banpen fugyou - NinZine 3.0

Infinite Dots - elevator ceiling, Fujisawa. photo by randomidea

You may have heard about 万変不驚 Banpen Fugyo and how it has emerged to be part of this year's theme along with Kihon Happo. This arose partially because of the earthquake and other events in Japan, but this is also how Hatsumi Sensei seems to explore every year. Soke says,

"To be able to survive and live in the midst of this constant change, it is important to comprehend that which is the essence. To this end, I believe it is important to vary this theme of change every year."

Maybe you have a teacher who reminds you of 万変不驚 Banpen Fugyo all the time. You get the idea of "Ten thousand changes, No surprises", but how to put it into practice?

There is a poem from the 22nd Buddhist Master 摩拏羅:Manorhita,

心隨萬境轉 the mind follows the ten thousand circumstances and shifts accordingly;
轉處實能幽 It is the shifting that is truly undefined.
隨流認得性 Follow the current and recognize your nature;
無喜復無憂 No rejoicing, no sorrow.

How do you recognize your nature and what is it exactly? Manorhita asked one of his teachers this:

“What is the original nature of mind?” Vasubandhu answered, “It is the emptiness of the six sense bases, the six objects and the six kinds of consciousness.” And hearing this, Manorhita was awakened.

The six sense bases are seeing, hearing, tasting, touching, and so on. The six objects are forms, sense, sounds, and so on. The six consciousnesses are the acts of hearing, seeing, tasting, touching, and so on.

What does it mean for these to be empty? This word emptiness in sanskrit is Śūnyatā. It can also be translated as void, or relative or contingent. Roshi Gerry Wick describes it this way:

"Śūnyatā is really a wonderful, tender, limitless embrace. It’s always complete. It is without having to strive, without having to not strive. Another implication of emptiness is empty of any fixed position or state of being."

While this is an important lesson for life, the ten thousand changes in combat are the actions and strategies of your opponent. If you pay attention to every punch, kick or technique, your mind gets taken and trapped in following each thing. The same trapped mind occurs when you focus on performing your own technique or style. You will be surprised when something unexpected happens. This will lead to your defeat.

If instead you allow the mind to dwell in emptiness, for example - looking at the opponent's eyes but not focusing on them (some suggest looking at the spot where the lapels of the gi cross) - you will react naturally as the situation dictates. Anything your opponent manifests will just appear to be part of the natural flow and not surprising.

By paying attention to the non existent, you will be able to see the existent quite well.

Utsuru 映る: Is Your Mind Reflected in Your Taijutsu?

Bujinkan Santa MonicaJuly 21, 2011July 21, 2011

From Bujinkan Santa Monica by Bujinkan Santa Monica

Dusk, Moon with Sunset Reflected in a Bubble. photo by arhadetruit

What have you been studying for the Bujinkan yearly theme of 2011? It seems that every year we start out on a journey of exploration. At the beginning of the year our minds seek something concrete to study. And Hatsumi Sensei puts something out there for us to consider. But as the year goes on, the theme evolves so that by the end of the year it feels like something else entirely.

However frustrating this may be for those of us who don't live in Japan to try to keep up, this is a very natural way of learning. And it is a lesson in itself. This year started out with Kihon Happo, but has transitioned to also include 万変不驚 Banpenfugyo and Juppo Happo.

There are many ways to look at Banpen Fugyo (Infinite change, No surprise). But how do you train on this? A very simple but profound example can be found in nature when we observe the reflection of the moon. I wrote about this before in my post "Ninpo and Mu: Waxing and Waning Like the Moon" but with this year's theme I think there is more to consider.

In Japanese there is an idea that can be expressed as utsuru 移る. This word has many interesting meanings for training, Like: shift; move; change; drift; catch (cold, fire); pass into or to change the target of interest or concern. Or written another way, utsuru 映る - to be reflected; to harmonize with.

