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Senpen Banka

From Shiro Kuma's Weblog by kumablog

dkms 2011 - during the first break

dkms 2011 - during the first break

Today was a fantastic Autumn day. The sun was shining, the 300 attendees full of joy to be together again for this very special bujinkan moment, and sensei was joyful and playful like a kid.

The whole was dedicated to the depth of the Kihon Happô and he asked many 15th dan to demonstrate their understanding of it. As an introduction he said that this day (and maybe the following ones) would be a “Jûgodan test”…

After speaking about some writings by Takeda Shingen (http://en.wikipedia.org/wiki/Takeda_Shingen) who said that men until 20 were working to be strong and then to understand weakness, he moved on to some very interesting concepts.

From this whole day of training I did my best to remember three things that he said and showed the depth of his budô.

“Gyokko Ryû is up and down, inside and outside”

Pedro trying to explain what he felt after being used as Uke by sensei, said that he had the feeling that sensei was up and down him, inside and outside his distance, to finally realized that he (Pedro) was alone as sensei was not even there (zero state). Sensei reminded us that this particular feeling of attacking the Ten and the Chi and the ura and the Omote was the main concepts of fighting of the Gyokko Ryû.
Distance being short the only way to use the body efficiently is to play with all these directions and deceive Uke on your real intentions. He added (as for everything this day) that no chikara (strength) was to be used and, as he said in our previous classes, that holding Uke without actually holding him was the key of true taijutsu.

As a joke he added that being 80 years old, he had no more physical strength and that his minimalist movements done with the whole karada (body) were creating the same effect as the use of the force. Age advancing physical strength is replaced by mental strength. Once again to way to control Uke it is not about using force but on the contrary to give him the feeling that you have disappeared.

“find the Kûkan no Kyûsho”

At some point he spoke extensively about finding the kûkan no kyûsho (空間の急所) or the weak point of the empty space in which the fight is happening.
In a movement, you should be able to understand where the Kyûsho is located, to avoid it and to throw Uke into it. He said that this was the real mastery of budô and that not so many martial artists couls even understand that.

In whatever situation you encounter in life lies a kyûsho somewhere. Being able to discover this kyûsho and to use it to our own benefit is the key to happiness and safety.

“senpen banka”

But the most amazing thing that sensei told us today concerned the concept of “senpen banka”.
Senpen banka is another “Hatsumism” composed of three different concepts reshuffled together to create something new.

“sen” is 千 thousand
“man” (here “ban”) is 万 10000
“ben + ka” is in fact 変化 henka cut in two halves (hen and ka are separated)..

Senpen then is “1000 changes” and “banka” is 10000 changes. note that both hen and ka mean “change”.

The concept of senpen banka is quite similar to the concept of “banpen fûgyô” (10000 changes no surprise) from the Gyokko Ryû but stronger. Sensei said that we should move in a relax manner with no preconceived ideas on what to expect or what to do, in order to be able to find the kûkan no kyûsho hidden in the situation.

Also if we think a little further it can also mean that whether there are 1000 changes or 10000 changes our attitude should not be modified. Losing or winning is not the point (he reminded it to us in a recent class saying that this win/lose vision of the world was childish). By keeping the proper attitude in life one could overcome any difficulties (here the changes) that he might find on his way and lead a happy life.

Once again it was for me the proof, if need to be, that the bujinkan is much more than a simple bio mechanical martial art but a real school of wisdom from which one can grow the true warrior spirit and become a true bujin.

Thank you sensei for this fantastic Autumn day on the inner secrets of the kihon happô.


Use a Telescope to see through Space and Time

From Shiro Kuma's Weblog by kumablog

On Sunday I did a technique at the opening of the class that sensei used to teach us the shizen karada – the natural body movement.

