From blogurl:tazziedevil.wordpress.com - Google Blog Search by Duncan Stewart
Yūgen. Yūgen 幽玄 is an important concept in traditional Japanese aesthetics. The exact translation of the word depends on the context. In the Chinese philosophical texts the term was taken from, yūgen meant “dim”, ...… Read MoreMonth: October 2010
Disciple or Technician?
From Shiro Kuma's Weblog by kumafr
I just read a nice article by my brother Pedro Fleitas and I would like to dig deeper in its direction.
When we began training in the Bujinkan martial arts we couldn’t fathom how much it would bring to us as a human being; how much it would transform us. We were more interested in learning a “martial art”. Through the last 26 years we learnt the martial art but we also learnt to become true human beings.
Too many practitioners today are training for the wrong reason as muscle power is limited in time so it shouldn’t be our main objective while training. What is definitely more important is to develop our own potential, our own abilities. All through these years people have been focusing too much on the omote where in fact only the ura matters. Knowing thetechniques can be interesting for a while but knowing yourself is more vital to live a happy life.
How many teachers in the bujinkan are only teaching “forms” and do not get the essence of the bujinkan? A lot! I remember once speaking with sôke who told me that the important thing he has been teaching in the last years were not the schools but the concepts they conveyed. These concepts of san jigen no sekai, yûgen no sekai, kasumi no hô, shizen, etc have taught us more on how to live our lives than fighting techniques. Even though this apprenticeship has been the key to learn to defend ourselves efficiently. By understanding the ura side of things, the omote becomes obvious.
In 2010 we have entered a new era in the bujinkan with the arrival of many high ranks. Things are changing as always and now is the time to ask yourself the good questions. Long time ago I have decided to put aside the “ninja” stuff and to follow the teachings of a man, Hatsumi Sensei; I decided to become a disciple and not only a good technical martial artist.
Is it what you are doing? And if it is not, do you think it is worth spending your free time collecting forms instead of developing the fantastic human being hidden within you?
Hatsumi sensei might be the last true budô master of Japan and his teachings go far beyond simple body mechanics. Maybe it is time to think about it.
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Bufû Ikkan
From Shiro Kuma's Weblog by kumafr
Sensei said that “the secret of budô is 武風一貫 bufû ikkan (translated in “unarmed fighting techniques of the samurai” p.51, by the way of war is survival*). This is the yang secret. In a fight the opponent is often aggressive (i.e. yin) therefore by opposing softness to hardness you can defeat the enemy. When facing a strong and violent opponent you have two options: be more aggressive and violent than him or be so soft that his own intentions and actions will defeat him. This is the secret of fighting.
It reminds me of the encounter between the yamabushi monk Benkei and the young Minamoto no Yoshitsune during the Hôgen disturbance (保元の乱, Hōgen-no-ran1156). Benkei was a fierce warrior monk who defeated 99 samurai crossing a bridge he was standing on. Benkei had made the wish to take a 100 swords from samurai and to give them to the Buddha. When the young Yoshitsune arrived at the bridge, Benkei had already won 99 swords. Yoshitsune, defending himself with a simple flute overcame the big giant who then became his disciple.
This is the typical example of how yin can defeat yang. In the bujinkan this technique is called goja dori and sensei details it in his book: “Togakure ryu ninpô taijutsu” (p.237).
Sensei insists also on developing 五心術 goshin jutsu instead of 護身術 goshin jutsu. We should develop the heart/spirit if we want to ensure a true self-protection for ourselves.
Brutal force is nothing compared to mental strength. In order to survive learn to use the yin within you.
* 武風一貫 means “the martial winds blow every day” but when written 武風一管 it means “martial wind (tone) of one flute” thus the connection with Yoshitsune.
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Ninjutsu – The Spider’s Thread (蜘蛛の糸, Kumo no Ito)
From Bujinkan Santa Monica by Bujinkan Santa Monica
photo by ajari |
The Inscription reads, “ Ninjustu is on your eyebrow.... the spider`s thread, so close, the village of Togakure”. Sometimes things are so close to us that we can not perceive them.Hatsumi Sensei has continued to reference this web from the heavens. If Ninjutsu is on one's eyebrow, or there is a thread to heaven dangling down but we do not see it, how can we use that in Budo?
Maybe it will help if we look at another story that Hatsumi Sensei described to us.
"The Spider's Thread" (蜘蛛の糸 Kumo no Ito ) is a 1918 short story by Ryūnosuke Akutagawa, first published in the children's magazine Akai Tori:
One day, the Buddha was strolling alone along the edge of a lotus pond in Paradise. The blooming lotus flowers in the pond were each pure white like jewels, and the place was filled with the indescribably wondrous fragrance continually emitted from each flower’s golden center. It was just morning in Paradise.
After a time, the Buddha paused at the edge of the pond and from between the lotus leaves that covered it saw a glimpse of the state of things below. Now this celestial pond just happened to lie directly over Hell, and peering through that crystal-clear water was like looking through a magnifying glass at the River of Death and the Mountain of Needles and such.
