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神妙剣 Shinmyoken: a Victory Without Killing

From Bujinkan Santa Monica by Bujinkan Santa Monica

There is a Buddhist idea that when we kill another being we assert the radical difference between us and them. And this would ultimately be an incorrect assertion. But killing is all around us. It is part of the very fabric of nature. So what do fighters do with this?

This is a great mystery in life and martial arts. One of the most mysterious secrets is that of 神妙剣 Shinmyoken  or the life giving sword. At its most basic level it is a technique for overpowering your opponent without injuring him with the sword. This simple idea contains many mysteries, the first being, why would you endeavor NOT to kill your opponent?

This lesson comes to us in the form of a sword, but it could be any weapon. The sword clarifies the feeling of life and death because it is a very fine (and sharp) edge between the two. Hatsumi Sensei constantly reminds us not to kill. It takes a lot of control with such a dangerous weapon to use it without killing. Sensei tells us that the Ninja understood that ultimately no one is victorious in war. Everyone loses. Hatsumi Sensei says the Ninja's idea of Shinmyoken was born from this understanding.
"Good weapons are unfortunate instruments.
People hate them. So someone with Tao does not rely on them . . .
Weapons are unfortunate instruments, and not the wise man's instruments.
When he uses them because there is no other choice,
he stresses straight-forwardness and, in victory, does not praise himself."
Lao Tzu, Section 31
But Hatsumi Soke doesn't suggest we become pacifists. Wrapped up in the mysterious sword of shinmyoken is also a strategy for combat. Shinmyoken is used for judging the crucial point on the body and it can be where the tip of the sword settles and finds its target.

There is an interchange of tai and ken. Sometimes you present the attitude of your body as the sword and the sword as your body. But you must also see this exchange in the opponent's body and sword. So your observation (見ken) finds the correct point on his body. The mind must be in perfect harmony with the body and sword.

Shinmyoken is also a part of understanding this admonition Soke often tells us,
"Hell gapes beneath the upraised sword... Step in! And Heaven is your reward!"
That's nice to think about, but how do you step in? With shinmyoken! Entering with
shinmyoken means entering with a free and natural body, and free and natural mind, mind
and body and sword as one.

切り結ぶ刀の下ぞ地獄なれ、ただ切り込めよ神妙剣
Shinmyoken was deeply promoted by Yagyū Munenori 柳生宗矩(1571-1646) a Japanese swordsman who was appointed official sword instructor to two Tokugawa shoguns. Yagyu’s style is known as the Shinkage-ryu, for centuries the official style of the Tokugawa dynasty. His spiritual mentor was Zen priest Takuan.

Munenori proposed the idea of a “life-giving sword” - the notion of controlling an opponent by the spiritual readiness to fight, rather than during the fight. This may end a fight before it ever begins. But it also is the ultimate sutemi, because you must be willing to stake your life on it. This is how the old cat wins in the Neko no Myojutsu story.

Munenori wrote,
"If you want to strike at your opponent, let him strike at you first. The moment you succeed at having him strike at you, you have succeeded in striking him."
This really gets to the heart of the idea of no separation between attacker and defender. You kill him and you are killing yourself. Something Hatsumi Sensei often reminds us. The shin of shinmyoken can refer to the divinity, core or spirit of the combatants. This shin gives rise to the mystery, or myo, of the outward appearance of the clashing swordsmen. Even if you slice him open you will not find his shin.

I was in class with Hatsumi Sensei when he told the Jugodans that were present that they are always taking the godan test. They are also always giving it. Taking the test is like dying, and giving it is killing. But the killing happens through you. Soke said it is kami binding with kami. Shinmyoken as divine sword.

This transforms the nature of killing into the natural flow of life and death.


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Pull Yourself Together With Bushinwa 武心和

From Bujinkan Santa Monica by Bujinkan Santa Monica

photo by ghindo
In the Densho for Gyokko Ryu Kosshijutsu, one of the 9 schools we study in the Bujinkan, there is a precept which is expressed like this:
 Bu Shin Wa O Toutonasu 武心和を尊 The heart of the warrior holds peace righteous, or, a warrior heart holds harmony as sacred. 
Of course the idea of Wa or harmony is vital to understanding the physical aspects of our training. But there is something deeper in this idea. An idea that is deeply Japanese and connects us to the roots of our art and the history of Japan itself.

Wa 倭 until the 8th century, when the Japanese replaced it with 和 is the oldest recorded name of Japan. The idea of harmony in Japan is expressed in art, the tea ceremony, philosophy and even in daily manners or enforced through law. Many of the codes of honor of the Samurai were the result of an attempt to preserve harmony.

Honor of a bushi was most important in this code. Abusive language was punished by confiscation of the samurai's weapons and property or even banishment. All because it could lead to an armed fight over honor that might end in death. Striking a bushi was such a grave insult, that the offender would pay with his life or serious physical injury.