Karada – body ( 自然 体) is a often used by sensei during his classes as everything we do is based on a body or “non body” movement.
On a ryôte dori ( 両手取 り) slide your arms inside Uke’s arms and take his balance. When sensei did it to me I felt nothing he just vanished (melted?) in my grab in such a natural way that I had the feeling that my grip was returned against me.
There was so much softness in his counter action that there was no way for me to counter it or to think on how to react to it.
This feeling is quite strange and happens every time you have the chance to be his Uke. There is power within softness.

To achieve that Hatsumi sensei was simply joining his shoulders between my arms as if he had no bone structure, no rib cage in the middle! By moving the shoulders in a wave action back and forth he slide himself in between my grip and took my balance. The naturalness of his body movement was amazing as nothing could be done to avoid it. Using the karada (体) without chikara – force, strength (力), he then used the gan shi nankotsu (眼指軟骨) to inflict excruciating pain to my eyes and mouth, forcing me to bend backward and therefore to lose my balance.
I can understand it what he did to me but I wasn’t able to reproduce it. As always it is one thing to understand and another one to be able to do it.

When sensei was in between my arms I felt I was facing a wall advancing towards me and I couldn’t avoid it as I was stupidly still grabbing his lapels. Funnily I know I could have let it go but I didn’t. He was controlling my body and my brain together. The only thing I could do was watching my demise. Using the whole body is not moving the body it is being one with your body and Uke’s body at the same time so no free space is available for you to escape.

If I try to describe the feeling a little more it is like there is no strength at all opposing yours and then nothing to fight against. The simple shoulder wave movement together with a body that has been polished for tens of years is what is doing it. Once again, your rank doesn’t prevent you from training and you have to train for a very long time in order to get this ease in action that comes from pure consciousness.

Later during the class sensei used the image of the circle and of pi. Actually when continuing the movement your footwork should be in accordance together with uke’s movement of attack so that you pivot in a circle inside Uke’s attack at a 180° angle to go with him where his body is leading him. By doing so, Uke is not aware of where you are and loses his balance because nothing is opposing him. This pi application has been developed in many other martial arts like Aikidô for example but here in our case there is no grabbing of Uke. Sensei merely used the space created by this dynamic and natural body positioning to stick to Uke so close that he is invisible to Uke’s awareness. Sensei’s body moves like in cloud. It is at the same time a mienai waza, a kûkan and a nagare with nothing to stop Uke’s body but diabling him to perceive you. As they say in the Takagi Yôshin Ryû and the Kukishin Ryû: “ahead lies paradise”. As nothing prevents Uke’s movements Uke falls by only fighting his own strength.

To summarize the whole training that day sensei used a nice image. He said: “don’t be strong, don’t be weak, be zero and through this zero you can see the solution”. Saying that he put his hands in a circle and looked through them as if using a telescope.

Once again everything is linked. telescopes are used to see through sideral space and the stronger they are, the further back in time they can see. You should become a powerful telescope and see through time and space in order to be aware of what is coming next even before Uke knows about it.

Then gan shi nankotsu of this year (眼指軟骨) turns into gan shi nankotsu (眼 其 軟 骨) where shi (其) is oneself; nan (軟) is soft; kotsu (骨) is knack, skill, secret. The “eye, finger, cartilage” is now through our telescope a means to see through yourself, the secret of softness that will defeat the opponent.


A Needle will not Blow a Balloon

From Shiro Kuma's Weblog by kumablog

In any Japan trip the first classes with sensei give some insight on what is going to be taught next. My first classes last days were fantastic, full of insights … and full of pain!

About 80 students are attending the classes (and more are arriving every day) and I have the feeling that the dkms 2011 will be a hispanic one as many friends from Spain and South America are there: Alex, Christian, Nestor, Rafael, Marcello, Jose and many others.

I must say that sensei is in a very good mood and shape and that his minimalist taijutsu is getting more and more impressive.

I had the honor to open the classes and once again he went into the “gan shi nankotsu” concept that he has been unveiling since last summer. I already wrote about this “add-on” t to the kihon happô theme and concept on my Facebook notes, check it if you didn’t read it it is called “ken tai ichi jo”.

