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Soyez les bienvenus à Paris

From Shiro Kuma's Blog by kumablog

http://www.budomart.com
http://www.paristaikai.eventpages.org
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I cannot believe that the Taikai will begin in only  9 days.
This will be another chance to meet with friends from all over Europe and to exchange with the shi tenno.

As I’m not a football fan,  I didn’t know that this world event could damage the Taikai. This year, I don’t think we will reach the 
100 practitioners.

This is not a good news for me, the organizer, but this is good news for you as it means that the groups will be smaller in size giving you a chance to get the best advice from each one of the shi tenno.

Also,  this year with four training halls (the dojo has been renewed) the classes will be easier to attend to.

Each day we will have private classes with each of the shi tenno and a joint class together.

Training will begin at  1000 and end up at 1730 and will consist of 4 private classes by level and one joint training. The four groups will be decided on day one as usual. 

Group 1 will regroup the high ranks, 
group 2 the black belts / Shidôshi, 
group 3 the advanced Kyû and shodan,  and
group 4, the beginners.

The Paris Taikai is the only seminar that I know where this splitting by technical level is done,  and this allows the teacher to adjust his level of teaching to every level. I’m sure that you will appreciate.

Sunday afternoon after training we will have a “party” in the dojo.

I’m eager to welcome you all in Paris for this  11th edition.
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If you didn’t register yet please do it now at http://www.budomart.eu  AND don’t forget to fill in the form HERE we need it for making this event a success.

HERE


Kunreshimasu vs Oshiemasu

From Shiro Kuma's Blog by kumablog

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Today I want to speak about training 訓練 (kunren).

I was reading my notes from the past years and I stumbled upon a discussion I had with Sensei back in 2010. We were having a coffee at his place and he said: “Arnaud you have to teach what you have to teach, and to train what you have to train.”

There is often a vast misunderstanding between 教えます Oshiemasu,  teaching, and 訓練します Kunreshimasu, training.

The kanji 教, means teach, but also faith, and faith is something you have or not. There is no training to get it,  you can develop it if you have it.

Conversely 訓練 is composed of two kanji 1) explanation, instruction; 2) connect, take along. This is therefore something that requires time and effort if you want to get it.

訓練,  forces you to test everything for yourself. A book, a video, even a Densho (if you can read it) are not enough. You have to internalize the form in order to make it yours and this requires a real training. Often I’m surprised to see that very few high ranks put themselves out of their comfort zone. If you want to excel you have to take risks and the first one is to destroy the techniques and test alternative interpretations. This is a permanent “trial and error” process. Obviously you will often fail, but at the end you will build your own taijutsu, the one that is made for your body.

I remember one day asking Senō sensei how he gained his precise movements. His answer was amazingly simple. “I trained all the basics in slow motion changing the angles degree after degree until I knew the best way to do it” he said. I commented that it must have been a very long study. “about 5 years” he said.

Today many teachers don’t really train, they teach. And this is sad because Shingin Budō don’t need techniques but demands that you keep a “student ‘s mind” in order to have a chance to be “guided” by the divine martial winds. Train the movements for yourself and find your own answers,  then, when in Japan, ask for correction. As you know there is no good or bad way of doing those techniques, but there is a truth hidden within and this truth unfolds when you stop teaching and seriously train.

I found out that by saving the last twenty minutes of the class for me, I could train much more while officially teaching, maybe you should try it.

Bûfû Ikkan (keep going)


Feeling is Art

From Shiro Kuma's Blog by kumablog

Steve Olsen in his beautiful book “Masaaki Hatsumi Dojo Art” dedicated to Sensei’s calligraphies explains that:
“Sensei teaches at a level beyond technique. “Feeling” Sensei often reminds us, is what is most important. And how can a feeling be taught? Art. It’s up to us to learn technique and transcend so we can apply his art in our lives. That, in my opinion, is the proper purpose of our training. “

Nagato sensei in a recent class said that learning this art follows (or requires) a three-step process.

We first learn “consciously” the technique. Then with time, we do it “unconsciously”. Until one day we do things “miraculously”. This miracle is the essence of Sensei’s art and it is only about feeling. This is the transcending of the forms that Steve explains in his book. Without the ability to transcend the forms, the Bujinkan is not better than any other martial art.

Many practitioners get lost in the sterile learning of forms and never get past the unconsciously level. Learning the basics allows one to move from level 1 to level 2, but level 3 is only achieved by those who let their feelings guide their movements. Shingin Budō is this guide and the Kehai wo yomenai (see previous post) is the best way to reach natural movement.

術: jutsu, is art.
感覚: kankaku,  is feeling.
神機: shinki, is miraculous.

Therefore, bujutsu (fighting technique) is 術 jutsu (art) guided by 感覚 kankaku (feeling) is 神機術 shinki jutsu, a miraculous art.

So learn your basics thoroughly and train hard until your feelings allow you to enter the world of art.