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Tag: budo

Jūjiro Or The Indirect Fight

kumablogJanuary 5, 2022

From Shiro Kuma by kumablog

jujiro application

In the Kukishin ryū, there is one central concept that many don’t know, and it is called “Jūjiro”. (1) With the pandemic, everyone experiences difficult times, and it seems that many of us should be reminded of some basic concepts. Jūjiro is one of them.

Bujinkan practitioners often do not understand or never heard of what is Jūjiro. 

Let me refresh your memories about the Kukishin Ryū. When you receive an attack, you must pivot at a 90-degree angle with the body, weapon or both. Staying in line with the opponent is the fastest way to lose a fight. Sport is different as you don’t die in it. If you are defeated in a championship, only your ego is killed, momentarily. 

Olympic fencers fight in line, Kendōka always remains in line. My Mandalorian friends would say, “That is not the way.” Lines are direct; therefore, they are never the best. Fencing and Kendō would get more exciting and realistic the day fencers and Kendōka are allowed to turn around each other. Because that is what you would do in a real encounter. But if sport can be a “way of life” for some, it is definitely not a real-life and death situation. Budō is not a sport, rather an ancient military system.

In Japan, Sensei teaches that Jūjiro is used in the Kukishin when possible. Jūjiro consists of moving perpendicular to the attack or using the weapons perpendicular to the target. You apply Jūjiro against a human or a weapon. If you test it in your next training, you will see how powerful it is. Jūjiro creates more freedom in your actions and opens up more possibilities for your taijutsu.

But there is more to this concept. When you think about the movements, you limit yourself to the physical world, and the material world is only the Omote. 

There is also an Ura aspect we can use in the mental world. And to explain this, I will need the support of my old friends Laozi and Sunzi.

In the art of war, Sunzi says that “In battle, there are not more than two methods of attack – the direct and the indirect; yet these two in combination give rise to an endless series of manoeuvres. The direct and the indirect lead on to each other in turn, and it is like moving in a circle – you never come to an end. He adds that “the meeting takes place head-on, and the victory is obtained from an angle”. This direct vs indirect can be related to the cultural differences between the East and the West. In the East, indirect actions are always preferred to direct ones. That is why the Japanese never say “no” but always find a positive way to be negative. For example, when I asked a question to sensei, he would do one of two things: he would answer my question or say something like “step by step.” That was his way to say “no” without being negative (even though he is being negative). 

This Asian vision of life is beautifully explained in a book by Francois Jullien, a French sinologist. In one of his books titled “Detour and Access: Strategies of Meaning in China and Greece,” he gives a few examples of direct vs indirect action. (2) By not confronting Uke’s actions head-on, you can redirect his intent in other directions. We are tempted to confront the other in a verbal argument instead of accompanying his vision and tilting it. This is the art of negotiation. Nothing good comes from confrontation. This is the “no fight” attitude or “tatakainai.” (3)  

In the famous Taoteching, Laozi says, “don’t do anything and nothing will be left undone”, which you can understand as “when you oppose someone or something, your actions influence the outcome of the encounter. By not going head-on, you don’t create any unforeseen consequences. Direct confrontation is the opposite of the teaching of Tao. One day I had the chance to speak with the Dzogchen master of the Dalai Lama told me that “Opposing In and Yō is creating duality instead of unity, this is not the Madhyamaka.” (4) (5)

In battle, this is the direct approach that has to be avoided. Sunzi adds, “by rectitude, we make order reign, we use the troops at an angle. ”Both the direct and the indirect approaches are in use; the timing is different and should not be mixed. This no-confrontation defines Hatsumi Sensei’s Budō, and it is a very profound lesson for our lives. 

Avoiding direct opposition with others is the best way for negotiating. The Covid has dramatically changed the way we live. On the planet, many groups are fighting each other violently. This is the time of direct confrontation and thus of duality. Please consider going indirectly with the flow instead of rebelling uselessly. The way of Budō is a way of wisdom. Fight what you can change by yourself and what is beyond your possibilities. 

Ninpō Taijutsu teaches us the way of adaptation. 

So, constantly adapt to the situation, and use Jūjiro a little more at your dōjō and outside in real life. 

