Takamatsu Sensei taught Hatsumi Sōke with 42 hands

At the training yesterday Sōke said that he had been taught by the 42 hands of Takamatsu Sensei. He was referring to 千手千眼観自在菩薩 Senju-sengen Kanjizai Bosatsu that had 1000 hands and 1000 eyes. The deity emphasizes the compassion that sees suffering (with 1000 eyes) and acts to relieve it (with 1000 hands).

千手観音Senju Kannon appears in the 虚空蔵院 Kokūzōin of the 胎蔵界曼荼羅 Taizōkai Mandara, with 27 faces and 42 main arms, while innumerable small arms fan out behind. Since it is difficult to portray one thousand arms, images usually show Senju with two principle arms in 合掌印 Gasshō-in (Sk: anjali mudra) in front of his chest and 40 arms, holding attributes and forming mudra, on the sides (altogether 42 arms, or shijūnihi 四十二臂). This number can be justified because each hand saves the beings of 25 worlds, and 40 times the 25 equals 1000.

Takamatsu Sensei died when Hatsumi Sōke was 42 years old. 42 years later we had a big Taikai in Japan to celebrate Takamatsu Sensei and starting a new cycle. In Japanese culture, the number 42 is considered unlucky because the numerals when pronounced separately—shi ni (four two)—sound like the word “death”.

Many cultures around the world recognise the number 42 in interesting ways.

There are 42 questions asked of persons making their journey through Death in the ancient Egyptian Book of the Dead.

42 is the number with which God creates the Universe in Kabbalistic tradition.

42 is also the Answer to the Ultimate Question of Life, The Universe, and Everything according Douglas Adams in his science fiction book Hitchhikers Guide to the galaxy.

Funny fact; in 1996 Cambridge astronomers said that Adams was right. Dr Richard Saunders, who led the research, sounded a trifle abashed by the result. “We have taken two measurements for the constant, and the average of them is, well, it’s 42.”

Sōke showed us antique small miniature weapons. He said it is important to appreciate the quality and details, and we should study them.

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文殊 MONJU – Bujinkan Theme 2018

文殊 MONJU (Guardian of the Law, Voice of the Law) is one of many meanings. Monju is considered the wisest of the Bodhisattva, and thus acts as the Voice (Expounder) of Buddhist Law.

Japanese sculptures of Monju often depict the deity sitting atop a roaring lion or shishi, which symbolizes the voice of Buddhist Law and the power of Buddhism to overcome all obstacles. Shishi are also commonly found guarding the entrance gate to shrines and temples. Monju typically holds the Sutra of Wisdom in the left hand and a sharp sword in the right, which Monju uses to cut through illusion and shed light on the unenlightened mind. In some artwork, Monju carries a lotus flower and sits atop a shishi (mythical lion).

Monju’s cult was introduced to Japan by Ennin 圓仁 (794-864 AD; also spelled 円仁), a Japanese monk who visited Wutaishan (a five-terraced mountain in China’s Shanxi Province that today is still a major center of the Monju cult) during his travels to China (838-847 AD).

Mañjuśrī is a bodhisattva associated with prajñā (insight) in Mahayana Buddhism. In Tibetan Buddhism, he is also a yidam. His name means “Gentle Glory” in Sanskrit.[1] Mañjuśrī is also known by the fuller name of Mañjuśrīkumārabhūta,[2] literally “Mañjuśrī, Still a Youth” or, less literally, “Prince Mañjuśrī”.

A mantra commonly associated with Mañjuśrī is the following:

oṃ arapacana dhīḥ
The Arapacana is a syllabary consisting of forty-two letters, and is named after the first five letters: a, ra, pa, ca, na

A is a door to the insight that all dharmas are unproduced from the very beginning (ādya-anutpannatvād).
RA is a door to the insight that all dharmas are without dirt (rajas).
PA is a door to the insight that all dharmas have been expounded in the ultimate sense (paramārtha).
CA is a door to the insight that the decrease (cyavana) or rebirth of any dharma cannot be apprehended, because all dharmas do not decrease, nor are they reborn.
NA is a door to the insight that the names (i.e. nāma) of all dharmas have vanished; the essential nature behind names cannot be gained or lost.

