Det blåste lagom mycket och svalkade oss.

Det kom deltagare från Riga, Eskilstuna, Norrköping, Skövde, Västerås, Stockholm och Lucas från Kaigozan Dojo.

Speciellt tack till Daniel från Norrköping som ställde upp som uke.

Lägret filmades och kommer upp på BUDOSHOP.SE om någon vecka eller så.

Vi ses på nästa läger!?

/Mats…

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偸眼 Chugan: Eyes Like a Dragonfly Thief

Bujinkan Santa MonicaJune 3, 2011June 3, 2011

From Bujinkan Santa Monica by Bujinkan Santa Monica

photo by TANAKA Juuyoh (田中十洋)
When I was a young man, one of my favorite movies was "The Karate Kid." The Sensei in that movie, Mr. Miyagi, played by Pat Morita, was full of patient but stern advice for his young student, Daniel-san. In one memorable quote, he chastised Daniel for looking down,
"Look eye!, always look eye!"
Very good advice for self defense. But there is a lot more to be understood about the eyes in our training. And, despite my fondness for that simple time in my life when a movie meant so much to me, I will break from Miyagi Sensei to suggest you don't always look eye.

There is a lot of psychology in a glance. A lot of nonverbal communication that takes place before a fight. Looking someone in the eye can be perceived as aggressive and create tension or make you a target for their anger. At the same time, the right type of look can cause the opponent to back down.

Takamatsu said that truly skilled martial artists can decide a fight by looking at each other. The better fighter knows he is better and graciously gives his adversary an opportunity to back down. If the weaker has any skill at all, he will perceive his opponent's superiority and concede to him.

A proverb says that the eyes are the window to the soul. This creates weaknesses and opportunities. If, you give away too much in your own eyes, your opponent can see your bluff, or know what your next move will be. Or, if you look in his eyes and see fear. You could easily reflect or manifest that same fear in yourself.

On the other hand we have the idea of Seigan, ‘Correct eye’ 正眼 with the feeling that you can manipulate your enemy and control his mind. As Soke says,
"to cloud the mind can be another important way of blinding the eyes. I would like you to know that it is the core of the metsubushi techniques to make the eye stop working."
This brings us to a more advanced use of the eyes for mind control. Ganko Issen is a sudden flash or glint of light of the whites of the eyes which can create the effects of Fudo Kanashibari and is also a basis for Toate no jutsu (striking from a distance).
"I have no eyes -- I make the flash of lightning my eyes." - unknown samurai c.1300
Hatsumi Sensei says that it is possible to "see" without using the eyes, and to "hear" without the ears. He says that, "In Ninpo your whole body must act as your eyes and ears."

This brings us to the concept of 偸眼  Chugan - looking askance; pretending not to look, or stealing a look. Maybe another word for it is tōshi 盗視 or 偸視 a stealthy glance;  furtive glance. I see Hatsumi Sensei do this all the time. In fact he often advises us to do this.
偸眼にして蜻蜒伯労を避く。
With a pilfered glance, the dragonfly evades the shrike.
This idea has many layers. One is that by not looking directly at your opponent you can make your focus broader to take in the whole environment. People and animals often do this naturally when surrounded. Looking nowhere but everywhere. This can be called Happo Nirami (staring in all directions). One benefit here is that your opponent's actions will be caught in your peripheral vision which responds very well to sudden, quick movement.

Another layer is that you can confuse your opponent by shifting his mind along with your line of sight. This can be simple misdirection like looking at one target on his body with your eyes but attacking another. As in 二目遣い Futatsumetsukai from Noh theatre which is a double glance where you look first but your mind does not stop there; or you look at your opponent when you appear not to be looking.

But it is also something more profound. When he attacks, especially if done with anger, he is looking to confront another soul directly. By shifting your awareness, it is like you are sidestepping his intent (like shifting your spirit back at 45 degrees) and his attacks will dissipate when they encounter nothing.

Hatsumi Sensei is constantly saying things that allude to this concept. Like "dissipate" the attacks, or you just "disappear" in the face of the attacks. Become zero.

Thank you Miyagi Sensei. I was sad when actor Pat Morita died in 2005, but his lesson is immortalized on film. And I'm sure he would agree, acting is all about the eyes.


… Read More

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