_____________________________________________

1 Jūjiro 十字路, crossroads or intersection

2 https://www.amazon.com/Detour-Access-Strategies-Meaning-Greece/dp/1890951102/ref=sr_1_4?crid=1HD1R3XXBOZI1&dchild=1&keywords=francois+jullien&qid=1635441571&s=books&sprefix=francois++jullien%2Cstripbooks%2C287&sr=1-4

3 戦い無い, tatakainai: non existent fight, no fight

4 In-Yō is the Chinese for Yin-Yang

5 中觀見, Madhyamaka: https://en.wikipedia.org/wiki/Madhyamaka…

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Togakure Ryu and Kukishin Ryu deeper

bkronlineSeptember 6, 2018

From Blog – Bujinkan Kokusai Renkoumyo 武神館國際連光明道場 by bkronline

Is the link between the Togakure Ryu and Kukishin Ryu deeper than we thought???

In the middle ages, there was a very serious samurai practice to take written vows when undertaking the study of a military science, especially when the pupil is from outside of the family.

In the case of the Kukishin Ryu, the Kuki family to this day still preserves a document from 1532 CE that has been continuously added to until modern times. The document is the 2nd scroll in a set of two titled “Seiyakusho” (誓約書). It is a written oath that pupils sign upon formally entering the school or “Ryu”. It is a promise to uphold the true meaning and spirit of the martial arts (military arts) and that one promises to cultivate a great sense of justice. The signature is traditionally accompanied by a thumbprint in blood, vowing they will never reveal what they have been taught to others without the master’s permission.

In the book Kukishinden Zensho by Ago Kiyotaka in 1983 he writes that he could hold in his own hands and examine this original 1532 CE document carefully. He notes that the more recent portion of the document leading up to the modern times was re-written by Kuki Takaharu in 1904.

This list is a veritable all-star list of Japanese military commanders and master swordsmen. Including Yamamoto Kansuke (Red Star on pic), known to have studied Togakure Ryu ninjutsu from Fujibayashi Nagato no Kami. The list also includes Sanada Masayuki (Green Star), the father of Sanada Yukimura. Both men are recorded as hiring local shugenja from the Togakure and Iizuna regions as shinobi and “Kamari” commandos in their forces.

Takamatsu Toshitsugu (Yellow star), our current Soke’s master also signed this list in 1899, vowing his allegiance to the emperor and the nation and to protect the teachings of the Kukishin Ryu. His “Kohai” or junior training partner Iwami Nangaku signed the list in 1922.

As Kuki Takahiro (隆博) died in WWII he was the last signature on the list as the Kuki family has taken vows of peace and no longer are involved in the martial arts. They now run several successful businesses and corporations all over the country and still administrate the Kumano Grand Shrine.

The original document list begins in 1532 with the vows and signatures/stamps of;

Kuki Yagoro, 1532 CE

Yamamoto Kansuke, 1534 CE

Kuki Moritaka, 1573 CE

Kuki Yoshitaka, 1574 CE (Formed the Kuki Navy from various bands of pirates from the Shima region)

1 name omitted

Sanada Masayuki, 1577 CE (Father of the famous Sanada Yukimura who used Shinobi from Togakure)

Bessho Nagaharu, 1576 CE

2 names omitted

Itō Ittōsai, 1573 CE (Famous master swordsman, 2nd to only Miyamoto Musashi, 33 matches, no losses)

Kuki Shigetaka, 1576 CE (Son of Kuki Yoshitaka)

Kuki Takasue, 1597 CE (Son of Kuki Moritaka)

Miyamoto Musashi (Black star), 1494 CE (Here we have an enigma, the date is exactly 100 years too early but it is for the famous swordsman, the Kuki family claims that it is the same Miyamoto Musashi who wrote the book of 5 Rings and fought over 60 duels with only one loss, I think the date may be a typo and should read 1594 putting Musashi at around 10 years old, the normal age of taking these vows)

Chōsokabe Motochika, 1595 (Daimyo of the Chōsokabe Clan)

Takagi Oriemon (Blue star), 1616 CE (Founder of the Takagi Yoshin Ryu)

Kuki Takayuki, 1648 CE (Daimyo of the Tanba Ayabe Domain)