Hatsumi Sensei says that this Bushinwa idea from the Gyokko Ryu Densho can be traced  back to ideas expressed by Shotoku Taishi (573-621, the Prince of Holy Virtue, a Japanese regent, statesman, and scholar) in his Jushichijo no Kempo. This was one of Prince Shotoku's most important written pieces, the so-called "Seventeen-Article Constitution" completed in 604 AD. The title "constitution" does not accurately describe Prince Shotoku's writing. But, Shotoku's document does set forth 17 specific laws or principles applied to nation-wide behavior.

Hatsumi Sensei says,
 Early Samurai were strongly influenced by the teaching of Shotoku Taishi.  The first phrase from Shotoku Taishi's Seventeen article constitution, "Cherish the harmony among people" is assimilated into the Gyokko Ryu idea that "Bushin (the warrior heart) cherishes the harmony among people."
Here is that first article from Prince Shotoku,
604 AD, 4th Month, 3rd day.
(1) Harmony should be valued and quarrels should be avoided. Everyone has his biases, and few men are far-sighted. Therefore some disobey their lords and fathers and keep up feuds with their neighbors. But when the superiors are in harmony with each other and the inferiors are friendly, then affairs are discussed quietly and the right view of matters prevails.
Shotoku was himself strongly influenced by Confucian and Buddhist writings. So this idea was basically an adaptation of one of the Confucian Analects:
When there are no stirrings of pleasure, anger, sorrow, or joy, the mind may be said to be in a state of equilibrium. When those feelings are stirred and act in their due degree, there ensues what may be called a state of harmony. Equilibrium is the great root from which grow all acts of humanity; harmony is the universal path that guides them.
Let the states of equilibrium and harmony exist in perfection, and a happy order will prevail throughout the heavens and earth, and all things will be nourished and flourish.
When Hatsumi Sensei says that we should not act out of personal desire, but learn how to fight to protect life, this is part of the depth behind those ideas. Peace, Harmony, and a better life for all! That's what the warrior's heart is all about.

As the old saying, " Bushiwa Aimi Tagai," puts it, it is customary with the Japanese samurai to understand and aid one another; and they even extend sympathy and aid to the enemy soldiers, killed or disabled in battle.
In the ego's world of illusion, all things are in flux. But continuous change is constant chaos. When the ego sees itself as the center of so much swirling activity, it cannot experience cosmic harmony.
-Han Shan


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Ninpo Ikkan: Find Your Own Treasure

From Bujinkan Santa Monica by Bujinkan Santa Monica

photo by katclay
Understanding Ninpo Ikkan will unravel conflict and obstacles in a way that feels like 解脱 gedatsu (being liberated from earthly desires and the woes of man to reach nirvana). Does that seem unreachable to you? It is nearer than you think. Read on so I can explain where you may find it.

What is Ninpo Ikkan exactly? Well, as with a lot of Japanese to English interpretations you will find many answers (an interesting lesson in itself).  A simple expression of Ninpo Ikkan is consistent devotion to the way of the ninja or the way of perseverance. Ninpo 忍法 being the way of the ninja, or as Soke sometimes writes,  忍宝 NinPo, or the treasure of nin.

Where is the treasure?

First, to find the treasure, you must empty yourself so that Isshi Soden becomes possible. You cannot receive this direct transmission of knowledge from a teacher or from nature unless you are free from your own life. Soke says that Bushido means "to die." This is sutemi. Throwing your life away, erasing the self, making your mind empty and feeling like you are dead. In that place is a surprising treasure! You cannot be trapped or defeated because you do not exist. You may live each day with a peaceful mind.

As Doug Wilson describes Hatsumi Sensei's Ninpo,
"It is often misunderstood that since the meaning of “Nin” in Ninpo, means to endure, that one must endure and persevere in a fight.  But the ultimate goal is to feed the fight nothing but emptiness, on a physical and mental level, resulting in no physical conflict whatsoever, and ultimately no need to exert any effort or need to endure.
This is the Ninpo that Hatsumi Sensei teaches."

Soke says you can begin to learn this through fuza,
"... straighten the spine and breathe through the belly. It is also effective generally for maintaining good health. You start to understand Ninpo Ikkan when you achieve mental patience by sitting for a long time. The value of looking about one meter ahead with half closed eyes is to teach you that if you open your eyes fully and try to look far, you may not recognize the satori right around you..."
A Zen story about Banzan describes this moment:

When Banzan was walking through a market he overheard a conversation between a butcher and his customer.

"Give me the best piece of meat you have," said the customer.

"Everything in my shop is the best," replied the butcher. "You cannot find here any piece of meat that is not the best."

At these words Banzan became enlightened.

