Year: 2010

From Shiro Kuma's Weblog by kumafr

keep your balance!

The key thing with the Tachi kumiuchi is to stay balanced which means not to lose your balance. It means that you have to stay up standing. Being balanced actually means to be equally unbalanced in all directions at the same time.

We all know that the techniques done on the ground are called “suwari waza” and that the standing techniques are called “tachi waza”. And understanding the habit of sensei to play with words maybe one of the key principle for this year is to master our ability (kon) to stand up and not to fall. we have to learn to be toatally, and equally unbalanced.

A closer look at the various meanings can help us here; Roku is “6″, Shô is award, and Jô is emotion. The concept for this year being “rokkon shôjô” through Tachi we can understand the “rokkon shôjô and tachi” concept and theme in a very different manner. Also the number “6″ can refer to the four direction plus up and down (some other understanding of Juppô sesshô).
So if we replace all these terms by their different meanings we get:

“rokkon shôjô tachi kumiuchi” = developing the ability to be (un)balanced in all directions (tachi) by developing our emotions (be happy) when meeting with others.

From Shiro Kuma's Weblog by kumafr

With the study of Tachi waza, Sensei plays a lot these days with the different meanings of the word “Ri”. As you know the japanese language being monotonic, one sound has always several meanings which gives this language a great variety of possible understanding and/or interpretations.

Depending on how you write it, the word “ri” has the meaning of 1. distance, keeping away or 2. truth, principle.

Understanding this ambivalent signification one can see that going through the sequence of Shu (learning) and Ha (understanding) one will reach the truth or distance himself from it. The truth in your Taijutsu comes only when by learning for a long time you are able to understand the hidden part of the waza.

Therefore, you begin to go away from the form to express the principle of it. One day in Japan one of the Shihan said that the waza is only to channel our understanding in order to develop the natural flow created by our ability to adapt our movements to the situation.

Now if we look at the other meaning of distance or keeping away, it can be understood positively or negatively. We know many teachers getting lost in the world of variation and having at the end no clue about the real (true) forms. As I often say, it is easy to tell the students to forget the form when you do not know it before. Remember, if you want to forget something, you first have to learn it! Those teachers have no Shu, no Ha and will never get close to the Ri. We can also see this “keeping way” or “distancing” as the result of a true Shu Ha Ri progression where your understanding distances itself from the dead form of the waza to bloom into another technical dimension, one that encompasses the connexion with everything around and within you.

To finish on this new approach given by the different meanings of those sounds, we have to be aware that there are other meanings for those three sounds (even for “ri”):

Shu: master, lord; kind, variety, species; actor, supporting post; tumor; hand (Te).

Ha: edge of a sword; leaf (like in happa); tooth (like in hadome); clique, faction, school.

Ri: official; clever; old measure; diarrhea; advantage, benefit, profit, interest; rustic, ill-mannered.

So Shu Ha Ri could also be to become the “clever master [manipulating] the edge of the sword” or in modern term to become a true swordmaster. Interestingly, this year’s theme is “Tachi Kumiuchi” and as Sensei said recently: “the true swordmasters were the Tachi Masters”.

Be happy!

From Shiro Kuma's Weblog by kumafr

go beyond the form

Today while training in Tachi waza with a group of students I thought that maybe the whole thing about Shu Ha Ri that Hatsumi Sensei is pushing these days may have always existed but that we were not ready to understand it.

We know that Shu is learning the form, that Ha is absorbing the form and Ri is destroying the form. But we all know also that Sensei used to say: “understand? good. Play.” Now can’t we understand that as “understanding the Shu, becoming good at the Ha level and destroying it by playing with the concept more than the initial form?

I will think a little more around that and come back to you.

be happy!