1 name omitted

Kuki Takanao, 1662 CE (3rd Daimyo of the Tanba Ayabe Domain, brought Kito Ryu into the Kuki family)

Kuki Takahide, 1683 CE (Son of Kuki Takanao)

Shibukawa Bangoro, 1625 CE (Founder of Shibukawa Ryu Jujutsu)

Kimura Ittosai, 1649 CE (no information on him at this time)

Kuki Takashin, 1712 CE (Founder of the Shima branch of the Kuki family)

Kuki Taka??, 1743 CE (no information at this time)

Kuki Takanori, 1773 CE (8th Daimyo Lord of the Tanba Ayabe Domain)

3 names omitted

Ishitani Matsutaro, 1868 CE (Takamatsu Sensei’s 2nd master)

Takamatsu Toshitsugu, 1899 CE (Hatsumi Sensei’s master)

Iwami Nangaku, 1921 CE (Takamatsu Sensei’s Kohai under Ishitani Sensei)

9 names omitted

Shiozaki Katsuo, 1923 CE (Student of Iwami Nangaku)

Essay by Sean Askew
Bujinkan Kokusai Renkoumyo
9/6/2018



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Kukishin Ryu

bkronlineSeptember 5, 2018

From Blog – Bujinkan Kokusai Renkoumyo 武神館國際連光明道場 by bkronline

Recently a few people had read my posts about the Kuki family and noticed that I mentioned that the Kuki family for many generations had separated themselves from their family’s martial art of Kukishin Ryu.

For reasons unknown at this time, the great Daimyo Lord Kuki Takanao (九鬼 隆直), broke with the Kuki family tradition and studied the Kito Ryu school of Jujutsu (起倒流柔術) with 4th generation master Takino Yugen (滝野遊軒).

The reasons may have to do with the following…
Kuki Takanao was actually born as, the 11th son of Matsudaira Nobusada and later adopted by Kuki Takatsune to be his heir. So, by blood, he was not a true Kuki family member and most likely may have brought this tradition of Kito Ryu Jujutsu into the family with him when he was adopted in 1696 at approximately 9 years old. In 1698, just two years later, Takatsune dies and Takanao takes over his adoptive father’s position as Daimyo. When he was just 11 years old he started to rule the Tanba Ayabe domain as a man.

He continued to practice the Kito Ryu until his death and passed the school on within the Kuki family as a tradition from that point on. Even though he was a great lord, he also had great humility and became one of the top masters of the school.

Looking at the picture of the Kuki family headmaster lineage, the yellow boxes are the generations of Kuki family masters that did not practice Kukishin Ryu. They practiced Kito Ryu but from what I understand the Bojutsu and Hanbojutsu of the Kuki family had been retained and you can see its influence on the Kito Ryu’s traditional Bojutsu dancing called “Bo no Te”.
(Please see the video clips)

 

The red box is Kuki Takaharu, he was the first Kuki family member to try to bring back the traditional family martial arts of the Kukishin Ryu. He recruited Takamatsu Sensei to lead the group of Shihan that was teaching. Later Takamatsu Sensei was to walk away from the organization of his own accord.

The green box is Kuki Takahiro, Takaharu’s son who died very young in WW2 at approximately 22 years old. This was the end of the Kuki family’s involvement with the martial arts. Due to the great loss of their young Takahiro in WW2, the family vowed to work towards world peace and concentrate solely on the spiritual side of their family traditions, namely the administration of the grand Kumano Shrine.

Kitō-ryū (起倒流) is a traditional school of Japanese jujutsu. Its syllabus comprises atemi-waza (striking techniques), nage-waza (throwing techniques), kansetsu-waza (joint locking techniques) and shime-waza (choking techniques). The style is focused on throws and sweeps, and many of these techniques are designed to be performed while in full armor.

Kitō Ryū is translated as “the school of the rise and fall.” It uses principles such as “kuzushi no ri” or “breaking of balance” now associated with modern judo.

Jigoro Kano trained in Kitō-ryū and derived some of the principles that were to form the basis of modern judo from this style. Judo’s Koshiki-no-kata is based on Kitō-ryū and since Kano Jigoro received the Kitō-ryū densho from his Sensei, Judo is considered the current Kitō-ryū official successor.