Tibetan pronunciation is slightly different and so the Tibetan characters read: oṃ a ra pa tsa na dhīḥ (Tibetan: ༀ་ཨ་ར་པ་ཙ་ན་དྷཱི༔, Wylie: om a ra pa tsa na d+hIH).[14] In Tibetan tradition, this mantra is believed to enhance wisdom and improve one’s skills in debating, memory, writing, and other literary abilities. “Dhīḥ” is the seed syllable of the mantra and is chanted with greater emphasis and also repeated a number of times as a decrescendo.

Bujinkan Keiko 2018
As far as the training goes, it is basically the same as previous years. A lot of Mūtō-dori against knife, sword and rokushakubō. Very often Sōke uses his fingers to “walk” across the hands, which finally captures a finger lock. He makes the attacker to forget he got a weapon in his hand and he just pick it out of the hand of the surprised Uke.

Even when it is Taijutsu, the concept of Mūtō-dori is the same principles used.

More about Monju.
More about Manjushri.

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三光稲荷 Sankō Inari

On the second training this year Sōke improved an old painting with a fox. He painted white hair on the Fox and added the kanji. Then he put it up on the left side of Shomen wall in Honbu Dōjō.

三光稲荷 SANKŌ INARI
(Three light rice load)

G00g1e translate isn’t much help. But I found interesting story on Wikipedia about Inari Ōkami is the Japanese kami of foxes, of fertility, rice, tea and sake, of agriculture and industry, of general prosperity and worldly success, and one of the principal kami of Shinto. In earlier Japan, Inari was also the patron of swordsmiths and merchants. Represented as male, female, or androgynous, Inari is sometimes seen as a collective of three or five individual kami. Inari appears to have been worshipped since the founding of a shrine at Inari Mountain in 711 AD, although some scholars believe that worship started in the late 5th century.

By the 16th century Inari had become the patron of blacksmiths and the protector of warriors, and worship of Inari spread across Japan in the [[Edo period]. Inari is a popular figure in both Shinto and Buddhist beliefs in Japan. More than one-third (32,000) of the Shinto shrines in Japan are dedicated to Inari. Modern corporations, such as cosmetic company Shiseido, continue to revere Inari as a patron kami, with shrines atop their corporate headquarters.


Inari and their fox spirits help the blacksmith Munechika forge the blade kogitsune-maru (Little Fox) in the late 10th century. This legend is the subject of the noh drama Sanjo Kokaji.

The fox and the wish-fulfilling jewel are prominent symbols of Inari. Other common elements in depictions of Inari, and sometimes of their kitsune, include a sickle, a sheaf or sack of rice, and a sword. Another belonging was their whip—although they were hardly known to use it, it was a powerful weapon that was used to burn people’s crops of rice.

Inari is a popular deity with shrines and Buddhist temples located throughout most of Japan. According to a 2007 report from Kokugakuin University, 2970 shrines are dedicated to Inari.

If you find one or usually many red Tori gates it is most likely a shrine dedicated to Inary deity.

So what does this mean for Bujinkan? I don’t know, it is an interesting part of Japanese culture. Maybe he just want us to look it up.

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Keiko#33 DOWN UNDER 2017 with MATS HJELM

  $19.99

Down Under 2017

  $19.99

Three video files, total playing time is 106 minutes. 5.7 Gb (H.264, AAC, 1280x720p)

This was filmed in Australia in the middle of Mats Hjelm’s #JapanTrip38.

The instructions on this film is in English. Each technique is demonstrated several times from all angles. The techniques are a mix of basics and new techniques from Japan trainings this year.

14-15 OCT – Port Macquarie Seminar

On Saturday the training started with all three forms in Sanshin no kata, then moved on to Muto-dori. Muto-dori and especially Shinken-shiraha-dome is this years theme in Japan, it is unarmed defence against knife and sword where you grab the blade.

Sanshin Gokei no kata (5 techniques)
Sanshin Gogyo no kata (5 techniques)
Sanshin Goshin no kata (5 techniques)
Sanshin with Kunai (5 techniques)
Muto-dori and Taijutsu (many techniques)

On Sunday the training started with Ashirau with is techniques trapping his legs and take him down. Then Taijutsu and Muto-dori against sword and knife was taught. Finally the five Jutte techniques from Kukishin-ryu was taught.

Ashirau (4 techniques and henka)
Muto-dori and Taijutsu (many techniques)
Jutte-jutsu (5 techniques)

 

The video is edited down to 62 minutes

17 OCT – Newcastle extra training

Some of the people was at the seminar and requested more Ashirau techniques and Jutte techniques. A little Kunai was taught and also Muto-dori and Taijutsu.

The video is edited down to 17 minutes.