As I said the class was full of insights, I will try to explain three things that Hatsumi sensei explained during the class:

A needle will not blow a balloon  i.e. Kosshi and Koppô are complementary:
This was really mind blowing! Westerners have a tendency to split everything in closed boxes were in fact reality is based on a more higher understanding of these concepts. Even though Kosshi and Koppô are different they mix nicely together to create a flow that is like a third reality. From now we should see these two concepts as the “plus” and “minus” of some magnetic field.

Hatsumi sensei explained that our fingers controlling Uke softly were actually the Kosshi jutsu and that our bone structure, our squeleton moving freely around this point of control would allow us to deal “softly” with the opponent’s intentions. He said,that,when this Kosshi/Koppô mix is mastered, you are able to deal with any opponent whatever his body shape. This is when he used this image: “when you master this you can push a needle so softly into a balloon that eventually itwill not blow up”. This controlling action of the whole body is so soft that no force at all is used in the process.
Intellectually easy to get, but I still don’t know howto do it.

Time is now  i.e. create time when you are in a hurry:

In each class sensei insists a lot on being able to create time within time. If you have been training long enough you already have experienced this feeling. Uke attacks full speed and you have the impression that he is moving in slow motion.
What sensei explained was about the same except that the use of the little pains generated by the “gan shi nankotsu” movements prevent Uke of carrying out his attacks at the normal speed. This hindering of his intentions delays his actions and therefore creates time that you can use to control, hit, or destroy him.
Since Einstein we know that time is relative and when our actions are forcing uke to think and to adjust his intentions in order to survive then we force him to “slow down” his efficiency. In a way this is E=MC² where E = extermination; M = mind, C = control. Then we can write that the Extermination of Uke equals Mind Control to the square!

Tenmon (天 門), Chimon (地 門 ),Gakumon (学 門):

But the main point made by sensei was when he spoke about the trilogy of Tenmon, Chimon and Gakumon. As far as I understood, We can see the martial art as a mix of biomechanical techniques – Chimon (waza) and of higher understanding – Tenmon (kûden – nearly spiritual). These two aspects are completed by another one Gakumon or knowledge. Hatsumi sensei said that many martial arts are stuck at the Chimon level and that others are focusing more on the spiritual level. The Bujinkan is including the Gakumon from the real beginning and the three become one.
How is it possible? It is simple if you think that two levels of Gakumon are there. The first Gakumon is basic knowledge allowing you to link the first two aspects of Chimon and Tenmon.
The second one, taught in the bujinkan by sensei is beyond forms and words and can nly be reached when your taijutsu has been polished for more many many years.
When the three are mastered a new dimension you reach is that of pure consciousness – shiki ( 識).
Thereforeand if my interpretation is correct we understand sensei’s last comment at the end of the class: “I teach you the three together because they are one, and this is the bujinkan and the higher form of martial art”.

Be Happy!


New DVD: Knife & Pistol, Fighting & Tactics with Dean Rostohar

From Budoshop by BUDOSHOP.SE

Click HERE to order! Dean Rostohar - Shinken kata vol 9 - Knife & Pistol / Fighting & Tactics

New DVD from BUDOSHOP.SE – Click HERE to order!

Dean Rostohar – Shinken kata vol 9 – Knife & Pistol / Fighting & Tactics

Click HERE to order!
Dean taught us how to use the knife and pistol. How to carry them, how to draw them, how to use them against unarmed or unarmed opponent. He also taught how to defend against the same kind of attacks.

By learning how to use a knife and a pistol and getting to know how they can be used against someone, you also get a far better understanding how to defend yourself against these weapons. Dean taught us how to use the knife and pistol. How to carry them, how to draw them, how to use them against unarmed or unarmed opponent. He also taught how to defend against the same kind of attacks. These techniques is done with the knowledge and principles of what we learn in Bujinkan Budo-taijutsu from grandmaster Masaaki Hatsumi Soke. Hatsumi Soke have asked Dean to teach us the real fighting principles from his experience as he see that many people in Bujinkan only play around without really understanding the true fighting principles that he teach. This seminar was organized in Stockholm, Sweden on 29th and 30th of October 2011.

