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Tenchijin University 2011

From Shiro Kuma's Weblog by kumafr

Reminder: Tenchijin University in PAris from October 15th to 19th (late). We will cover all the techniques and fundamentals of the Tenchijin Ryaku no Maki established by Hatsumi Sensei as the prerequisite for the study of the bujinkan martial arts back in 1983.

We will work on the revised structure by sensei from 1987.

Classes will bein French and English and 9 manuals will be given to follow the classes and to take notes.

Trainings will be partly indoor and partly outdoor

Lunches (sandwich) are provided as well as free lodging at night in the dôjô.

If you are interested please visit the website: http://tenchijinuniversity.wordpress.com/


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Kill Assumptions with 捨て身 Sutemi

From Bujinkan Santa Monica by Michael Glenn

Hatsumi Soke Painting For Me
Assumptions are deadly. They kill the chance to learn anything in class, and they can get you killed in combat. Sometimes they are subtle and you are not aware that you are making them. One simple interaction I had with Hatsumi Sensei illustrates this.

I was training at Hombu dojo one Sunday. Sensei was generously making calligraphy and ink paintings for the students. When he had my blank shikishi 色紙 board in front of him, he took one look at me and said,

"You like manga right?"

For some reason this question threw me. Sometimes Sensei takes requests from people. People often request calligraphy of a certain phrase or kanji that is meaningful for them. Some people just let Sensei decide.

In the many times Sensei had painted something for me before, he had waited for my request. This time he did not. He just asked that question.

So what were my assumptions? I had two. And they were both off the mark.

One had to do with my poor understanding of Japanese. When he said the word "manga," in my mind that translated to Japanese comics. That's how most people define manga back home.

But Soke may define manga differently. He says,
"I am expressing inner secrets in three ways - through painting, pictures, and a combination of pictures and calligraphy. It is my sincere wish that people can grasp a feeling of the inner secrets."
and,
"Here we use the word manga 漫画 for picture. Change the characters and it becomes "infinite pictures" 万画. Flip the order and change the characters and it becomes "perseverance" 我慢. Indeed, it is because we persevere that we receive the power to draw the infinite pictures."
The day before, when I was thinking about what picture to request from Hatsumi Sensei, I thought I would just let him decide in the moment unlike other times when I had requested something specific. But when he said manga, all of my presumptions about what that meant and what he thought I wanted jumbled up in my mind so that I had no response to his question.

He didn't wait for my answer. He just seized the moment and made a beautiful picture for me. I went home with my picture and everything was fine, but for some reason this moment stuck with me.

Another assumption I made was that he would have just done this regardless of who he was painting the picture for. But as I thought about this, and I looked at all the pictures Sensei has made for me over the years - I realized that I almost always requested some sort of picture rather than any specific kanji.

Hatsumi Sensei probably remembered this when he saw me, and that's why he asked that question. It never occurred to me that he would remember out of the many hundreds of paintings  he makes every year.

If I make assumptions about things this simple and I am wrong or muddled in my understanding, what other faulty assumptions do I make about my teachers and what they are teaching?

This is an aspect of sutemi 捨て身, throwing yourself away or sacrificing yourself. My friend Paul Masse describes it as "Being caught in yourself means stopping the flow." Throw away your assumptions before you come to class or you will be as lost as I was.


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Modern warrior coming to Stockholm in October

From 8þ Kabutoshimen by admin

Dean with the Bufuikkan menkyo

There are many people in the Bujinkan who claim to teach reality based techniques without any real experience. There is however a few people that can do this, and do it very good. And one of the best one I know is my close and good friend Dean Rostohar Shihan from Croatia. With his experience from the civil war in former Yugoslavia, and as a former police officer he certainly knows what he is talking about.

Dean goes to Japan to train with Hatsumi Soke and the Shihan several times per year. He always train three trainings per day, to make out most of his time in Japan. Hatsumi Soke always put him up to teach about his experiences. When he was there earlier this month even more so, Soke used him as Uke often to teach the real feeling. Soke also awarded him with the Bufu-ikkan menkyo which he only give to his top students.

When Dean doesn’t go to Japan he practice in his own Dojo with over 100 students. He also attend many courses and seminars and further his studies in many areas with instructors outside the Bujinkan. He also practice shooting and military tactics with SPECWOG, and teach many seminars and courses.

In October 29-30′th I’m organizing a seminar with him in Stockholm. I can’t emphasize enough how important a seminar like this is for everyone training in the Bujinkan system. Especially if you want to learn self defense and tactics how to defend yourself against a knife or pistol. Running backwards on a flat floor in the dojo all the time until the opponent overextend himself and fall down is fine, but how reality based is the training, really? Your instructor may say this is reality, and then do something pretty stupid and cover it up with a henka and flow so that you don’t see how stupid the first response really was. OK, sorry! The word “stupid” might be a strong word, I know there is good teachers out there, but far from all. Being “stupid” is also a learning process that we all need to go through, but staying on the stupid level is just stupid ;-) .

I know there is many seminars all the time, and find the time and money to all is difficult. All I ask of you is to ask yourself what do you want from the training? If you think it is fun as it is in your dojo and you don’t care much about reality then fine, good luck! If you on the other hand think that being able to defend yourself is important, then you should really try to attend this seminar (or any other Seminar with Dean)! I promise it will be very eye opening, and you will see your training with different eyes.

Both knife and pistol is very scary weapons, defending against them is very difficult. But it is possible if you also know how to use them as weapons. If you don’t know how to use the weapons properly how can you say that you know how to defend yourself against them.

Dean Rostohar together with Noguchi Shihan, Hatsumi Soke and Kan Shihan.