I have also included the text of the Omote Gata of the Kito Ryu as it was passed on within the Kuki family.

Enjoy!

Sean Askew
Bujinkan Kokusai Renkoumyo
9/5/2018



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Legends of the Bujinkan…

bkronlineMay 21, 2018

From Blog – Bujinkan Kokusai Renkoumyo 武神館國際連光明道場 by bkronline

Towards the end of the Edo Period from about 1839 to 1841, there was a suppression of scholars of Western Studies called the “Bansha no Goku” (蛮社の獄, “The Indictment of the society for western (or barbarian) study”). The Edo Shogunate government of Japan was beginning its expulsions of all things western and foreign.

Master Yagi Ikugoro Hisayohi (八木幾五郎久喜), the 13th Soke of the Takagi Yoshin Ryu, at the time was a samurai of the Akō Domain (赤穂藩 Akō Han) located in Harima or today’s Hyōgo Prefecture. He was a Jujutsu master at Akō Castle. This castle is famous for being the home of the Daimyo Asano Naganori known for his attempt to kill Kira Yoshinaka at Edo Castle in 1701. Naganori was ordered to commit suicide and his samurai later became rōnin. You may know a group of them as the Forty-seven rōnin. The domain later was ruled by the Mori family for twelve generations until the abolition of the fiefdom system in 1871.

Being interested in the outside world, Master Yagi had regular correspondence with members of the Shoushikai (尚歯会), a group of Japanese scholars that studied European arts and technologies through the Dutch. He is said to have been close to Watanabe Kazan. But unfortunately, due to the ongoing suppression of those open to western influences, this caused him to get expelled from the Akō Domain and his clan in 1841. Now in need of a new occupation to survive in the rapidly changing times, he opened a Jujutsu Dojo at the base of Akashi castle.

It is interesting to note that Akashi castle, from 1633 to 1639, was the home to Toda (Matsudaira) Yasunao and Toda (Matsudaira) Mitsushige. Both lords came from the Toda family of the Matsumoto domain in Shinano near Togakushi Mountain. This branch of the Toda family was entitled to use the family name of the Shogun, Matsudaira.

So now we have the same Toda family that has ties to Togakure Ryu ninjutsu serving the Shogunate and lording over Matsumoto castle and Akashi castle at the beginning of the Edo period.

Keep in mind this is the same Toda family that sent:
Toda Hisasuke
Toda Gosuke I
Toda Gosuke II
Toda Hisajiro
to work for the Shogun in Edo as Takasho (falconers).

This connection to Akashi castle could be why our Toda Shinryuken (Hisajiro) ended up residing in Akashi city (Kobe) after leaving his position at the Military Academy in Edo (Tokyo) as a sword instructor.

One of the stories about Master Yagi in the Takagi Yoshin Ryu (Ishitani-Den) scrolls says that he was so skilled in martial arts that he once held off a giant wild dog that was attacking some travelers on a country road with only a small wooden skewer for boiling snack foods.

Bujinkan Dojo lineage for Takagi Yoshi Ryu
1.Takagi Oriemon Shigetoshi
2.Takagi Umannosuke Shigesada
3.Takagi Gennoshin Hideshige
4.Ohkuni Kihei Shigenobu
5.Ohkuni Yakuburo Nobutoshi
6.Ohkuni Tarodayu Tadanobu
7.Ohkuni Kihei Yoshisada
8.Ohkuni Yozaemon Yoshisada
9.Nakayama Jinnai Sadahide
10.Ohkuni Takezaemon Hidenobu
11.Nakayama Kaemon Sadasaka
12.Ohkuni, Kamahura Hidetoshi
13.Yagi Ikugoro Hisayashi
14.Fujita Fujigoro Hisayoshi
15.Mizuta Yoshitaro Tadefusa
16.Takamatsu Toshitsugu
17.Hatsumi Masaaki

Sean Askew
Bujinkan Kokusai Renkoumyo
5/11/2018H


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Mutô Dori is Butô Dori

kumafrMay 8, 2013

From Shiro Kuma's Weblog by kumafr

The last Japan trip during the Sakura season was full of  insights, and I did my best to share them with my buyu in India, France, and Hungary.
Image

Teaching after being taught is always a challenge as we never feel confident after a Japan trip. Will it be good enough? Will the explanations make sense? Did  we really understand what sensei meant? But as always in the Bujinkan, I used the 忍法一環 ninpô Ikkan, the  “keep going” attitude and  I did my best.