About the Instructor

Dean Shihan has a lot of experience from real fighting in the independence war of Croatia, and also from his time in the police force. He was born 1965 and started training Martial Arts at the age of 10. He have experience from many martial arts styles but he was not completely satisfied with them until he found the warrior art – Bujinkan Ninjutsu/Ninpo Taijutsu. For his full resume, check out his websites. http://www.bujinkan.hr and http://www.specwog.bujinkan.hr

Freedom & Happiness

From Shiro Kuma's Weblog by kumablog

This is Daikomyo sai time again and I cherish this moment of the year more than any moment.

I arrived yesterday afternoon for another Daikomyo sai in Japan. After a fex hours I alrready met with Hugues, Cédric, Philippe, Indrek, Peter and Sheila. It is always a very nice moment and brings me a lot of happiness.

Being happy is what Hatsumi Sensei has been teaching us since the beginning but many bujinkan followers don’t get it and it is sad. Freedom and happiness is the core teaching of the bujinkan. As Epictetus said “those who are looking for power and money will fail, the only objective of human beings is to find freedom and to be happy”.

Everything in Life is changing, as it is said in the I ching, change is the only permanent thing on earth. But why is it that we are always looking for permanence when change is everywhere? Bujinkan followers often get lost on their search for power and money. Instead of focusing on the things we can influence, we often force things that are not in our power to serve our own selfish interests. By doing so we lose our freedom and become unhappy.

Epitectus said: “What bothers humans is not reality but the judgments we make on reality”. Then stop judging others try simply to be happy with them. We have to train only for ourself with no expectations and then freedom will be achieved and we will find happiness. Each time we replace personal actions by selfish desires we get lost. Our desires, our attachment (power, money) are enslaving us. Be what you are and stop trying to be someone you are not. Everything is created in our brain. This is not reality this is an illusion.

An Indian sage called Ashtavakra wrote:

It is true what they say:“You are what you think.” If you think you are bound you are bound. If you think you are free you are free.

Choose to be free and Happy. Being happy is a personal choice and nothing can give it to you if you don’t make this choice.

I really think that Hatsumi Sensei is a philosopher more than a martial art teacher. His martial art classes are only an excuse and a tool to help us get the proper attitude in Life that will make us happy.

This year of kihon happô was dedicated to the start of a new cycle. Decide now to be what you are, choose to be happy, walk the path of freedom.

So enjoy these magic days of Daikomyo sai and start anew in this new cycle by taking the good decisions and being open minded.

“You are pure Consciousness— the substance of the universe.
The universe exists within you. Don’t be small-minded” Ashtavakra

Be Happy!


五行の型      Goygō no Kata – five movement forms

From 自然行雲流水 by 自然行雲流水

The following footage is a way you can practice developing a better structure and understanding of the Gogyo no Kata.
The aim is to isolate specific areas such as Te sabaki, Ashi sabaki, and Tai sabaki ( Sanshin ) and develop a working knowledge and better ability/control of these areas. The three areas are then unified to form the fundamental movements/kata that we practice normally.
Good repitition is the key to improvement. There are many Kihon within these Kata. To make them natural, one has to learn them ( shu ) to forget them ( ha ) before using them from a state of Mu ( Ri ) - absolute naturalness free from thought. )

This Dvd is available at the Toku Bu Ryu Sui Dojo in Japan only.…

Show the Truth in Your Training

From Bujinkan Santa Monica by Michael

The Robbery photo By gcfairch
Here I will share a story I heard from Kan Junichi during Daikomyosai that proves Hatsumi Sensei is not a superhero who can dodge bullets. Of course I joke, but the story does prove something very important about the essence of training. First let me explain why I am not a superhero myself.