18 OCT – Sydney extra training

Taijutsu and Muto-dori was taught at this extra training.

The video is edited down to 27 minutes.

 

Title: Down under in Australia with Mats Hjelm
Instructors: Mats Hjelm
Theme: Sanshin no kata, Kunai, Jutte, Muto-dori
Recorded: Recorded in Port Macquarie, Newcastle and Sydney, Australian October 2017

Kind: Apple MPEG-4 movie
Size: 5 703 149 641 bytes (5,7 GB on disk)
Dimensions: 1280×720
Codecs: H.264, AAC, Photo – JPEG, QuickTime Text
Duration: 106 min

KUKISHIN-RYU BO-JUTSU (SHODEN-CHUDEN-OKUDEN) with MATS HJELM

  $24.99

Kukishin-ryu Jo-jutsu

  $24.99

All 29 Kukishin-ryu Bo-jutsu techniques in HD quality, total playing time is 40 minutes. 2.14 Gb (H.264, AAC, 1280x720p)

This was filmed at the Bujinkan Kaigozan Dojo during the summer of 2016 and 2017. The theme was Kukishin-ryu Bo-jutsu.

There is no verbal instructions on this film. Each technique is demonstrated several times from all angles. For more information about this ryu-ha click here! Please notice there is several sub-pages to this page with more information.

六尺棒術 ROKUSHAKU BŌ JUTSU

The bōjutsu of Kukishin Ryū is best described as a method used to defeat/trick wielders of other weapons. It has special striking techniques that allow the Bō to feign quickly and re-direct its aim; a special method of “twirling” (Bofurigata) designed to confuse opponents and keep them at bay; and thrusting techniques that correlate with throwing the staff as a projectile (nagebō). Aspects of the Bōjutsu are gleaned from two other weapons within the school: naginata and the spear (from Wikipedia).

There is five levels in Kukishin-ryu Rokushaku Bōjutsu.
1. Bōjutsu Kihon Kata
2. Bōjutsu Keiko Sabaki Kata
3. Bōjutsu Shoden Kata
4. Bōjutsu Chūden Kata
5. Bōjutsu Ōkuden Kata

We already made a video of the first two levels a long time ago (see here).

Covered in this video is

初傳型 SHODEN KATA

1. 中段杆打 CHŪDAN KANGI
2. 下段杆打 GEDAN KANGI
3. 詒変杆打 IHEN KANGI
4. 上段護技 JŌDAN GŌGI
5. 一文字護技 ICHIMONJI GŌGI
6. 平一文字護技 HIRAICHIMONJI GŌGI
7. 一文字掃く技 ICHIMONJI HAKUGI
8. 青眼掃く技 SEIGAN HAKUGI
9. 天地人こう技 TENCHIJIN HAKUGI

中傳型 CHŪDEN KATA

1. 上段挨技 JŌDAN AIGI
2. 下段挨技 GEDAN AIGI
3. 平一文字挨技 HIRAICHIMONJI AIGI
4. 中段じゅ技 CHŪDAN JŪGI
5. 一文字じゅ技 ICHIMONJI JŪGI
6. 詥変ちゅう技 IHEN JŪGI
7. 青眼摧技 SEIGAN SAIGI
8. 天地人摧技 TENCHIJIN SAIGI
9. 一文字摧技 ICHIMONJI SAIGI

奥傳 OKUDEN KATA

1. 上段搶技 JŌDAN SŌGI
2. 下段搶技 GEDAN SŌGI
3. 平一文字搶技 HIRAICHIMONJI SŌGI
4. 中段格技 CHŪDAN KAKUGI
5. 一文字格技 ICHIMONJI KAKUGI
6. 詥変格技 IHEN KAKUGI
7. 青眼拒技 SEIGAN YAKUGI
8. 天地人拒技 TENCHIJIN YAKUGI
9. 撆倒拒技 HEITO YAKUGI

Title: Kukishin-ryu Bo-jutsu Shoden, Chuden, Okuden kata with Mats Hjelm
Instructors: Mats Hjelm
Theme: Kukishin-ryu Rokushaku Bo-jutsu
Recorded: Recorded in Kaigozan Dojo, Stockholm Summer 2016 & 2017

Kind: Apple MPEG-4 movie
Size: 1 075 472 723 bytes (1,08 GB on disk)
Dimensions: 1280×720
Codecs: H.264, AAC, Photo – JPEG, QuickTime Text
Duration: 40 min