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Month: April 2011

KAIGOUSURU 2004 TAIKAI – ROPPO KUJI NO BIKEN

budoshopApril 15, 2011

From Budoshop by budoshop

Buy the DVD click here!

Kaigousuru 8 -- the eighth International Bujinkan Training Party with…

- Arnaud Cousergue
- Steffen Fröhlich
- Mariette van der Vliet
- Lubos Pokorny
- Shawn Gray
- Hans Nilsson
- Roger Mattsson
- Mats Hjelm

Theme was Roppo kuji no biken, Sword, taijutsu basics, advanced taijutsu and much more

Recorded in Stockholm, Sweden May 2004



Part 1 -- 77 minutes, 936 Mb for $11.99

Friday training

Session 1; Shawn taught Taijutsu and Sword. Session 2; Roger taught sword. Session 3; Arnaud taught the nine Kenjutsu techniques from Kukishin-ryu, then he explained how to hold the sword and how to cut.



Part 2 -- 64 minutes, 785 Mb for $11.99

Saturday training

Session 1; Steffen taught Taijutsu and sword. Session 2; Hasse taught Taijutsu and sword. Session 3; Henka chain with all the instructors. Session 4; Mariette taught Taijutsu and knife fighting.



Part 3 -- 85 minutes, 1040 Mb for $11.99

Sunday training

Session 1; Carl Holmes taught backflips. Session 2; All the instructors taught Sanshin no kata. Session 3; Lubos taught Taijutsu and sword. Session 3; Henka chain with all the instructors. Session 4; Question and answers.


Buy the full DVD, click here!

The theme of this year was Roppo Kuji no Biken. All of the instructors had already been in Japan this year and got the feeling of this years theme.

There was also a Q&A session, where the instructors talked about this years theme and much more.

Sample clip from the video

www.youtube.com/watch?v=0ymZM3_Wnm0

About the download

Click here for more information about our download files and how it works!…

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JUST2: Arnaud in Japan

kumafrApril 15, 2011

From Shiro Kuma's Weblog by kumafr

Sensei and his two monkeys

Tonight was the first class of this trip. Selfishly I was hoping for a very small group and we were already around 30, it seems that fear is going away.

It was nice to meet my buyu and the Japanese Shihan again, but most important it was nice to see sensei and to train with him. He was in a great mood and I often question if he is really 81 years old as he moves like a young man.

What did we do tonight?

After I demonstrated a kind of musha + omote, sensei used it to apply many different omote, ura, musha and musô to his poor uke ending always by pressuring one or more fingers at the nail level. “this is the way yo control in the Takagi Yôshin ryû”.
The general idea is not to do a technique but mainly to react freely to the flow of the opponent until he gives you one or more fingers that you use to pin him down with a lot of pain.

Then Pedro did a very interesting mix of half-cooked movements trapping uke in his mind in such a way that exploding to the floor seemed to be the only logical solution. Uke attacks with a right Tsuki, you deflect it softly with your right hand by walking to the right (inside – ura); uke reacts to that and you begin an omote gyaku that transforms itself into an ura gyaku when goes to the ground in pain (quite similar to the omote-ura gayku of the gyokko ryû).  Very nice piece of Taijutsu by Pedro that many in the dôjô had a hard time too understand and to do.

From there sensei used the start of this half-cooked technique to develop once again on the “chutô hanpa”. He did like a dozen variations on this on one tsuki double tsuki, with two uke, etc.

Finally he did it with the sword in Uke’s belt (daisho sabaki technique) explaining a few times that the Tsuka, or the saya is going itself into the hand. “Don’t try yo grab it, it comes naturally into your hand”. Sensei stressed the importance in all the techniques to use the “karada” body instead of using the hand and the head. We can summarize that with the sentence: “don’t think or grab, don’t use power, walk”.

Calligraphy session: you can see the number of attendees tonight

At the end of the class we did a biken technique similar to the kukishinden ryû Tsuki komi np sayu gyaku. Uke attacks daijodan and tori move lightly and slowly to position the kissaki on the left wrist of uke. If uke tries to cut dô kiri, then tori’s sword rotates around the point of contact and deflect the blade naturally, tori lift his sword and hit (not cut) the right wrist with the power of the legs bending. Sensei insisted a lot on not cutting uke: “it is simple to cut, it is much more difficult to control uke without cutting him”. The secret is to move slowly with the body; Sensei added that what is common sense to sport budô (gendai budô and MMA styles) is uncommon sense to us. Fighting is not about power and speed it is about softness and slowliness.

We did many variations around this theme absorbing backwards while moving forward, giving uke a wrong sense of distance as explained by Nakadai sensei.
The class went fast like in a dream and it was already time for the sakki test. The bujinkan is richer by 2 shidôshi: Pedro did the sakki test on an Australian guy and I did it on a Swedish one. Speaking of which, Christian Appelt who tested heavy pain tonight under sensei was promoted to Jugodan, congratulations!

After the class sensei spoke to a group of jugodan and insisted once again upon the importance of jugodan working together and keeping the connection between us all. It reminded me of the “en no kirinai” studied last year.