I screw up often when I teach. I get things wrong, I slip, stumble, misspeak, let myself get hit by my students, use the wrong words, or misremember facts. If a mistake can be made, I've made it. But I always do my best to acknowledge and recognize this humbly. My mistakes are my most important teachers. Training is not real if there are no mistakes. Teachers are not real if they don't allow themselves this honesty.

I've met many martial arts instructors who are terrified by this. They must always project some kind of superhuman perfection to their students and others. They only demonstrate with uke's who make them look good. And they won't try anything that could make them look bad in front of their students.

Show truth in your budo. The only way your budo can be effective is for you to train honestly. Be honest with yourself and with your training partners or students.

Kan Junichi told us this story about a visit to a U.S. military base with Hatsumi Sensei:

"Near Albuquerque there's a military base. We all visited that base with Sensei and as we were walking in there were cameras everywhere. Sensei said, "Don't speak with words, speak with your eyes." And then Sensei was giving us directions without speaking but by using his eyes. 

There were many people watching and Sensei asked us to do a demonstration. Then a military instructor came and stood three meters behind Sensei and pulled out a gun, then asked, "What would you do in this situation?" . Sensei replied by putting his hands up and saying, "I can't do anything. I leave my life up to you."

Then everybody watching began to clap. The instructor told Sensei that many other martial arts instructors had done demonstrations before and they all tried something like a back kick or grabbing dirt off the ground to throw it. The gunman said to them, I am much faster on the trigger than you are with that kick.

So then he bowed to Sensei and said, "Thank you. You are real."

He continued on to say, "There are three ways to make martial arts teachers from Japan happy: One is with Sake; Another is by letting shoot exotic guns; And the third is by having pretty women there." But Sensei turned down all of these.

They had all manner of weapons and machine guns available. They brought a bunch of ammunition, rounds… They said here, go ahead shoot all these guns. Sensei said, "I don't need that." I don't need women. I don't need Sake."
The truth is like this. It's really nothing. At three meters here, of course the gun is faster. You try to throw sand or kick, you're finished, right? And so Sensei showed the truth here in his gesture. And I thought that was very important when I saw this."

Show the truth in your training. Show it to your students, but more importantly... to yourself.


The Kyūsho 五輪 Gorin: Sun Crossing the Belly

From Bujinkan Santa Monica by Michael

Navel Lady photo by Candida.Performa
Ideas as fundamental as Kyūsho 急所 (vital or tender points on the body) can seem mysterious when you try to really understand them. We have many Kyūsho 急所 in the Bujinkan. They have interesting names which vary according to the ryu. But their names and locations on the body are just the beginning and a door to understanding something deeper.

Let's consider the meaning of the kyūsho 五輪 Gorin.

I thought I was comfortable using this kyūsho until I read what Hatsumi Sensei wrote in his Advanced Stick Fighting book,
"The kyūsho known as "Gorin" means to point at "chi-sui-ka-fu-ku."
I was confused but curious about this statement. This inspired me to examine 五輪 Gorin more closely.

Gorin is normally explained as five vital points around the navel. That seems simple enough. But what are the five? and what about the variations of 五輪月影 Gorin Tsukikage and 五輪稲妻 Gorin Inazuma?

You will be hard pressed to find any Bujinkan teacher to explain more than the name and general area of 五輪 Gorin. But what does it represent? What does it do exactly? Why are there five points? And what about Hatsumi Sensei's reference above?

Usually 五輪 Gorin is translated to 5 rings. If you search for it online you will get the rings that symbolize the Olympics. Not too helpful for our study of ancient Japanese kyūsho.