The Buddha saw there, in the depths of Hell, a single man writhing along with the other sinners. This man was named Kandata, and he had been a notorious thief who had performed murder and arson and other acts of evil. In his past, however, he had performed just one good deed: one day, when walking through the deep forest, he saw a spider crawling along the road. At first he raised his foot to crush it, but suddenly he changed his mind and stopped, saying, “No, small though it may be, a spider, too, has life. It would be a pity to meaninglessly end it,” and so did not kill it.
Looking down upon the captives in Hell the Buddha recalled this kind act that Kandata had performed, and thought to use his good deed as a way to save him from his fate. Looking aside, there on a jade-colored lotus leaf he saw a single spider, spinning out a web of silver thread. The Buddha carefully took the spider’s thread into his hand, and lowered it straight down between the jewel-like white lotuses into the depths of Hell.
Kandata was floating and sinking along with the other sinners in the Lake of Blood at the bottom of Hell. It was pitch black no matter which way he looked, and the occasional glimpse of light that he would see in the darkness would turn out to be just the glint of the terrible Mountain of Needles. How lonely he must have felt! All about him was the silence of the grave, the only occasional sound being a faint sigh from one of the damned. Those who were so evil as to be sent to this place were tired by its various torments, and left without even the strength to cry out. Even the great thief Kandata could only squirm like a dying frog as he choked in the Lake of Blood.
But one day, raising up his head and glancing at the sky above the lake, in the empty darkness Kandata saw a silver spider’s thread being lowered from the ceiling so far, far away. The thread seemed almost afraid to be seen, emitting a frail, constant light as it came down to just above Kandata’s head. Seeing this, Kandata couldn’t help but clap his hands in joy. If he were to cling to this thread and climb up it, he may be able to climb out of Hell! Perhaps he could even climb all the way to Paradise! Then he would never be chased up the Mountain of Needles, nor drowned in the Lake of Blood again.
Thinking so, he firmly grasped the spider’s thread with both hands and began to climb the thread, higher and higher. Having once been a great thief, he was used to tasks such as this. But the distance between Hell and Paradise is tens of thousands of miles, and so it would seem that no amount of effort would make this an easy journey. After climbing for some time Kandata tired, and couldn’t climb a bit higher. Having no other recourse, he hung there from the thread, resting, and while doing so looked down below.
He saw that he had made a good deal of progress. The Lake of Blood that he had been trapped in was now hidden in the dark below, and he had even climbed higher than the dimly glowing Mountain of Needles. If he could keep up this pace, perhaps he could escape from Hell after all. Kandata grasped the thread with both hands, and laughingly spoke in a voice that he hadn’t used in the many years since he had come here, “I’ve done it! I’ve done it!”
Looking down, however, what did he see but an endless queue of sinners, intently following him up the thread like a line of ants! Seeing this, surprise and fear kept Kandata
Kandata
Though the thread had been fine until just then, with these words it snapped with a twang right where Kandata held it. Poor Kandata fell headfirst through the air, spinning like a top, right down through the darkness. The severed end of the silver thread hung there, suspended from heaven, shining with its pale light in that moonless, starless sky.
The Buddha stood in Paradise at the edge of the lotus pond, silently watching these events. After Kandata sank like a stone to the bottom of the Lake of Blood, he continued his stroll with a sad face. He must have been surprised that even after such severe punishment Kandata’s lack of compassion would lead him right back into Hell.
Yet the lotus blossoms in the lotus ponds of Paradise care nothing about such matters. Their jewel-like white flowers waved about the feet of the Buddha, and each flower’s golden center continuously filled the place with their indescribably wondrous fragrance. It was almost noon in Paradise.
(16 April 1918)
As I read this story I remember Soke talking to us about connection. He said you have to see beyond the surface to see what the possibilities are. He told us that his teacher Takamatsu said "Don't ever sever the connection."
One way to explore these connections is through Juppo Sessho. This refers to ten directions. What are these ten directions? There are eight directions of Happo which are really infinite and can be said to be part of the Sanjigen no Sekai (3 dimensional world.) As Paul Masse says about the Daruma in Soke's painting,
The Daruma`s eyes are staring inward. This is a form of “Happo Nirami” or “Staring in Eight Directions” . It is also a form of “Ma Yokei” or “warding off evil”.
But the Daruma doesn't see the spider. That's because the spider is coming from another direction. The other two directions are Tenchi. Heaven and earth or (hell). This is another dimension. If you can connect to this with Juppo Sessho, then you really will be a Bujin! … Read More
Honour for Soke
From blogurl:tazziedevil.wordpress.com - Google Blog Search by Duncan Stewart
Soke pictured with a memento of the ” Wall of Honour ” unveiling ceremony at the Royal Society of Medicine. Peter King attended the event on behalf of Soke. Peter King -. “attended the unveiling ceremony of the Wall of Honor ...… Read More