This helps us see that if you can be grateful and take things as they are, then everything is good for you. When you accept what is, every piece of meat - every moment - is the best. The moment you are living right now is the best — because it is the only one you have and the only one you can live right now.

My friend Paul Masse describes it this way,
"No matter where you are, no matter what time it is, no matter what is happening, isn't is always the best time, the best place?  If you grasp this, you can fully appreciate this moment.  When you have appreciation, light will come into your life and you will begin to perceive the miracles all around you."

This is one way to read the air like 気学 kigaku and create your own fortunate victory!


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Munenmusō  無念無想: Free From Worldly or Worthless Thoughts

From Bujinkan Santa Monica by Bujinkan Santa Monica

photo by Frogman!
There is a common saying that a little knowledge is a dangerous thing.  We see this all the time in training.  People begin to grow in their skill with taijutsu and two things often occur:

  • They injure themselves or others.
  • Or... they stop learning because they think they got it already.
This blind spot is very dangerous, because by their nature the person that is full of "knowledge" is unaware that they are ignorant.  And sometimes they convince others that they know something or have "secrets".

Hatsumi Sensei talks about this knowledge as if it is a burden.  A weight that should be shed.  Soke said that people want to possess the densho or secret scrolls.  But that when people learn the secrets they were searching for, they become too tense to move freely.  They are burdened with the knowledge and trying to use it correctly.
I am sure it is a great mistake always to know enough to go in when it rains. One may keep snug and dry by such knowledge, but one misses a world of loveliness.  - Shakespeare
Sensei likened this to kareteka who used to train with iron geta.  This is a similar principle to the modern fitness training with ankle weights.  At first they are heavy, but eventually the wearer gets used to them and doesn't even notice the burden.  But how freeing and light it will feel to remove them entirely!

I am amazed at people who attend classes or train at a seminar yet miss everything being taught because they are full of knowledge already.  Their consciousness is heavy with what they know.  Leaving no room for anything new.

A great example for us is the theme for 2011.  How many people think they know kihon happo?  There are teachers already teaching this theme or planning their seminars for 2011.
Alexander Pope shared this idea:
That a little knowledge is apt to puff up, and make men giddy, but a greater share of it will set them right, and bring them to low and humble thoughts of themselves.
 I watched Hatsumi Sensei write the scroll with this theme for my teacher on November 23.  He said it was the first time he had written the theme for next year.  But the kanji were not the "normal" way kihon happo is written.  This signifies Sensei's intention to take a fresh approach to the kihon.  Or, at least, to get us to drop our preconceptions and learn it anew.

So what effort in learning can you make?  Sensei suggests:
From nothing (not thinking), something (an action) comes forth, and the person who masters this idea is the one who can comprehend the secret teachings.  This understanding in your heart is more important than the techniques.  The mind of "munen muso" (no thought, no mind) in the heart is the real secret teaching rather than the waza.


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Groping the Void with 探り回る Sagurimawaru

From Bujinkan Santa Monica by Bujinkan Santa Monica

Photo by judepics
There are various types of awareness we use to gather information.  Maintaining good situational awareness is key to succeeding in any complex environment or encounter.  Once, when we were studying taihenjutsu and ukemi with Soke Hatsumi, he made reference to the term 探り回る (Sagurimawaru) which translates roughly as "to grope for, or fumble."

But Hatsumi Sensei didn't talk about this in a way us English speakers might normally consider the term fumble, as some kind of clumsy, unskilled, movement.  He spoke of it more as a exploration and a searching about the environment to see what you may discover.  It was a process of discovery.

So if we fumble about the Japanese language and look at other related terms in our art or just in the Japanese idiom, we may discover something:

You may have heard about the Ashinami Jukka Jo- The ten ways of walking according to the Ninpo book Shoninki, but we also have 探り足 Saguri Ashi and Saguri Aruki which are used for stealth and to feel your way with your feet when your eyes are not enough to set your path.

When you are trying to understand someone else you may use 探り合い  saguri ai to probe each other or sound each other out.

Maybe you are uncovering secrets:  探り当てる saguri ate ru - to find out

If you feel like Marcellus from Hamlet that something smells rotten in the state of Denmark: 探り出す saguri dasu to spy out / to smell out

Maybe you lost your house keys and need: 探る saguru to search / to look for / to sound out

Many people use training in the Bujinkan to: michiwosaguru 道を探る to seek a path;  to find one's way.

If you have bad manners you could saguribashi 探り箸  using your chopsticks to find a food you like by rummaging in your dish, pot, etc. (a breach of etiquette)

So at the root of understanding 探り回る Sagurimawaru in our training are two contrasting perspectives on your approach as a student in class.  Are you fumbling about blindly or are you on a path of discovery?  This is a choice you make everytime you step into the dojo, whether you slip in with saguri ashi or trip over the threshold.


   


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