 

In India where I stayed two weeks, I had time to settle down and to “polish ” the feelings stolen in Japan. The group in Bangalore being a mix of beginners and Shidôshi we began with the sanshin no kata that we rapidly adapted to the tsurugi. Shiva and his team had done a nice job by making available enough wooden tsurugi for eveyone. India is incredible* and the buyu here know how to do things correctly.

 

In France, as the group had been training extensively with Hughes on the tsurugi we spent a more time putting more taijutsu into the sword techniques because taijutsu is the real teaching of this year and we began to okay with the conceit of Mutô Dori . But I come to that later in the text.

 

Then in Budapest, we did something so different that in fact my whole taijutsu with the tsurugi improved a lot. When this seminar in Budapest was planned by Balazs, he made a funny request: “Arnaud do you think it is possible to cover the concepts that sensei had been doing for the last twenty years during a weekend seminar? “. “Sure” I said and it was the deal…

 

But to be honest it is only on the week prior to the seminar that I began to be concerned about feasibility and that I understood the complexity of the request. I have been in the Bujinkan for so long that remembering all these yearly themes would not be difficult, but how to make it look like a logical evolution and squeeze twenty years of concepts in only two days?

 

I think that everything is happening for a reason, and for me sensei unfolded gradually a path that we followed blindly not looking back (if you’re blindfolded looking back is useless anyway). Now as I tried to transmit the logical beauty of sensei ‘s vision, I understood the reason why we are studying the tsurugi this year: we are using the tsurugi because there is no way we can reproduce something we know, or adapt it from another base of knowledge on the things we have already studied. No other weapon we know in Japanese martial art can be used, the tsurugi is the ancestor of everything. The tsurugi is the beginning and the end; the alpha and the Omega of martial art; the A-Un.

 

I understood that what we do with the tsurugi really doesn’t matter because what is fueling the movement is not a weapon or a waza, what is making it work is the quality of our taijutsu. Only with a good taijutsu can we move correctly with the tsurugi. I exchanged a few messages with Duncan recently and we both agreed on this.

 

With the tsurugi we move with our guts, our body movements take over the permanent mental analysis giving birth to a subtle way of fighting. The movement works because it is natural and not hindered by any intention. In a way we can say that 劍 tsurugi being our body, our “guts” allow 津 腹鳴, tsurugi (or the haven where everything is processed) to be expressed. Remember that in Japan the XXX hara (belly ) is where the spirit is located.

 

Taijutsu is the theme for this year and this is why sensei has insisted on the importance of Mutô Dori during in his recent classes. But the problem is that Mutô Dori can, theoretically, only be done when you have no weapon in your hand. This is the key. We do Mutô Dori with the tsurugi in hand because this is only taijutsu and nothing else. The quality of your taijutsu is what gives life to the blade, but the blade is not doing any technique, footwork and body movements do it. There is no thinking it is body (belly) movement.

 

If you understood me so far then we can dig a little more into a few things that sensei explained in class.

 

Tenchijin is one – or 3 = 1
Sensei said that we had to keep the Tsurugi at hip level.
Hips are Jin therefore the blade can move freely between Chi (legs/lower body) and Ten (arms/upper body). Taijutsu is foot and finger, and the sword via the spine is linking the three. We move like One by the sword. Like the sword of Fudô, the Tsurugi connects man to the divine.

 

“Shinshin shingan” the “eyes and spirit of the gods” said sensei during training but Shingan is also 真贋, (authenticity); and Shinshin being also 心身 (body and mind) we can understand that Tsurugi is the way to become fully authentic with our body and mind. Tsurugi is the tool to achieve that. By moving freely in our Taijutsu we clean ourselves from intention. Tsurugi is alive and protects us as if the sword has its own perception of reality, a reality that cannot be perceived by our human senses. This is juppô sesshô.