This is the feeling Hatsumi Soke teach in Honbu dojo all the time. All instructors take what they want and do what ever they feel like for various reasons. By Hatsumi Soke using Dean in Honbu dojo so much, and constantly ask him to teach and explain in front of him, as well as being his Uke must mean that Hatsumi Soke appreciate what Dean is doing. I think also that Hatsumi Soke is learning from Dean as he watches.

So with this I really recommend you to come to this seminar! The web site is in Swedish, but there is translation buttons on top of the web site. If you have problem with the language, you can always contact me, I know the translator is not always 100% correct.

Remember to sign up, because the places is very limited!

 

The post Modern warrior coming to Stockholm in October appeared first on 8þ Kabutoshimen.…

百景 Hyakkei: One Hundred Famous Views of My Mind

From Bujinkan Santa Monica by Michael Glenn

Footprints, Gifu Prefecture, Japan. photo by tallkev
Well I've done it. Something no one else in this office would ever have thought possible. I've done something that most would consider a foolish and wasted effort. Something that only history will judge in it's fickle wisdom:

I've written ONE HUNDRED blog posts. This one makes 101.

I never set out to do that many. In fact, I don't know what I set out to do exactly. I simply started writing. One every week. And then I persevered.

Just like people start with training. They start for many reasons. None of those reasons matter so much. Just starting and then showing up for class every week. It's the perseverance that leads to growth and enlightenment in our art. You eventually find yourself with a lot of knowledge under your belt. Enough knowledge so that you are courageous enough to admit you know nothing.

Hatsumi Sensei says that he didn't start out to teach:
"When I first started accepting students, it was not truly for the purpose of teaching but rather for my own self-study and training"
I started my own classes here in Santa Monica for the same reason. And I still conduct my classes with this goal. The side effect of this is that some students join me on my journey, and as we travel the path together, we go further than we could by ourselves.

The funny thing is, I didn't realize I was starting my blog for the same purpose. I thought I was starting it for two reasons. One was to share, because when I was a young student in the Bujinkan I would have loved to have a weekly blog to read.

The other reason was that new students always ask me for a training manual. I don't really believe in training manuals, so I thought posting my thoughts on a blog would help my students with some information they were seeking.

But, as my blog grew, the reason for doing it evolved. It became about my own "self-study and training" as Hatsumi Sensei described. But more than that, as I started getting visitors from all over the world, It became part of my connection to the Bujinkan community and this path we are all on together.

Together the path becomes greater. We may travel farther.

I heard Hatsumi Sensei say a couple of years ago that even though his teacher Takamatsu had passed a long time ago, Takamatsu was still growing and walking ahead and Sensei was still following along in the footsteps of his teacher. May we also continue in the footsteps of the Bujin and the warriors who have travelled before us.


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The value of attending a seminar as a “beginner”

Mats Hjelm posted an entry over at taikai.se in Swedish which I thought would be beneficial for non-Swedish speakers to also read (or rather “absorb”). So, I translated it, trying to keep as much of the meanings behind what was stated as possible. The below is this translation.

I would like to note as well that during the weekend, these words proved its worth to me. I went to a seminar teaching Brazilian Ju Jutsu. As someone from a different discipline, it was quite interesting to see that not just those from other arts were doing their best to absorb everything shown, but also those already training in BJJ were absorbing as much as they could. Again, what each one of us brought home with us will be different, we all learned new things. No matter our grade, nor what art we normally train in, we all found new things.

The seminar Mats mentions at the end of his post is the Bujinkan Taikai taking place in Stockholm next weekend. More about that on http://taikai.se

//anders

Sometimes I am asked by beginners wondering if it is worth it going to a seminar, if they will be able to keep up? Will they understand anything? I can understand that it may seem a little frightening or daunting to go to a seminar for the first time when there are so many high ranking buyu there, also training.

But I have to point out that even those that are higher ranking are “beginners” when you go to a seminar! There are perhaps those that take on a “helping instructor” role, warranted or not. But most goes to a seminar to develop, train, have fun and find inspiration.

What you can absorb is of course different depending on earlier experiences. If you have trained for a shorter period you will carry home a lot that can give you many years inspiration for your own training.

I know that there are instructors that rarely or almost never attend seminars, for which there may exist several reasons (I do not wish to judge them). If instructors do not encourage their students to go to a seminar, that may also have its reasons. Maybe they don’t know about the seminar, maybe can’t attend themselves and are worrying about the balance in the dojo will be disrupted if the students learn something new.

What I want to say is that it is you, the beginner, that is the future! It is you that has to look towards your own good. Do not worry about non-training friends wanting to get you out partying this one weekend. If you have good friends they will understand that you will be training this particular weekend. You have to decide on your own over what is important. Neither your controlling instructor or nagging friends can stop you from training if that is what you really want to do.

The instructors you look up to have gotten to their level and proficiency by themselves deciding that their own training comes before controlling instructors, girl friends, boy friends and friends. They too once were beginners and learned to set priorities. Ask them and I can almost promise you that they still see themselves as curious beginners. Which is why they are good practitioners and nothing else.

I remember a discussion about ten years ago with Soke in the Honbu Dojo. Soke was talking about different levels, dimensions etc. in Mikkyo. Someone asked what the highest level was and I remember Soke’s reaction.

He said that he didn’t know, but he was pretty sure that there is always a higher level (than where one is) and that this is why we must keep practising.

It is this which makes me think that the Bujinkan is so wonderful compared to other arts of Budo. Just diving head first into the training, trying to have as much fun as possible, without caring if it is hard or simple.

I hope this has encouraged some beginners to take the step and participate at this fantastic seminar next weekend.

Ganbatte kudasai!

/Mats (translated by Anders Holm)…