2011 - NinZine 3.0

Koryu bokken and bokuto

buki stolarJuly 22, 2011July 22, 2011

From Paart Budo Buki by buki stolar

Here is picture's of Koryu Bokken's or bokuto's which I make

ARAKI RYU

SHINTO KATORI RYU DAISHO

JIKISHINKAGE RYU

KASHIMA RYU

JIGEN RYU (without sori, customer wish)

Utsuru 映る: Is Your Mind Reflected in Your Taijutsu?

Bujinkan Santa MonicaJuly 21, 2011July 21, 2011

From Bujinkan Santa Monica by Bujinkan Santa Monica

Dusk, Moon with Sunset Reflected in a Bubble. photo by arhadetruit

What have you been studying for the Bujinkan yearly theme of 2011? It seems that every year we start out on a journey of exploration. At the beginning of the year our minds seek something concrete to study. And Hatsumi Sensei puts something out there for us to consider. But as the year goes on, the theme evolves so that by the end of the year it feels like something else entirely.

However frustrating this may be for those of us who don't live in Japan to try to keep up, this is a very natural way of learning. And it is a lesson in itself. This year started out with Kihon Happo, but has transitioned to also include 万変不驚 Banpenfugyo and Juppo Happo.

There are many ways to look at Banpen Fugyo (Infinite change, No surprise). But how do you train on this? A very simple but profound example can be found in nature when we observe the reflection of the moon. I wrote about this before in my post "Ninpo and Mu: Waxing and Waning Like the Moon" but with this year's theme I think there is more to consider.

In Japanese there is an idea that can be expressed as utsuru 移る. This word has many interesting meanings for training, Like: shift; move; change; drift; catch (cold, fire); pass into or to change the target of interest or concern. Or written another way, utsuru 映る - to be reflected; to harmonize with.

"The mind is like the moon on the water
Form is like the reflection in a mirror

This verse suggests that the mentality proper for the martial arts is that of the moon’s abiding in the water. It is also the reflection of your body abiding in the mirror. Man’s mind moves to an object like the moon moves to the water. How spontaneously this happens!"
Yagyū Munenori translated by William Scott Wilson

The light from the moon can be considered like our shifting focus. If the water is disturbed (or changed) the reflection does not disappear, it rides on the ripples of change and as the water settles it remains pure and clear. Our focus never falters, only the water was disturbed.

Whether in everyday life or in a fight, no matter what happens, our focus should remain clear and undisturbed.

The moon can also be reflected in more than one place. Here in a puddle, in a cup of tea, and there in the lake… all at the same time. Our attention can shift but take in anything. It comes out from it's source at the clear center to be reflected everywhere.

"Enlightenment is like the moon reflected on the water.
The moon does not get wet, nor is the water broken.
Although its light is wide and great,
The moon is reflected even in a puddle an inch wide.
The whole moon and the entire sky
Are reflected in one dewdrop on the grass."
Dogen (1200-1253)

Violence in a fight happens very fast. But this does not have to present any problem for us. Our minds can move as fast as light from the moon. Yagyū explains that "… man’s mind moves to an object as quickly as the moon pierces the water." If you cover your teacup with your hand and then remove it, how quickly is the moon reflected?

What we train with our taijutsu is the ability to flow with this natural state. As natural as a moon's reflection. As Yagyū describes, "When the mind moves, the body will move there as well. If the mind goes, the body will go. The body itself follows the mind."

Of course if your heart and focus are unclear, then the movement of your body will be unnatural and slow. Please look at the moon tonight and consider that people in Japan have the same moonlight reflecting in their eyes. Try to catch that feeling in your training!

Naginata in bokken bag

buki stolarJuly 18, 2011July 18, 2011

From Paart Budo Buki by buki stolar

Here are my dear friends, in front of you is probably the first naginata in two pieces, which can be purchased for training.

I spent a long time to realize these idea, mostly by trying to find a manufacturer of metal tube that would be ideal for this type of joint.

So here I must thank to sensei Erwin Steinhauser, Shibucho of KomeiJyuku Austria Honbu Dojo, which was first revised my Naginata, and made from her Naginata from two pieces. In this way, I was directed to create an elliptical diameter metal pipe, instead of seeking the manufacturer of such tubes
Only in this way is possible to make a connection, which is as sturdy as the Naginata from one piece.

I think that what you see in the picture's, the best solution for those who want Naginata in the bag for Bokken

in the picture below, you can find the special screwdriver that I made for this nginata

For securing naginata, it is necessary to twist the screw out, for one or two rounds, while the bolt head is aligned with the surface naginata shaft

little trick is that the screws that serve to fortify the compound stays in piece which is connected externally, so it will not happen to lose the screw

消体 Shotai: You Cannot Divide Nature

Bujinkan Santa MonicaJuly 15, 2011July 15, 2011

From Bujinkan Santa Monica by Bujinkan Santa Monica

Chikuhō no kodomotachi (Chikuho’s Children) by Ken Domon

Hatsumi Sensei writes that sensing the true nature of things (消体 shotai) like budo and nature, shows that they are connected and cannot be divided. He explains this by way of photography:

"The mon 門 (gate), or shumon 宗門(religion), and bumon 武門(martial), are captured beautifully by the shutter of the famous cameraman Ken Domon."

Ken Domon, in advocating realism, said: "Realistic photography in the true sense brings us directly to reality. Photographic expression is an attempt at a truthful presentation of reality — in other words, it is a crystallisation of man's anger, his happiness and his sadness."

Domon famously defined his goal as a photographer as "the direct connection between camera and motif."

Domon's method of photographing temples was to stay at the location for some time before taking the first photo. He would then begin photographing based not on a systematic, scholarly approach to the subject, but based on how his feelings towards the subjects moved him to record them.

Profile of Ken Domon (土門拳, Domon Ken, 25 October 1909 – 15 September 1990):
One of the most renowned Japanese photographers of the twentieth century. He is most celebrated as a photojournalist, though he may have been most prolific as a photographer of Buddhist temples and statuary.

Born in Sakata City, Yamagata Prefecture, in 1935 Domon joined Nihon Kobo, an organization that produced news photographs. He later worked as an independent photojournalist recording the tremendous changes taking place in Japan until he was stricken by cerebral thrombosis in 1979. During his career he produced many photographic collections including Bunraku (1972), Hiroshima (1958), Fubo (1953) and Koji Junrei (five volumes, 1963-75). Reflecting on the inadvertent role he played during WWII producing propaganda photographs, he became a main proponent of the postwar photographic realism movement that focused on society and the lives of ordinary people, and his powerful works influenced many amateur photographers of the age. Declaring his love of Japan and the Japanese people, Domon changed his focus and attempted to capture the essence of his photographic subjects. The photographs he took of Buddhist images both prior to and during WWII remain among the most highly acclaimed of his works and are thought to exemplify his photographic aesthetic. Before his death in 1990, Domon donated the entire body of his works to the city of his birth, and in 1983, the city of Sakata honored him by opening the Ken Domon Memorial Photographic Museum.

I hope you can find inspiration in photography and art as well as budo!

wooden Tanto

buki stolarJuly 15, 2011July 22, 2011

From Paart Budo Buki by buki stolar

Here is few pictures of my wooden O- tanto's, with saya and ito maki

tanto with white Jabara ito have also wooden menuki, that was first time that i put menuki on any of my bokken's or tanto's, but it hepen to be very nice and natural for this kind of wooden buki