In Mikkyō or tantric buddhism 五輪 Gorin is often symbolized by the Gorintō 五輪塔 which you will find all over Japan commonly used as memorial markers for the dead. These stone markers have associations with the five elements.
from JAANUS:
"Each piece in the five-story pagoda (Sanskrit = stupa) corresponds to one of five elements. The bottom story is square and corresponds to the earth ring (Japanese = Chirin 地輪). Next is the spherical water ring (Japanese = Suirin 水輪), surmounted by the triangular ring of fire (Japanese = Karin 火輪). Above this is a reclining half-moon shape (Japanese = Fūrin 風輪), representing the wind, and topmost is the gem-shaped ring of space (Japanese = Kūrin 空輪)."
Now we are getting somewhere! Hatsumi Sensei also made reference to these five elements. But where do the directions come from and why does the stone monument look nothing like 5 rings?

To go deeper we have to dig into the source of this imagery. The morpheme -rin can mean “wheel,” “circle,” or “ring,” but in this usage it translates as cakra (chakra) in the yogic sense of the five power centers of the subtle body. The gorin no tõ shows each of these power centers as having a different shape, and each of these shapes indicates a different great element. From bottom up these are: 1) square for earth, 2) round for water, 3) triangular for fire, 4) semicircular for air, and 5) a crescent moon-shaped jewel for space (or the three-dimensional equivalents of these shapes).

Historically the source of these 5 elements goes back to India, then through China and Taoist ideas and into Japan as often seen with the influence of Mikkyō. Some of the earliest references in Japan of these ideas come from 五輪九字明祕密釋 The Gorin kuji myō himitsu shaku (Commentary on the Secrets of the Five Cakras and Nine Syllables) composed by Kakuban 覺鑁 (1095-1143AD). In this text the five cakras 五輪 of the body are correlated with the Taoist theory of five viscera 五藏.

What does five viscera have to do with Gorin? Kyūsho are points to be struck, poked, prodded, stabbed or otherwise disturbed to have an effect on our uke's body and spirit during a fight. The five viscera in the Chinese system are: heart, lungs, liver, kidneys and spleen.

How does poking someone in the stomach affect the heart? Well, just have someone try it and you might find out! But this also connects to traditional Chinese taoist medicine: "Blockage of the six bowels causes imbalances of the five viscera." I've been hit in the stomach myself and I could well imagine striking these kyūsho around the belly contributing to this sort of imbalance.

The five phases of the chinese: wu hsing 五行; or Japanese: gogyõ are also correlated with these five directions: Earth is considered "north"; Fire is "south"; Ku is "center"; air is "east"; Water is "west". 
五輪 Gorin above the navel

These directions are related to the path of the sun, rising in the east, passing across the southern sky, overhead or centered at noon, setting in the west, then travelling under the earth through the darkness of the north at night. We can see this path represented on our kyūsho chart and as Soke Hatsumi has shown in his drawings.

I'm glad I found all these connections to help me understand Hatsumi Sensei's simple instruction about Gorin. Of course this rabbit hole I climbed into is deep and twisty. The information in this post is what I discovered out of my own curiosity and may not at all represent what Hatsumi Sensei had in mind in regards to Gorin. I'm sure I missed something or even could be completely wrong but that's what makes learning in the Bujinkan fun!

Our training is constantly evolving so we cannot be attached to any definitions. In fact, Sensei recently said he had written the kanji of Gorin五輪 with a different reading as Gorin 五臨. He said it was to encourage people to find and re-establish a dialogue and speak from their essence, face to face and dealing with the truth head on.

It is so important to train with good teachers and experience their truth directly in person. This is what I strive for in in my own classes and in every class with Sensei or with any of my teachers in the Bujinkan.


New videos worth mentioning on the intertubes

From 8þ Kabutoshimen by admin

//www.youtube.com/watch?v=_KZm5bHKnl8

1980 – US Embassy demo in Tokyo

//www.youtube.com/watch?v=oSlU7XmyPTM

2008 – Bujinkan Kashiwa Demonstration

//www.youtube.com/watch?v=Nhv4x5xdHSQ

1989 – München Taikai

//www.youtube.com/watch?v=chmbgrhkGB0

1991 – Daikomyousai Japan

//www.youtube.com/watch?v=qQkIIDNCyyQ

Why we don’t break boards

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