He also spoke about the new book he is working on, called “ninja daizen” (I’m not sure about the title) that will expose many new things about ninjutsu (sensei spoke of ninja in Kyushu during the Edo period). He added that ninjutsu was not limited to the sole Iga and Koga clans… I guess we will have to wait for the book to be published to know more about that.

Conclusion:

  • If you should have been here tonight and didn’t come: too bad for you!
  • The bujinkan is still alive and the many people coming from all over the world were there to prove it.
  • Sensei and all the shihan are in good health and life is back to normal (too bad you didn’t come).
  • Today: no earthquake, no tsunami, no radioactive cloud, but a very good class (too bad you were not there).
  • Tomorrow two classes: Senô sensei and Oguri sensei (yes he is back on Saturdays). I keep you updated.

PS: Many airlines have empty seats on their flights to Japan these days. The Kashiwa Plaza is quite empty too… it is still time to join us and train.. :)


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Kaigousuru 2004 Taikai – Roppo kuji no biken

budoshopApril 15, 2011

From Uploads by YouTube Help by budoshop

Kaigousuru 2004 Taikai - Roppo kuji no biken
The theme of this year was Roppo Kuji no Biken. All of the instructors had already been in Japan this year and got the feeling of this years theme. This is a 2 Disc set with total 4 hours of...
From: budoshop
Views: 1063
0 ratings
Time: 00:52 More in Sports
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Kaigousuru 2004 Taikai – Roppo kuji no biken

shugyouApril 15, 2011

From Uploads by shugyou by shugyou

Kaigousuru 2004 Taikai - Roppo kuji no biken
The theme of this year was Roppo Kuji no Biken. All of the instructors had already been in Japan this year and got the feeling of this years theme. This is a 2 Disc set with total 4 hours of good action! For more information about this video, see budoshop.se
From: shugyou
Views: 171
0 ratings
Time: 00:52 More in Sports
… Read More

Bô jutsu: Weapon of Consciousness

kumafrApril 15, 2011

From Shiro Kuma's Weblog by kumafr

When in 1993 Hatsumi sensei began to teach the now famous “themes of the year” he decided to begin with the study of bô jutsu. It opened a five year cycle dedicated to the weaons of the bujinkan.Amongst all the weapons of the bujinkan the bô jutsu is the most complete of all with an extensive set of techniques and levels that influences greatly our taijutsu both at the technical and spiritual level.Sensei speaks of “roku shaku bô jutsu” (六尺棒術) and this is the title of his first bô dvd. But many see only the size of the weapon. It is right to say that in the past the roku shaku was the size of the weapon. As you know even if the Japanese government began to follow the metric system at the beginning of the 19th century he kept alive the kanejaku (矩尺), the old measurement system. Even today people refer to the size of a room in number of tatami (疊).One tatami represents the surface of a measurement unit called the “ken” (間) and which has a length of 6 shaku. Until the 19th century all temples, castles, and houses were built with this unit. For more on this please look for “kanejaku” on the net.

But when it comes to the training we have to keep in mind that Japanese people before the 20th century were not tall (often around 150 cm). So, for us westerners, in order to keep the same ratio size/length in the buki waza (武器), our long staff should have a length of at least 2m. Note that buki (技) means also technique or art…

Now, when sensei speaks of the roku shaku (六尺) he is speaking of shiki (識), consciousness (vijnana in buddhism). Sensei implies that bô jutsu is the key to reach shiki (識) the 6th element of the gogyô, consciousness. By training the many waza of bô jutsu you are in fact developing your consciousness and become able to use it in every aspect of your life. By introducing this concept of shiki back in 2005, sensei forced us to do a major leap in our understanding of the bujinkan arts.

And remember that training the weapon -omote (表)- develop our consciousness of life – ura (裏). This is why bô jutsu is so important in the bujinkan.

Bô jutsu is the first step to free our taijutsu from the form. But to free yourself from something you must first be “trapped” by it. But how is it possible to achieve formlessness from something you don’t know?

We have to learn and study a lot to get the forms correctly until we can strip the forms off.

The bujinkan is a paradoxical system in which we are looking for something “natural” by studying things that are “not natural”. In fact the bô is the entry gate for the weapons and the necessary step to take in order to improve our whole taijutsu.

Until now no tools were available to review all those techniques this is why we have decided to record them all. We have also added for each technique, the kaeshi waza (返し技) to show you how to win against the bô. It took us four days of recording to do so and many bruises too.

With www.koimartialart.com (online streaming) or with www.budomart.com (dvds) you can now discover or rediscover the richness of the bô jutsu from the kukishin ryû. We recorded all the techniques (11 dvds) to help you unleash the power of your taijutsu with this fantastic weapon.

The bô (棒) is the link to the ten (天) and the chi (地) to become a real jin (人), a shiki no jin, a conscious human being (識の人間).

By the way did you notice that the kanji for “ken” (間) is identical to the second kanji of human being (間) …


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Recent Posts

  • Ninja and Sake
  • The Last Ninja: Fujita Seiko ninjutsu history
  • History of Ninjutsu: Seven Scabbard Cord Techniques
  • History of Ninjutsu: Ninja Running Techniques
  • History of Ninjutsu: Ninja Jumping Techniques
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