 

There is no sword, there is  only natural movement, and this is Taijutsu.
The historical sword was called Kusanagi no Tsurugi: the sword that “cut the grass”. The grass can be seen as our intentions, as well as uke’s intentions. Like the Ken of Fudô Myô, the blade cuts our illusions and help us to get rid of falsehood to stay on the correct path. This is the most beautiful thing that Hatsumi sensei has given us and we should be thankful for it. Training with the tsurugi makes our taijutsu more authentic, more powerful also as we are deprived from any intentions; we are free to move according to nature with no preconceived idea.

 

Last year sensei said that Budô was Mudô, therefore Mutô Dori is also Butô Dori 
Bu is mu 武, and Tô is 刀 sword or 道 way but Tô 闘 is fight. So Mutô is Butô:  武 道 is 武 闘. Then Mutô Dori (“grabbing” the way of war) is in fact Butô (seizing the fight).

 

Mutô Dori is the Gokui, the essence of Budô. The Gokui is always simple and formless in its manifestation, but it is difficult to make it simple. When using the tsurugi the movements are the result of taijutsu nothing else. The blade moves by itself following what the body is creating in the Kûkan. As the Zen master Takuan said (see previous entry): “I do not see the enemy, the enemy doesn’t see me” and this is because we do not try to do anything specific. When contact is established we flow like water, as if we were surfing on top of uke ‘s waves of intention. The tsurugi is only the metallic extension of our body. We don’t think the movement, we don’t think the weapon, we don’t think the opponent.

 

We 突き詰めません tsukitsumemasen, we “don’t think”, we adapt with Mutô Dori as our natural expression.

 

In the sermon on martial arts Chozanshi says that: ” a teacher can only transmit a technique or enlighten you to the principle, but receiving the truth of the matter is something within yourself. (…) grasping it on one’s  own is always a matter of transmission from mind to mind. It is a special transmission beyond the scriptures. ”

 

As sensei puts it, we have to learn how to read between the lines and the Mutô Dori of this year is giving us exactly that.

 

Just do it * *

 
 

*This is the motto of the national advertizing campaign. http://www.incredibleindia.org/
* * like in the Nike expression. “Niké” in Greek is the goddess of victory so “just do it (without thinking) and victory will be yours.


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  • Bujinkan KGZ DojoNew Shimenawa is up, so we are protected another year. First training of the year was done. #Kami #Dojo #Bujinkan https://t.co/GIkhgjAu3W

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  • Mats 兜鉄@BrianRoemmele The clip below is around 20 years ago. But my point is that we have come a long way, it has been in https://t.co/WWzKTRvxyL

    Reply Retweet Favorite 5:31pm - 10 Feb '23 - 43 days ago

  • Mats 兜鉄Police and ambulance was called but both idiots had left before they arrived. This was self defence, no charges. https://t.co/xGCVsHYu4X

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    Reply Retweet Favorite 12:38am - 3 Feb '23 - 51 days ago

  • Bujinkan KGZ DojoNew Shimenawa is up, so we are protected another year. First training of the year was done. #Kami #Dojo #Bujinkan https://t.co/GIkhgjAu3W

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  • Budoshop.SEBShuriken at Kaigozan Dojo. Here is a link to the blog about this video.https://t.co/ejcsaLJ8Qd @ Bujinkan Kaig https://t.co/GxmW9Sp5Hc

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  • Budoshop.SEThis is the Te-no-uchi for my first B-shuriken Kata. I will explain this with text, pictures and video on my blog https://t.co/3fIozFuikf

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  • Mats 兜鉄Impressive! https://t.co/Fp2KhCJWel

    Reply Retweet Favorite 5:26pm - 9 Mar '23 - 16 days ago

  • Mats 兜鉄@BrianRoemmele The clip below is around 20 years ago. But my point is that we have come a long way, it has been in https://t.co/WWzKTRvxyL

    Reply Retweet Favorite 5:31pm - 10 Feb '23 - 43 days ago

  • Mats 兜鉄Police and ambulance was called but both idiots had left before they arrived. This was self defence, no charges. https://t.co/xGCVsHYu4X

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