Skip to content

The Yari Kuri of Bujinkan 槍術 Sōjutsu

From Bujinkan Santa Monica by Michael Glenn

Michael Glenn thrusts into emptiness with the Yari, from a recent video on rojodojo.com
In a recent class we were training 四方技 shihō waza. This form has an important secret for all of Bujinkan 槍術 sōjutsu. Soke calls it 槍繰り yarikuri. This can be translated in various ways, like repetitive thrusting.

But we must consider why Hatsumi Sensei explains it this way. What he tells us about yari kuri is that,
“the thrust is kyo, the kuri is the jitsu.”
This means we should employ 虚実 kyojitsu in our thrusting with the yari. Where the thrust is the illusion or falsehood, and the repetition is the truth.

This means that each thrust with the yari can be either true or false. So how do you decide which is true and which is false? Hatsumi Sensei described this moment in terms of our bojutsu gokui, when he says
“realize the moment of truth, thrust in, and only after you feel a connection with something does the force naturally flow into it (the thrust).”

I recently made a video about this Bujinkan gokui


In this shihō waza, our first thrusts are probing. Then as we step out to the right we probe further. This second thrust drives in deeper. And there we make a grip change that is unique as the left hand draws the spear back to the right hand.

This creates the distance for striking with the ishizuki. But the deception continues because you quickly flip into another thrust. If he manages to block that one, you finish with a rising strike to the groin.

This is how the yari can play in the field of time (遊ぶ光陰). And time is nothing but the play of light and shadow. Learning to thrust with the yari this way is a revelation for your study of Bujinkan sojutsu.

人心看破術 Jin Shin Kan Pa Jutsu

From Kasumi An Study Center  霞庵 スタディセンター by カスミアン

dragonfly

Visitor at the Kasumian.  Even though the dragonfly has two big eyes, They won`t help him with Jin Shin Kan Pa Jutsu.  Which eyes do you see with?

The other day I was in the dojo training when a friend who has not been in Japan came in and greeted me. His boyish good looks still evident but under a layer of new chubbiness. (Hopefully due to a good life overseas) My initial thought was “Wow, he`s gained some weight!”. Of course, as learned etiquette demands, I did not mention it and we began training. About five minutes later Hatsumi Sensei comes walking over and greets him with a hearty “Hello! Good to see you” and “Oh I see you have gotten fat!”. Well I almost fell over and the three of us burst out laughing. As I was catching my breath I hear my friend say to Sensei, “Yes it`s true, I have gained weight and my hair is changing to gray. I wasn`t sure that you would recognize me.”. Sensei replied, “of course I know you!”. What he said next was very interesting. He pulled us together and speaks, ” I may forget a face, and I may forget a name but I never forget the mood or feeling of person. This is important, to understand someone`s mood or the feel of that person.”.

Instantly, I am thrown back in time to last October (2015), Halloween, I had dressed as Harry Potter and came to the dojo early to joke around with my friends. After having a nice laugh with everyone in the dojo and before Sensei arrived, I changed into my dogi but kept the wig and wire rim glasses on; thinking I might fool Sensei. Some Japanese say all foreigners look alike anyways! A few minutes pass and Sensei enters the dojo and barely glances at me as he walks by. Immediately I know he knows. For he would have certainly greeted a new comer more warmly. I ask “Sensei, how did you you know it was me?”. He looks back over his shoulder at me and says “Of course, I know it`s you. I don’t look at the outside, I look at the inside of everyone.”.

A few days later, I am thinking about these two events when again I am thrown back in time to about ten years ago when Sensei used to tell us the importance of the art of Jin Shin Kan Pa Jutsu. The art of reading, seeing, sensing the heart, intent, feel of a person. To know a person instantly, know his intent, his heart, clear or dark. The importance of not being fooled by outwardly appearances. If you are always taken with the outwardly shapes, forms, colors of the people and things around you will often miss their truth, their intent, their nature – good or bad. This can lead a multitude of troubles, from being swindled in love and money, to more perilous, dangerous or even life threatening situations. The ninja often used the opposite of this, henso jutsu (disquise) to hide in plain sight. Often in our training, we enjoy the practice of the more outwardly and sometimes fun henso jutsu practice but forget about the this equally important inner ability. With consistent practice to nurture a calm clear heart, the art will naturally and surely take root. The ninja must endeavor to master both the inner and outer arts to ensure a safe and a happy return.…

人心看破術 Jin Shin Kan Pa Jutsu

From Kasumi An Study Center  霞庵 スタディセンター by Kasumi An Study Center

dragonfly

Visitor at the Kasumian.  Even though the dragonfly has two big eyes, They won`t help him with Jin Shin Kan Pa Jutsu.  Which eyes do you see with?

The other day I was in the dojo training when a friend who has not been in Japan came in and greeted me. His boyish good looks still evident but under a layer of new chubbiness. (Hopefully due to a good life overseas) My initial thought was “Wow, he`s gained some weight!”. Of course, as learned etiquette demands, I did not mention it and we began training. About five minutes later Hatsumi Sensei comes walking over and greets him with a hearty “Hello! Good to see you” and “Oh I see you have gotten fat!”. Well I almost fell over and the three of us burst out laughing. As I was catching my breath I hear my friend say to Sensei, “Yes it`s true, I have gained weight and my hair is changing to gray. I wasn`t sure that you would recognize me.”. Sensei replied, “of course I know you!”. What he said next was very interesting. He pulled us together and speaks, ” I may forget a face, and I may forget a name but I never forget the mood or feeling of person. This is important, to understand someone`s mood or the feel of that person.”.

Instantly, I am thrown back in time to last October (2015), Halloween, I had dressed as Harry Potter and came to the dojo early to joke around with my friends. After having a nice laugh with everyone in the dojo and before Sensei arrived, I changed into my dogi but kept the wig and wire rim glasses on; thinking I might fool Sensei. Some Japanese say all foreigners look alike anyways! A few minutes pass and Sensei enters the dojo and barely glances at me as he walks by. Immediately I know he knows. For he would have certainly greeted a new comer more warmly. I ask “Sensei, how did you you know it was me?”. He looks back over his shoulder at me and says “Of course, I know it`s you. I don’t look at the outside, I look at the inside of everyone.”.

A few days later, I am thinking about these two events when again I am thrown back in time to about ten years ago when Sensei used to tell us the importance of the art of Jin Shin Kan Pa Jutsu. The art of reading, seeing, sensing the heart, intent, feel of a person. To know a person instantly, know his intent, his heart, clear or dark. The importance of not being fooled by outwardly appearances. If you are always taken with the outwardly shapes, forms, colors of the people and things around you will often miss their truth, their intent, their nature – good or bad. This can lead a multitude of troubles, from being swindled in love and money, to more perilous, dangerous or even life threatening situations. The ninja often used the opposite of this, henso jutsu (disquise) to hide in plain sight. Often in our training, we enjoy the practice of the more outwardly and sometimes fun henso jutsu practice but forget about the this equally important inner ability. With consistent practice to nurture a calm clear heart, the art will naturally and surely take root. The ninja must endeavor to master both the inner and outer arts to ensure a safe and a happy return.