"The mind is like the moon on the water
Form is like the reflection in a mirror

This verse suggests that the mentality proper for the martial arts is that of the moon’s abiding in the water. It is also the reflection of your body abiding in the mirror. Man’s mind moves to an object like the moon moves to the water. How spontaneously this happens!"
Yagyū Munenori translated by William Scott Wilson

The light from the moon can be considered like our shifting focus. If the water is disturbed (or changed) the reflection does not disappear, it rides on the ripples of change and as the water settles it remains pure and clear. Our focus never falters, only the water was disturbed.

Whether in everyday life or in a fight, no matter what happens, our focus should remain clear and undisturbed.

The moon can also be reflected in more than one place. Here in a puddle, in a cup of tea, and there in the lake… all at the same time. Our attention can shift but take in anything. It comes out from it's source at the clear center to be reflected everywhere.

"Enlightenment is like the moon reflected on the water.
The moon does not get wet, nor is the water broken.
Although its light is wide and great,
The moon is reflected even in a puddle an inch wide.
The whole moon and the entire sky
Are reflected in one dewdrop on the grass."
Dogen (1200-1253)

Violence in a fight happens very fast. But this does not have to present any problem for us. Our minds can move as fast as light from the moon. Yagyū explains that "… man’s mind moves to an object as quickly as the moon pierces the water." If you cover your teacup with your hand and then remove it, how quickly is the moon reflected?

What we train with our taijutsu is the ability to flow with this natural state. As natural as a moon's reflection. As Yagyū describes, "When the mind moves, the body will move there as well. If the mind goes, the body will go. The body itself follows the mind."

Of course if your heart and focus are unclear, then the movement of your body will be unnatural and slow. Please look at the moon tonight and consider that people in Japan have the same moonlight reflecting in their eyes. Try to catch that feeling in your training!

Plan For Chaos, Fight Your Plan

Bujinkan Santa MonicaSeptember 9, 2010January 28, 2011

From Bujinkan Santa Monica by Bujinkan Santa Monica

by PhillipC

A commonly heard phrase in military circles is,

No plan ever survives contact with the enemy.

This quote was originally uttered by Helmuth von Moltke the Elder, a German Field Marshal during the 1800's. But Colonel Tom Kolditz, head of the behavioral sciences division at West Point, sums it up this way:

You may start off trying to fight your plan, but the enemy gets a vote. Unpredictable things happen- the weather changes, a key asset is destroyed, the enemy responds in a way you don't expect. Many armies fail because they put all their emphasis into creating a plan that becomes useless ten minutes into the battle.

So what do we do as martial artists? For the most part, martial arts is learning to deal with smaller battles with individual or few enemies. But the same conundrum confronts us. All of our training for battle, the years of classes and techniques we have learned, and all the hard work to stay fit- all of this will be upset by this simple truth of battle.

One answer can be found in the Bujinkan training method. Soke's classes consist of a cascade of henka. Unending change that teaches us to be very responsive. But there is something more than that. By becoming zero or empty we can respond in combat with tactics that can't be understood or defeated.

You can't teach this. But you can use certain mental constructs to describe it. One that I sometimes use in my classes is the concept of Past, Present, and Future in a fight. If the attacker strikes, he is in the present. If you respond, you are in the past. Not the best place to be, especially if he is quicker or better than you are.

Better to connect to his rhythm and respond in the present as he attacks. Real time. If you are flowing in the present, it gives you the chance to counter if he falters or provides an opening. But you also have the opportunity to disrupt his rhythm.

Even better is for you to be in the future. Make him respond to you. Or know where he is going to strike so you can trap him.

But the best is to do the unexplainable. Once Hatsumi Sensei was asked, "What would you do if a sniper shot at you from half a mile away while you were going out your door? He said, "I would never walk through that door at that time." We have many ideas to explain this unexplainable core of our training. Things like Ku, Shizen Shugoku, Hi Jo Shiki and the like remind us that this art is bigger than any of our plans.
Maybe through this you can know Banpen Fugyou.